{"id":12726,"date":"2022-09-23T14:42:36","date_gmt":"2022-09-23T14:42:36","guid":{"rendered":"http:\/\/www.icleopardi.edu.it\/?page_id=12726"},"modified":"2022-09-26T21:49:47","modified_gmt":"2022-09-26T21:49:47","slug":"biblioteca","status":"publish","type":"page","link":"http:\/\/www.icleopardi.edu.it\/biblioteca\/","title":{"rendered":"Biblioteca"},"content":{"rendered":"

IC Giacomo Leopardi di Torre del Greco<\/strong>
\nCatalogo della biblioteca<\/strong><\/p>\n

per cercare un volume usa la combinazione di tasti Ctrl + F<\/p>\n

vai al catalogo con Appsheet<\/a><\/p>\n

prenota qui la tua richiesta di prestito<\/a><\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

Titolo<\/p>\n<\/td>\n

\n

Autore<\/p>\n<\/td>\n

\n

Editore<\/p>\n<\/td>\n

armadio<\/td>\nscaffale<\/td>\n<\/td>\nGenere<\/td>\ncategoria<\/td>\nnumero<\/td>\nNotes<\/td>\n<\/tr>\n
Gente In Primo Piano<\/td>\nTeresio Bosco<\/td>\nSEI<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n228<\/td>\n<\/td>\n<\/tr>\n
Un’ Isola Nel Mare<\/td>\nAnnika Thor<\/td>\nFeltrinelli<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n4<\/td>\n<\/td>\n<\/tr>\n
Politica Estera E Cultura<\/td>\nHans Arnold<\/td>\nArmando Armando<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Aspetti Della Narrativa Di Hemingway<\/td>\n<\/td>\nCooperativa Libraria Universitaria Abruzzese<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Poeta Di Sorrento<\/td>\nLuigi Ugolini<\/td>\nSociet\u00e0 Editrice Nazionale Torino<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\nstoria<\/td>\n377<\/td>\n<\/td>\n<\/tr>\n
Eudes<\/td>\nMino Milani<\/td>\nMursia<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n83<\/td>\n<\/td>\n<\/tr>\n
Comunisti Contro Classe Operaia<\/td>\nGioacchino Santanche ‘<\/td>\nCoerenza<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Cavalieri E L ‘ Armi<\/td>\nLuigi Ugolini<\/td>\nSEI<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n585<\/td>\n<\/td>\n<\/tr>\n
Guerra A Primavera<\/td>\nMario V. Pucci<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n505<\/td>\n<\/td>\n<\/tr>\n
Etnoial<\/td>\nMaria Grazia Longo Cesta<\/td>\n<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Martin Luther King<\/td>\nTeresio Bosco<\/td>\nSEI<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Dei Campi<\/td>\nGiovanni Verga<\/td>\nL’ Unit\u00e0<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nel Sud Qualcosa Si Muove<\/td>\nRossana Guarnieri<\/td>\nLa Scuola<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n59<\/td>\n<\/td>\n<\/tr>\n
Margherita E La Politica<\/td>\nVirginie Lou<\/td>\nMotta<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n491<\/td>\n<\/td>\n<\/tr>\n
Memorie Di Un Fuoruscito<\/td>\nGaetano Salvemini<\/td>\nFeltrinelli<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lo Stagno Delle Ninfee<\/td>\nAnnika Thor<\/td>\nFeltrinelli<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n314<\/td>\n<\/td>\n<\/tr>\n
Uomini Con Figure<\/td>\nRoberto Piumini<\/td>\nEinaudi<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n455<\/td>\n<\/td>\n<\/tr>\n
Maja Delle Streghe<\/td>\nGiuliana Boldrini<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n510<\/td>\n<\/td>\n<\/tr>\n
La Ricerca Del Santo Gral<\/td>\nMino Milani<\/td>\nMursia<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nromanzo storico<\/td>\n215<\/td>\n<\/td>\n<\/tr>\n
La Casa Si Muove<\/td>\nGuglielmo Petroni<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Rivoluzione Industriale<\/td>\nDavid S. Landes<\/td>\nEinaudi<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\nromanzo storico<\/td>\n93<\/td>\n<\/td>\n<\/tr>\n
L’ Isola Delle Voci – La Spiaggia Di Falesa ‘<\/td>\nRobert Louis Stevenson<\/td>\nNewton<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n609<\/td>\n<\/td>\n<\/tr>\n
La Storia Di San Michele<\/td>\nAxel Munthe<\/td>\nGarzanti<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\nclassici<\/td>\n592<\/td>\n<\/td>\n<\/tr>\n
Capolavoro Sconosciuto – Gambara<\/td>\nHonore ‘ De Balzac<\/td>\nLa Spiga<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n246<\/td>\n<\/td>\n<\/tr>\n
Un Salto E Tocchi Il Cielo<\/td>\nVari<\/td>\nEinaudi<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n685<\/td>\n<\/td>\n<\/tr>\n
Una Banda Senza Nome\u00a0<\/span><\/td>\nGuido Petter<\/td>\nGiunti<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n215<\/td>\n<\/td>\n<\/tr>\n
Modestia A Parte …\u00a0<\/span><\/td>\nEttore Petrolini<\/td>\nL’ Unit\u00e0<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Estrella<\/td>\nErmanno Detti<\/td>\nNuove Edizioni Romane<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n340<\/td>\n<\/td>\n<\/tr>\n
Tendenze<\/td>\nMatteo Speraddio<\/td>\nMedusa<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lessico Famigliare<\/td>\nNatalia Ginzburg<\/td>\nEinaudi<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n91<\/td>\n<\/td>\n<\/tr>\n
Vita In Famiglia<\/td>\nAntonio Amurri<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Guerra Mondiale In Casa Bentivoglio<\/td>\nEnzo Catalano<\/td>\nLiguori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nstoria<\/td>\n61<\/td>\n<\/td>\n<\/tr>\n
Tema In Classe<\/td>\nAntonio Skarneta<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n49<\/td>\n<\/td>\n<\/tr>\n
Auschwitz Spiegato A Mia Figlia<\/td>\nAnnette Wieviorka<\/td>\nEinaudi<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\nromanzo storico<\/td>\n404<\/td>\n<\/td>\n<\/tr>\n
Lupo Omega<\/td>\nFrancesco D’ Adamo<\/td>\nEL<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n44<\/td>\n<\/td>\n<\/tr>\n
La Banalit\u00e0 Del Male<\/td>\nHanna Arendt<\/td>\nFeltrinelli<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n344<\/td>\n<\/td>\n<\/tr>\n
La Vita E ‘ Bella<\/td>\nRoberto Benigni – Vincenzo Cerami<\/td>\nEinaudi<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n96<\/td>\n<\/td>\n<\/tr>\n
Peter Senzombra<\/td>\nAdelbert Von Chamisso<\/td>\nSansoni<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n840<\/td>\n<\/td>\n<\/tr>\n
Buongiorno Europa<\/td>\nLino Monchieri<\/td>\nLa Scuola<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n178<\/td>\n<\/td>\n<\/tr>\n
Eroi<\/td>\nRobert Cormier<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nnarrativa ragazzi<\/td>\n790<\/td>\n<\/td>\n<\/tr>\n
Una Bambina E Basta<\/td>\nLia Levi<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n622<\/td>\n<\/td>\n<\/tr>\n
Trasloco<\/td>\nMatilde Lucchini<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n696<\/td>\n<\/td>\n<\/tr>\n
Amore E Ginnastica<\/td>\nEdmondo De Amicis<\/td>\nL’ Unit\u00e0<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Diario<\/td>\nAnna Frank<\/td>\nEinaudi<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccolo Romanzo Di Dorotea Gonzaga<\/td>\nMaria Bellonci<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n511<\/td>\n<\/td>\n<\/tr>\n
Shalom<\/td>\nClara Costa Kopciowski<\/td>\nMursia<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\ndocenti<\/td>\n58<\/td>\n<\/td>\n<\/tr>\n
La Battaglia Della Vita<\/td>\nCharles Dickens\u00a0<\/span><\/td>\nNewton<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n865<\/td>\n<\/td>\n<\/tr>\n
Storia Di Pagolo<\/td>\nJanilla Bruckmann<\/td>\nSalani<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n164<\/td>\n<\/td>\n<\/tr>\n
Tornare Per Non Dimenticare<\/td>\nLoredana Frescura<\/td>\nSalani<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n162<\/td>\n<\/td>\n<\/tr>\n
Cesare Va Alla Guerra<\/td>\nGuglielmo Zucconi<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Soccorso A Dorotea<\/td>\nMaria Bellonci<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n423<\/td>\n<\/td>\n<\/tr>\n
Guerrino Il Meschino<\/td>\nMino Milani<\/td>\nMursia<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\ndocenti<\/td>\n107<\/td>\n<\/td>\n<\/tr>\n
Robespierre<\/td>\nSilvia Battistelli<\/td>\nLa Spiga<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\nromanzo storico<\/td>\n248<\/td>\n<\/td>\n<\/tr>\n
Alexandros<\/td>\nValerio Massimo Manfredi<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\nstoria<\/td>\n614<\/td>\n<\/td>\n<\/tr>\n
L’ Oro Dell’ Azteco<\/td>\nCesare Peri<\/td>\nMursia<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n507<\/td>\n<\/td>\n<\/tr>\n
Il Mistero Della Citt\u00e0 Sepolta<\/td>\nEmma Faelli<\/td>\nSalani<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n223<\/td>\n<\/td>\n<\/tr>\n
Il Cavaliere Del Falcone D’ Oro<\/td>\nCesare Peri<\/td>\nSalani<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
All’ Insegna Della Stella\u00a0<\/span><\/td>\nKatherine Sturtevant<\/td>\nRomanzo Storico<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory, Fantasy<\/td>\nromanzo storico<\/td>\n434<\/td>\n<\/td>\n<\/tr>\n
I Cavalieri Della Tavola Rotonda<\/td>\nMino Milani<\/td>\nMursia<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nromanzo storico<\/td>\n84<\/td>\n<\/td>\n<\/tr>\n
Un’ Infanzia Italiana<\/td>\nCarlo Castellaneta<\/td>\nMursia<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n106<\/td>\n<\/td>\n<\/tr>\n
Alla Scoperta Del Nuovo Mondo<\/td>\nLia Pierotti Cei<\/td>\nFabbri<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n199<\/td>\n<\/td>\n<\/tr>\n
Cella Di Isolamento<\/td>\nChristopher Burney<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\nromanzo storico<\/td>\n816<\/td>\n<\/td>\n<\/tr>\n
Ciao Napoli – Parte Seconda<\/td>\nLuisanna Dalu ‘<\/td>\nMarco Derva<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n227<\/td>\n<\/td>\n<\/tr>\n
Una Traccia Di 100.000 Anni<\/td>\nHeinz Spinsel<\/td>\nLa Scuola<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n128<\/td>\n<\/td>\n<\/tr>\n
Ivanhoe<\/td>\nWalter Scott<\/td>\nSansoni<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cavalieri<\/td>\nStefano Di Marino<\/td>\nDe Agostini<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n194<\/td>\n<\/td>\n<\/tr>\n
I Malavoglia<\/td>\nGiovanni Verga<\/td>\nSansoni<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Torri Del Tesoro<\/td>\nGuido Petter<\/td>\nMursia<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n217<\/td>\n<\/td>\n<\/tr>\n
Efrem<\/td>\nMino Milani<\/td>\nMursia<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\ndocenti<\/td>\n117<\/td>\n<\/td>\n<\/tr>\n
Dal Vecchio Al Nuovo Mondo<\/td>\nM. Botto – M. Frtunato<\/td>\nMursia<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n504<\/td>\n<\/td>\n<\/tr>\n
Centomila Gavette Di Ghiaccio<\/td>\nGiulio Bedeschi<\/td>\nMursia<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n115<\/td>\n<\/td>\n<\/tr>\n
Gandhi<\/td>\nTaya Zinkin<\/td>\nMursia<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n109<\/td>\n<\/td>\n<\/tr>\n
Pocahontas<\/td>\nGianfranco Peroncini<\/td>\nEdimar<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\nromanzo storico<\/td>\n183<\/td>\n<\/td>\n<\/tr>\n
La Piccola Fadette<\/td>\nGeorge Sand<\/td>\nLa Scala D’ Oro<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n533<\/td>\n<\/td>\n<\/tr>\n
Prigionieri In Alto Mare<\/td>\nAnna Maria Pozzi<\/td>\nRaffaello<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Novelle Fatte A Macchina<\/td>\nGianni Rodari<\/td>\nEL – Einaudi<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Storia Impossibile<\/td>\nLuisanna Dalu ‘<\/td>\nMarco Derva<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
A Che Libro Giochiamo ?<\/td>\nEros Miari<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism<\/td>\nnarrativa ragazzi<\/td>\n708<\/td>\n<\/td>\n<\/tr>\n
Lo Schiavo Del Faraone<\/td>\nMarino Cassini<\/td>\nMursia<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n506<\/td>\n<\/td>\n<\/tr>\n
Il Servo Del Sole<\/td>\nCharles Hadelman<\/td>\nMondadori<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n817<\/td>\n<\/td>\n<\/tr>\n
Piccole Donne<\/td>\nLouise May Alcott<\/td>\nRusconi<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tantiamici<\/td>\nEmma Di Zara<\/td>\nEllepiesse<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storie E Leggende Napoletane<\/td>\nSalvatore Esposito<\/td>\nLa Spiga<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n254<\/td>\n<\/td>\n<\/tr>\n
Poema D’ Autunno<\/td>\nEnrico Scielzo<\/td>\nGrafica Jannone<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction, History<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Decamerone<\/td>\nGiovanni Boccaccio<\/td>\nMondadori<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Randagio<\/td>\nMaurizio Giannini<\/td>\nSalani<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nSocial Science<\/td>\n<\/td>\n157<\/td>\n<\/td>\n<\/tr>\n
Hit Parade Dei Miti Greci<\/td>\nTerry Deary<\/td>\nSalani<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n412<\/td>\n<\/td>\n<\/tr>\n
Le Confessioni Di Un Italiano<\/td>\nIppolito Nievo<\/td>\nMursia<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Illuministi Lombardi<\/td>\nNoris Raffaelli<\/td>\nLe Monnier<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Poesia E Scienza<\/td>\nDomenico Romano<\/td>\nLoffredo<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L’ Amico Ritrovato<\/td>\nFred Uhlman<\/td>\nFeltrinelli – Loescher<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Circo Di Zeus<\/td>\nRoberto Piumini<\/td>\nEinaudi<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nromanzo storico<\/td>\n453<\/td>\n<\/td>\n<\/tr>\n
L’ombra Della Felicit\u00e0<\/td>\nGuido Gozzano<\/td>\nMorano<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n72<\/td>\n<\/td>\n<\/tr>\n
Storia Moderna<\/td>\nRosario Villari<\/td>\nLaterza<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Una Citt\u00e0 Senza Misteri<\/td>\nCarlo Collodi<\/td>\nRadar<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n589<\/td>\n<\/td>\n<\/tr>\n
Paesaggi,amori,ricordi<\/td>\nEnrico Lambiase<\/td>\nIstituto Superiore F. Enriques Castelfiorentino<\/td>\n1<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Racconti<\/td>\nAnton Cechov<\/td>\nLa Scuola<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
David Copperfield<\/td>\nCharles Dickens\u00a0<\/span><\/td>\nCeli<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pompei Magia Di Rose<\/td>\nVito A Cioffi<\/td>\nOxiana<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n219<\/td>\n<\/td>\n<\/tr>\n
Fausto E Anna<\/td>\nCarlo Cassola<\/td>\nSansoni<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n132<\/td>\n<\/td>\n<\/tr>\n
Costumi Di Napoli<\/td>\nD. Aguglia Desmoceaux<\/td>\nT & M<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n836<\/td>\n<\/td>\n<\/tr>\n
Manuale Del Giovane Poeta<\/td>\nAndrea Molesini<\/td>\nMondadori<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\nclassici<\/td>\n674<\/td>\n<\/td>\n<\/tr>\n
Tre Racconti<\/td>\nGustave Flaubert<\/td>\nMorano<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Ritratto Di Dorian Gray<\/td>\nOscar Wilde<\/td>\nNewton<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Biblioteca Nella Scuola<\/td>\nMary Peacock Douglas<\/td>\nArmando Armando<\/td>\n1<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Viaggio Nelle Parole<\/td>\n<\/td>\nFatatrac<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n495<\/td>\n<\/td>\n<\/tr>\n
Il Giardino Misterioso<\/td>\nFrances H. Burnett<\/td>\nG. B. Paravia & C.<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L’ Albero Del Riccio<\/td>\nAntonio Gramsci<\/td>\nEditori Riuniti<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n547<\/td>\n<\/td>\n<\/tr>\n
Mezzogiorno Tra Riforme E Rivoluzione<\/td>\nPasquale Villani<\/td>\nLaterza<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Maggio Asciutto Grano Per Tutti<\/td>\nAnna Ricci – Rosaria Troisi<\/td>\nMedusa<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n210<\/td>\n<\/td>\n<\/tr>\n
Indiani<\/td>\n<\/td>\nDomus<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Verga Pirandello E Svevo<\/td>\nAnnamaria Apicella<\/td>\nLoffredo\u00a0<\/span><\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n181<\/td>\n<\/td>\n<\/tr>\n
I Misteri Del Castello<\/td>\nWalter Scott<\/td>\nLoescher<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\nstoria<\/td>\n77<\/td>\n<\/td>\n<\/tr>\n
Storia Della Colonna Infame<\/td>\nAlessandro Manzoni<\/td>\nLa Spiga<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n249<\/td>\n<\/td>\n<\/tr>\n
Il Contadino Gene ‘<\/td>\nGiovanni Aroino<\/td>\nGarzanti<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Com’ Era Verde La Mia Vallata<\/td>\nRichard Llewellyn<\/td>\nMondadori<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n154<\/td>\n<\/td>\n<\/tr>\n
Amleto<\/td>\nWilliam Shakespeare<\/td>\nLa Spiga<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n253<\/td>\n<\/td>\n<\/tr>\n
Il Maestro Di Vigevano<\/td>\nLucio Mastronardi<\/td>\nEinaudi<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n147<\/td>\n<\/td>\n<\/tr>\n
Miti Dal Mondo<\/td>\nVari<\/td>\nEinaudi<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
I Promessi Sposi\u00a0<\/span><\/td>\nAlessandro Manzoni<\/td>\nSEI<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Musei Diocesani In Italia<\/td>\n<\/td>\nFamiglia Cristiana<\/td>\n1<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L’ Infanzia Di Zemja Ljuvers<\/td>\nBoris Pasternak<\/td>\nMondadori<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n186<\/td>\n<\/td>\n<\/tr>\n
La Bottega Dell’ Antiquario<\/td>\nCharles Dickens\u00a0<\/span><\/td>\nLe Monnier<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n633<\/td>\n<\/td>\n<\/tr>\n
Il Duello<\/td>\nDavid Grossman<\/td>\nMondadori<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\nstoria<\/td>\n620<\/td>\n<\/td>\n<\/tr>\n
Il Malato Immaginario<\/td>\nMoliere<\/td>\nLa Spiga<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n247<\/td>\n<\/td>\n<\/tr>\n
Il Canto Di Natale<\/td>\nCharles Dickens\u00a0<\/span><\/td>\nRadar<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n545<\/td>\n<\/td>\n<\/tr>\n
La Secchia Rapita<\/td>\n148<\/td>\nClassici<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n148<\/td>\n<\/td>\n<\/tr>\n
Il Treno Ha Fischiato<\/td>\nLuigi Pirandello<\/td>\nMondadori<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Barone Rampante<\/td>\nItalo Calvino<\/td>\nEinaudi<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n138<\/td>\n<\/td>\n<\/tr>\n
Leopardi – Pensieri E Detti Memorabili<\/td>\n<\/td>\nNewton<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\nclassici<\/td>\n801<\/td>\n<\/td>\n<\/tr>\n
Tartarino Di Tarascona<\/td>\nA. Daudet<\/td>\nZanichelli<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n632<\/td>\n<\/td>\n<\/tr>\n
Le Maschere Della Realt\u00e0<\/td>\nLuigi Pirandello<\/td>\nMarco Derva<\/td>\n<\/td>\n<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n214<\/td>\n<\/td>\n<\/tr>\n
Racconti Realistici<\/td>\nVari<\/td>\nLa Scuola<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction, History<\/td>\ndocenti<\/td>\n62<\/td>\n<\/td>\n<\/tr>\n
Nessuno<\/td>\nLuciano De Crescenzo<\/td>\nMondadori<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Fra Rabbia E Nostalgia<\/td>\nGina Basso<\/td>\nFabbri<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n220<\/td>\n<\/td>\n<\/tr>\n
Dal Giullare Alla Tv<\/td>\nMatteo Speraddio – Giovanni Brindisi<\/td>\nMedusa<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction, History<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Racconti Realistici<\/td>\nVari<\/td>\nLa Scuola<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction, History<\/td>\ndocenti<\/td>\n62<\/td>\n<\/td>\n<\/tr>\n
Pagine Di Romanzi<\/td>\nLuigi Mondo<\/td>\nSEI<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Novella Italiana Nei Secoli<\/td>\nVari<\/td>\nLoffredo<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n594<\/td>\n<\/td>\n<\/tr>\n
Racconti Dai Drammi Di Shakespeare<\/td>\nCharles E Mary Lamb<\/td>\nEditrice Italiana Roma<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tutto L’ Amore Che C’e’<\/td>\nVari<\/td>\nEinaudi<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n686<\/td>\n<\/td>\n<\/tr>\n
Tifone<\/td>\nJoseph Conrad<\/td>\nMursia<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n118<\/td>\n<\/td>\n<\/tr>\n
Il Ragazzo Con La Cetra<\/td>\nEzio Savino<\/td>\nMursia<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n112<\/td>\n<\/td>\n<\/tr>\n
Il Mulino Del Po<\/td>\nRiccardo Bacchelli<\/td>\nMursia<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n114<\/td>\n<\/td>\n<\/tr>\n
Novelle<\/td>\nGiovanni Verga<\/td>\nMursia<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n117<\/td>\n<\/td>\n<\/tr>\n
Dal Novecento A Oggi<\/td>\nCiro Rai<\/td>\nMursia<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n108<\/td>\n<\/td>\n<\/tr>\n
Il Principe Felice<\/td>\nOscar Wilde<\/td>\nMondadori<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Argo E Il Suo Padrone<\/td>\nItalo Svevo<\/td>\nMorano<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n85<\/td>\n<\/td>\n<\/tr>\n
Eroi Del Mito<\/td>\nGiovanni Angelo Brindisi<\/td>\nMedusa<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Racconti Da Shakespeare<\/td>\nCharles E Mary Lamb<\/td>\nLa Scuola<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Galletti Del Bottajo<\/td>\nLuigi Pirandello<\/td>\nLoffredo<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n182<\/td>\n<\/td>\n<\/tr>\n
Il Piu ‘ Bel Libro<\/td>\nAlessandro Manzoni<\/td>\nLoffredo<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n591<\/td>\n<\/td>\n<\/tr>\n
Regole Italiane Di Catalogazione Per Autori<\/td>\n<\/td>\n<\/td>\n1<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cuore<\/td>\nEdmondo De Amicis<\/td>\nRusconi<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ventimila Leghe Sotto I Mari<\/td>\nJules Verne<\/td>\nFratelli Melita<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Favole Al Telefono<\/td>\nGianni Rodari<\/td>\nEinaudi<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L’ Albero Buio<\/td>\nDonatella Bindi Mondaini<\/td>\nEL<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nSocial Science<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Poeti Italiani – Giuseppe Ungaretti<\/td>\n<\/td>\nL’ Unit\u00e0<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n818<\/td>\n<\/td>\n<\/tr>\n
I Poeti Italiani – Salvatore Di Giacomo<\/td>\n<\/td>\nL’ Unit\u00e0<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Poeti Italiani – Guido Gozzano<\/td>\n<\/td>\nL’ Unit\u00e0<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Poeti Italiani – Eugenio Montale<\/td>\n<\/td>\nL’ Unit\u00e0<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n821<\/td>\n<\/td>\n<\/tr>\n
I Poeti Italiani – Giacomo Leopardi<\/td>\n<\/td>\nL’ Unit\u00e0<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n878<\/td>\n<\/td>\n<\/tr>\n
I Poeti Italiani – Alessandro Manzoni<\/td>\n<\/td>\nL’ Unit\u00e0<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cento Anni Di Lega Navale<\/td>\n<\/td>\nProcom<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Viaggio Nelle Parole<\/td>\n<\/td>\nFatatrac<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n495<\/td>\n<\/td>\n<\/tr>\n
Sotto Il Sole Del Sud<\/td>\nRosario Calabrese<\/td>\nBompiani<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n496<\/td>\n<\/td>\n<\/tr>\n
Addio Alla Caccia<\/td>\nGuerrino Giorgetti<\/td>\nMondadori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n156<\/td>\n<\/td>\n<\/tr>\n
Le Ragioni Della Tolleranza<\/td>\nSalvatore Parlagreco<\/td>\nSEI<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ndocenti<\/td>\n121<\/td>\n<\/td>\n<\/tr>\n
Il Ragazzo Delle Cinque Isole<\/td>\nFortunato Pasqualino<\/td>\nLa Scuola<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n497<\/td>\n<\/td>\n<\/tr>\n
Il Programma E ‘ Inchiodato<\/td>\nNuccia Resegotti<\/td>\nLa Scuola<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ndocenti<\/td>\n179<\/td>\n<\/td>\n<\/tr>\n
Bambini Davanti Alla Tv<\/td>\nEroina Fazioli Biaggio<\/td>\nRed<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n345<\/td>\n<\/td>\n<\/tr>\n
Cara Europa Ti Scrivo …<\/td>\nMarcella Peviani D’ Angelo – Lucia Massari<\/td>\nLoffredo<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nFiction, School<\/td>\nviaggi<\/td>\n637<\/td>\n<\/td>\n<\/tr>\n
Giorni Si Giorni No<\/td>\nErnesto Pucciarelli<\/td>\nIl Tripode<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n218<\/td>\n<\/td>\n<\/tr>\n
Io , Professore Della Quinta E<\/td>\nSalvatore Li Bassi<\/td>\nLoffredo<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ndocenti<\/td>\n188<\/td>\n<\/td>\n<\/tr>\n
… Aiuto Che Ci Sparano!<\/td>\nAnna La Rocca<\/td>\nIntra Moenia<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n800<\/td>\n<\/td>\n<\/tr>\n
Viaggio Nelle Parole<\/td>\n<\/td>\nFatatrac<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n495<\/td>\n<\/td>\n<\/tr>\n
Viaggio Nelle Parole<\/td>\n<\/td>\nFatatrac<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n495<\/td>\n<\/td>\n<\/tr>\n
Viaggio Nelle Parole<\/td>\n<\/td>\nFatatrac<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n495<\/td>\n<\/td>\n<\/tr>\n
L’ Albero Falcone<\/td>\nVari<\/td>\nFondazione Giovanni E Francesca Falcone<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n126<\/td>\n<\/td>\n<\/tr>\n
Inseguendo I Ricordi<\/td>\nTeresa Bracuti Fratino<\/td>\nLo Faro<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nFiction, History<\/td>\nclassici<\/td>\n802<\/td>\n<\/td>\n<\/tr>\n
Pane Nero<\/td>\nMiriam Mafai<\/td>\nMondadori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nFiction, History<\/td>\ndocenti<\/td>\n155<\/td>\n<\/td>\n<\/tr>\n
Il Tempo Dei Diritti<\/td>\nVari<\/td>\nFabbri<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n294<\/td>\n<\/td>\n<\/tr>\n
I Tempi Sono Cambiati<\/td>\nMelina Alfero<\/td>\nSEI<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Prezzemolo Sul Davanzale<\/td>\nJune Opie<\/td>\nSEI<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Voci Dal Sud Del Mondo<\/td>\nVari<\/td>\nMondadori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Voci Dal Sud Del Mondo<\/td>\nVari<\/td>\nMondadori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n71<\/td>\n<\/td>\n<\/tr>\n
Margherita E La Politica<\/td>\nVirginie Lou<\/td>\nMotta<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n491<\/td>\n<\/td>\n<\/tr>\n
Il Deserto Pu\u00f2 Fiorire<\/td>\nCesare Peri<\/td>\nSalani<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ndocenti<\/td>\n161<\/td>\n<\/td>\n<\/tr>\n
Randagio<\/td>\nMaurizio Giannini<\/td>\nSalani<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n157<\/td>\n<\/td>\n<\/tr>\n
Racconti Napoletani<\/td>\nMatilde Serao<\/td>\nFerraro<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Aquiloni Nella Notte<\/td>\nM. E. Kerr<\/td>\nEL<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n15<\/td>\n<\/td>\n<\/tr>\n
Storie Da Non Credere<\/td>\nVittorio Zucconi<\/td>\nEinaudi<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n456<\/td>\n<\/td>\n<\/tr>\n
Ragazzi D’ Onore<\/td>\nGiuseppe Pederiali<\/td>\nMondadori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n499<\/td>\n<\/td>\n<\/tr>\n
Storie Di Oggi E Domani<\/td>\nMatteo Speraddio<\/td>\nMedusa<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n207<\/td>\n<\/td>\n<\/tr>\n
L’ Albero Buio<\/td>\nDonatella Bindi Mondaini<\/td>\nEL<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science, Fiction<\/td>\ntemi sociali<\/td>\n490<\/td>\n<\/td>\n<\/tr>\n
L’ Albero Buio<\/td>\nDonatella Bindi Mondaini<\/td>\nEL<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science, Fiction<\/td>\ntemi sociali<\/td>\n490<\/td>\n<\/td>\n<\/tr>\n
Leggere Ad Alta Voce<\/td>\nRita Valentino Merletti<\/td>\nMondadori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nLiterary Criticism<\/td>\nnarrativa ragazzi<\/td>\n740<\/td>\n<\/td>\n<\/tr>\n
Raccontar Storie<\/td>\nRita Valentino Merletti<\/td>\nMondadori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nLiterary Criticism<\/td>\nnarrativa ragazzi<\/td>\n706<\/td>\n<\/td>\n<\/tr>\n
Amici<\/td>\nVari<\/td>\nEinaudi<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n418<\/td>\n<\/td>\n<\/tr>\n
Diario Segreto Di Adrian Mole Di Anni 13 E 3 \\ 4<\/td>\nSue Townsend<\/td>\nMondadori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n421<\/td>\n<\/td>\n<\/tr>\n
Aa. Vv. Dell’ Adolescenza<\/td>\nVari<\/td>\nMursia<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n119<\/td>\n<\/td>\n<\/tr>\n
Nati Due Volte<\/td>\nGiuseppe Pontiggia<\/td>\nMondadori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n624<\/td>\n<\/td>\n<\/tr>\n
Qualcosa Cambia<\/td>\nNicola Delvino<\/td>\nMursia<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n498<\/td>\n<\/td>\n<\/tr>\n
I Ragazzi Del Condominio<\/td>\nVittoria Fabretti<\/td>\nSalani<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n222<\/td>\n<\/td>\n<\/tr>\n
In Famiglia<\/td>\nVilma Gaist<\/td>\nEdisco<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n809<\/td>\n<\/td>\n<\/tr>\n
Sognando La Libert\u00e0<\/td>\nNino Di Chiara<\/td>\nSalani<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n493<\/td>\n<\/td>\n<\/tr>\n
La Storia Di Helen Keller<\/td>\nEileen Bugland<\/td>\nFabbri<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n808<\/td>\n<\/td>\n<\/tr>\n
Hans E Lulu<\/td>\nBruno De Marco – Concetta De Iulis<\/td>\nLiguori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n90<\/td>\n<\/td>\n<\/tr>\n
Fuga Dal Video<\/td>\nGuglielmo Zucconi<\/td>\nCarlo Signorelli<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Bazar<\/td>\nFrancesco D’ Adamo<\/td>\nEL<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n431<\/td>\n<\/td>\n<\/tr>\n
L’ Albero Buio<\/td>\nDonatella Bindi Mondaini<\/td>\nEL<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n490<\/td>\n<\/td>\n<\/tr>\n
Il Razzismo Spiegato A Mia Figlia<\/td>\nTahar Ben Jelloun<\/td>\nBompiani<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\nnarrativa ragazzi<\/td>\n514<\/td>\n<\/td>\n<\/tr>\n
Haiaeia<\/td>\nPlatone<\/td>\nLoffredo<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Studi Catulliani<\/td>\nArmando Salvatore<\/td>\nLibreria Scientifica Editrice<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Prospettive Ed Orientamenti Al Termine Della Scuola Dell’ Obbligo<\/td>\n<\/td>\nVita E Pensiero<\/td>\n1<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n201<\/td>\n<\/td>\n<\/tr>\n
Esperienza E Riflessione<\/td>\nEmanuele Riverso<\/td>\nBorla<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Letteratura Italiana<\/td>\n<\/td>\nDe Agostini<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Elementi Di Politica<\/td>\nNorberto Bobbio<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\ndocenti<\/td>\n149<\/td>\n<\/td>\n<\/tr>\n
Elementi Di Politica<\/td>\nNorberto Bobbio<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\ndocenti<\/td>\n149<\/td>\n<\/td>\n<\/tr>\n
Joschko<\/td>\nGina Ruck – Paquet<\/td>\nJanus<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n856<\/td>\n<\/td>\n<\/tr>\n
Leopardi – Pensieri E Detti Memorabili<\/td>\n<\/td>\nNewton<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\nclassici<\/td>\n803<\/td>\n<\/td>\n<\/tr>\n
I Poeti Italiani – Umberto Saba<\/td>\n<\/td>\nL’ Unit\u00e0<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n828<\/td>\n<\/td>\n<\/tr>\n
I Poeti Italiani – Ugo Foscolo<\/td>\n<\/td>\nL’ Unit\u00e0<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n879<\/td>\n<\/td>\n<\/tr>\n
Casa Di Bambola<\/td>\nHenrik Ibsen<\/td>\nNewton<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n823<\/td>\n<\/td>\n<\/tr>\n
Il Velo Dissolto<\/td>\nGeorge Eiot<\/td>\nNewton<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Luna E ‘ Tramontata<\/td>\nJohn Ernst Steinbeck<\/td>\nLa Nuova Italia<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Trionfo E Crollo Del Predominio Europeo<\/td>\nPasquale Villani<\/td>\nIl Mulino<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Secolo Borghese In Francia<\/td>\nRoger Magrav<\/td>\nIl Mulino<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Francia Della Seconda Repubblica<\/td>\nMaurice Agulhon<\/td>\nEditori Riuniti<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Geografica<\/td>\n<\/td>\nMondadori<\/td>\n1<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Introduzione Alla Storia Contemporanea<\/td>\n<\/td>\nLa Nuova Italia<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Storia Attraverso Le Storie<\/td>\nPaola Zannoner<\/td>\nMondadori<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L’ Oro Del Sud<\/td>\nGennaro Cesaro<\/td>\nPironti<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n481<\/td>\n<\/td>\n<\/tr>\n
Racconti Italiani Del Novecento<\/td>\nVari<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n628<\/td>\n<\/td>\n<\/tr>\n
Leggere … E Poi Raccontare<\/td>\nVari<\/td>\nMarco Derva<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n861<\/td>\n<\/td>\n<\/tr>\n
Forse E ‘ Andata Cos\u00ec<\/td>\nAngela Della Pietra<\/td>\nMarco Derva<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mont – Oriol<\/td>\nGuy De Maupassant<\/td>\nNewton<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n855<\/td>\n<\/td>\n<\/tr>\n
Il Signor Norris Se Ne Va<\/td>\nChristopher Isherwood<\/td>\nMondadori<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction, History<\/td>\ndocenti<\/td>\n847<\/td>\n<\/td>\n<\/tr>\n
Ragionamenti<\/td>\nPietro Aretino<\/td>\nNewton<\/td>\n1<\/td>\n6<\/td>\n<\/td>\n<\/td>\ndocenti<\/td>\n850<\/td>\n<\/td>\n<\/tr>\n
Savonarola<\/td>\n<\/td>\nMondadori<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n849<\/td>\n<\/td>\n<\/tr>\n
Da Magonza A Torre Del Greco<\/td>\nLuigi Mari<\/td>\n<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n851<\/td>\n<\/td>\n<\/tr>\n
L’ Idiota<\/td>\nFedor Dostoevskij<\/td>\nRadar<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Groviglio Di Vipere<\/td>\nFrancois Mauriac<\/td>\nMondadori<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n819<\/td>\n<\/td>\n<\/tr>\n
Vari<\/td>\nVari<\/td>\nReader’s Digest Milano<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n857<\/td>\n<\/td>\n<\/tr>\n
Vari<\/td>\nVari<\/td>\nReader’s Digest Milano<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n864<\/td>\n<\/td>\n<\/tr>\n
Vari<\/td>\nVari<\/td>\nReader’s Digest Milano<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vari<\/td>\nVari<\/td>\nReader’s Digest Milano<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n860<\/td>\n<\/td>\n<\/tr>\n
Poesie Latine E Italiane<\/td>\nGiovanni Mazza<\/td>\nDick Peerson<\/td>\n1<\/td>\n6<\/td>\n<\/td>\n<\/td>\ndocenti<\/td>\n844<\/td>\n<\/td>\n<\/tr>\n
Gennarino<\/td>\nAdele Di Pasquale<\/td>\nCappelli<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n863<\/td>\n<\/td>\n<\/tr>\n
Fidel Castro<\/td>\n<\/td>\nMondadori<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n827<\/td>\n<\/td>\n<\/tr>\n
Marx<\/td>\n<\/td>\nMondadori<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n845<\/td>\n<\/td>\n<\/tr>\n
Elementi Di Politica<\/td>\nNorberto Bobbio<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\ndocenti<\/td>\n98<\/td>\n<\/td>\n<\/tr>\n
La Cultura Greca E Le Origini Del Pensiero Europeo<\/td>\nBruno Snell<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\ndocenti<\/td>\n143<\/td>\n<\/td>\n<\/tr>\n
Il Novecento E Lo Studio Dell ‘ Uomo<\/td>\nVari<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\ndocenti<\/td>\n97<\/td>\n<\/td>\n<\/tr>\n
Il Novecento E Lo Studio Dell ‘ Uomo<\/td>\nVari<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\ndocenti<\/td>\n101<\/td>\n<\/td>\n<\/tr>\n
Questo Novecento<\/td>\nVittorio Foa<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\ndocenti<\/td>\n165<\/td>\n<\/td>\n<\/tr>\n
Storia Della Mia Fuga Dai Piombi<\/td>\nGiacomo Casanova<\/td>\nNewton<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction, History<\/td>\ndocenti<\/td>\n835<\/td>\n<\/td>\n<\/tr>\n
Il Pirata<\/td>\nJoseph Conrad<\/td>\nNewton<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n832<\/td>\n<\/td>\n<\/tr>\n
Martin Eden<\/td>\nJack London<\/td>\nNewton<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n833<\/td>\n<\/td>\n<\/tr>\n
Moll Flanders<\/td>\nDaniel Defoe<\/td>\nNewton<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n834<\/td>\n<\/td>\n<\/tr>\n
Racconti Crudeli<\/td>\nAuguste De Villiers De L’ Isle – Adam<\/td>\nNewton<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n838<\/td>\n<\/td>\n<\/tr>\n
Racconti Straordinari<\/td>\nEdgar Allan Poe<\/td>\nLa Nuova Italia<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHorror<\/td>\nhorror<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Mare Non Bagna Napoli<\/td>\nAnna Maria Ortense<\/td>\nLa Nuova Italia<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Questi Tredici<\/td>\nDomenico Rea<\/td>\nLa Nuova Italia<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Benito Cereno<\/td>\nHerman Melville<\/td>\nLa Nuova Italia<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Mio Carso<\/td>\nScipio Slataper<\/td>\nLa Nuova Italia<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Giorni Della Nostra Vita<\/td>\nMarina Sereni<\/td>\nLa Nuova Italia<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Steppa<\/td>\nAnton Cechov<\/td>\nLa Nuova Italia<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Racconti<\/td>\nNikolai Gogol<\/td>\nLa Nuova Italia<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Buddismo Sentiero Di Luce<\/td>\nValerio Zecchini<\/td>\nAcquerelli D’oro<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nMind & Spirit<\/td>\ndocenti<\/td>\n127<\/td>\n<\/td>\n<\/tr>\n
Tragedia E Lotta Di Classe In Grecia<\/td>\nVittorio Citti<\/td>\nLiguori<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n120<\/td>\n<\/td>\n<\/tr>\n
AIDS<\/td>\nPiera Binfare ‘<\/td>\n<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nBody<\/td>\ndocenti<\/td>\n187<\/td>\n<\/td>\n<\/tr>\n
Demetrio Pianelli<\/td>\nEmilio De Marchi<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n124<\/td>\n<\/td>\n<\/tr>\n
Demetrio Pianelli<\/td>\nEmilio De Marchi<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n124<\/td>\n<\/td>\n<\/tr>\n
Arte E Filosofia<\/td>\nAntonio Ferrero<\/td>\nSEI<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\ndocenti<\/td>\n176<\/td>\n<\/td>\n<\/tr>\n
L’Italia Contemporanea<\/td>\nFederico Chabod<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n95<\/td>\n<\/td>\n<\/tr>\n
La Signora Bovary<\/td>\nGustave Flaubert<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n94<\/td>\n<\/td>\n<\/tr>\n
L’ Ambiguo Malanno<\/td>\nEva Cantarella<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction, History<\/td>\ndocenti<\/td>\n102<\/td>\n<\/td>\n<\/tr>\n
La Luna E I Fal\u00f2<\/td>\nCesare Pavese<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n140<\/td>\n<\/td>\n<\/tr>\n
Gente Di Dublino<\/td>\nJames Joyce<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n139<\/td>\n<\/td>\n<\/tr>\n
Il Processo<\/td>\nFrank Kafka<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n92<\/td>\n<\/td>\n<\/tr>\n
Il Sorriso Dell ‘ Ignoto Marinaio<\/td>\nVincenzo Consolo<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n103<\/td>\n<\/td>\n<\/tr>\n
Lettera Al Padre<\/td>\nFrank Kafka<\/td>\nMorano<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Circolo Pickwick – Volume 1<\/td>\nCharles Dickens\u00a0<\/span><\/td>\nBietti<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Circolo Pickwick – Volume 3<\/td>\nCharles Dickens\u00a0<\/span><\/td>\nBietti<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pagine Scelte<\/td>\nG. Tommaso Lampedusa<\/td>\nEdisco<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Diario Del Seduttore<\/td>\nSoeren Kerkegaard<\/td>\nLa Spiga<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Fratelli Karamazov – Volume 1<\/td>\nFedor Dostoevskij<\/td>\nFamiglia Cristiana<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n862<\/td>\n<\/td>\n<\/tr>\n
Don Chisciotte- Volume 1<\/td>\nMiguel De Cervantes<\/td>\nFamiglia Cristiana<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n852<\/td>\n<\/td>\n<\/tr>\n
Il Vecchio Dio<\/td>\nLuigi Pirandello<\/td>\nMondadori<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n826<\/td>\n<\/td>\n<\/tr>\n
Vita Di Ges\u00f9<\/td>\nFrancois Mauriac<\/td>\nMondadori<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nMind & Spirit<\/td>\ndocenti<\/td>\n858<\/td>\n<\/td>\n<\/tr>\n
Pompei Citt\u00e0 Non Citt\u00e0<\/td>\nGiuseppe Maggi<\/td>\nLoffredo<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n853<\/td>\n<\/td>\n<\/tr>\n
Pellegrini A Roma<\/td>\nComitato Centrale Per Il Grande Giubileo Dell ‘ Anno 2000<\/td>\nFamiglia Cristiana<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nMind & Spirit<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Romani<\/td>\nR. H. Barrow<\/td>\nMondadori<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L’ Avventura Del Poliziotto Morente<\/td>\nArthur Conan Doyle<\/td>\nMondadori<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nTrue Crime<\/td>\ndocenti<\/td>\n830<\/td>\n<\/td>\n<\/tr>\n
Il Gioco Atomico – Mi Chiamo Miriana – L ‘ Uomo Invisibile<\/td>\nVari<\/td>\nProgetto Napoli<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n837<\/td>\n<\/td>\n<\/tr>\n
Racconti Italiani D ‘ Oggi<\/td>\nVari<\/td>\nEinaudi<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n99<\/td>\n<\/td>\n<\/tr>\n
Il Gatto Lorenzino E Altri Racconti<\/td>\nGiorgio Saviane<\/td>\nMondadori<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n157<\/td>\n<\/td>\n<\/tr>\n
La Commedia Umana<\/td>\nWilliam Saroyan<\/td>\n<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ndocenti<\/td>\n158<\/td>\n<\/td>\n<\/tr>\n
Linus Chiama Italia<\/td>\nVari<\/td>\nSperling & Kupfer<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n22<\/td>\n<\/td>\n<\/tr>\n
David Bowie<\/td>\nPeter E Leni Gillman<\/td>\nSperling & Kupfer<\/td>\n1<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Metamorfosi<\/td>\nFrank Kafka<\/td>\nMorano<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Gabbiano Jonathan Livingstone<\/td>\nRichard Bach<\/td>\nRizzoli<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction, Fantasy<\/td>\ndocenti<\/td>\n846<\/td>\n<\/td>\n<\/tr>\n
Se Nascevo Gabbiano … Era Peggio<\/td>\nEnnio Cavalli<\/td>\nFeltrinelli<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n700<\/td>\n<\/td>\n<\/tr>\n
L ‘ Indiano Nell ‘ Armadio<\/td>\nLynne Reid Banks<\/td>\nSalani<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFantasy<\/td>\nnarrativa ragazzi<\/td>\n759<\/td>\n<\/td>\n<\/tr>\n
Non Sono Cenerentola<\/td>\nLoredana Frescura<\/td>\nFabbri<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n736<\/td>\n<\/td>\n<\/tr>\n
Il Giglio Di Corallo<\/td>\nLaura Guidi<\/td>\nFabbri<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n224<\/td>\n<\/td>\n<\/tr>\n
Storia Di Una Gabbianella E Del Gatto Che Le Insegn\u00f2 A Volare<\/td>\nLuis Sepulveda<\/td>\nSalani<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction, Fantasy<\/td>\nfiabe<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Speciale Violante<\/td>\nBianca Pitzorno<\/td>\nMondadori<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n468<\/td>\n<\/td>\n<\/tr>\n
Se E ‘ Una Bambina<\/td>\nBeatrice Masini<\/td>\nFabbri<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n292<\/td>\n<\/td>\n<\/tr>\n
Giovani Protagonisti<\/td>\nCarmen Scarpelli<\/td>\nEllepiesse<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
C’\u00e8 Un Maschio Nel Bagno Delle Femmine !<\/td>\nLouis Sachar<\/td>\nPiemme<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n334<\/td>\n<\/td>\n<\/tr>\n
Teo Vestito Di Rosa<\/td>\nAnne Fine<\/td>\nPiemme<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n701<\/td>\n<\/td>\n<\/tr>\n
Bella Da Morire<\/td>\nLeslea Newman<\/td>\nFabbri<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Primavera Al Mio Paese<\/td>\nZoila Zambon<\/td>\nLa Scuola<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n534<\/td>\n<\/td>\n<\/tr>\n
L ‘ Avventuroso Viaggio Di Ulisse<\/td>\nDomenico Bruni<\/td>\nEllepiesse<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccole Donne Crescono<\/td>\nLouise May Alcott<\/td>\nRusconi<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Promessi Sposi\u00a0<\/span><\/td>\nAlessandro Manzoni<\/td>\nIl Rubino<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Giardino Segreto<\/td>\nFrances H. Burnett<\/td>\nEllepiesse<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Favoloso Racconto Dell ‘ Orlando Furioso<\/td>\nDomenico Bruni<\/td>\nEllepiesse<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Bibbia<\/td>\n<\/td>\nIl Capitello<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nMind & Spirit<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Erbe Nostre Amiche – Volume 1<\/td>\nDaniele Manta<\/td>\nFerni<\/td>\n2<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Erbe Nostre Amiche – Volume 3<\/td>\nDaniele Manta E Diego Semolli<\/td>\nFerni<\/td>\n2<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Avventure Di Robin Hood<\/td>\nRoger Lancelyn Green<\/td>\nDe Agostini<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n166<\/td>\n<\/td>\n<\/tr>\n
I Tre Moschettieri<\/td>\nAlexandre Dumas<\/td>\nBietti<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n571<\/td>\n<\/td>\n<\/tr>\n
Tempi Tempestosi A Villa Ghiacciaossa<\/td>\nAnthony Horowitz<\/td>\nMondadori<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Incontro Con Capuana<\/td>\nConcetta Greco Lanza<\/td>\nGreco<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Famiglia Scintilla – Volume 7 – Luci E Ombre<\/td>\nTerry Deary E Barbara Allen<\/td>\nScienza<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n798<\/td>\n<\/td>\n<\/tr>\n
Marley<\/td>\nJohn Grogan<\/td>\nSperling & Kupfer<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pura E Semplice Perfidia<\/td>\nDebi Gliori<\/td>\nMondadori<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Parlare A Vanvera<\/td>\nBianca Pitzorno<\/td>\nMondadori<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pompei Magia Di Rose<\/td>\nPaola Senatori – Teresa Casciello<\/td>\nOxiana<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nHistory, School<\/td>\nromanzo storico<\/td>\n502<\/td>\n<\/td>\n<\/tr>\n
Le Conroy Sognano L’ Africa<\/td>\nHilary McKay<\/td>\nFeltrinelli<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n780<\/td>\n<\/td>\n<\/tr>\n
La Vagabonda<\/td>\nSharon Creech<\/td>\nMondadori<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n50<\/td>\n<\/td>\n<\/tr>\n
La Riconquista Di Mompracen<\/td>\nEmilio Salgari<\/td>\nNewton<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Guerra Dei Bottoni<\/td>\nLouis Pergaud<\/td>\nFabbri<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n659<\/td>\n<\/td>\n<\/tr>\n
Un Anno Sull ‘ Altipiano<\/td>\nEmilio Lussu<\/td>\nEinaudi<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n508<\/td>\n<\/td>\n<\/tr>\n
Kalambal<\/td>\nLino Minarelli<\/td>\nLa Scuola<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n810<\/td>\n<\/td>\n<\/tr>\n
Il Re Del Vento<\/td>\nMarguerite Henry<\/td>\nGiunti<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n487<\/td>\n<\/td>\n<\/tr>\n
Una Salute Di Ferro<\/td>\nLinda Aronson<\/td>\nFabbri<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n318<\/td>\n<\/td>\n<\/tr>\n
Giovanna D ‘ Arco<\/td>\nJay Williams<\/td>\nMondadori<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\nromanzo storico<\/td>\n563<\/td>\n<\/td>\n<\/tr>\n
Senza Ridere Senza Piangere<\/td>\nJulie Johnston<\/td>\nSalani<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n293<\/td>\n<\/td>\n<\/tr>\n
L ‘ Incantesimo Del Bosco Di Sopra<\/td>\nMaurizio Giannini<\/td>\nLa Scuola<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n60<\/td>\n<\/td>\n<\/tr>\n
Larthi Principessa Etrusca\u00a0<\/span><\/td>\nAldo Zelli<\/td>\nLa Scuola<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\nstoria<\/td>\n129<\/td>\n<\/td>\n<\/tr>\n
Un Alieno In 1 B<\/td>\nBruce Coville<\/td>\nFeltrinelli<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nSci – Fi<\/td>\nfanta-scienza<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Fotocoppia<\/td>\nJacqueline Wilson<\/td>\nSalani<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n280<\/td>\n<\/td>\n<\/tr>\n
Matilde<\/td>\nRoald Dahl<\/td>\nSalani<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction, Fantasy<\/td>\nnarrativa ragazzi<\/td>\n758<\/td>\n<\/td>\n<\/tr>\n
Io Tu Tutti<\/td>\nElena Rosci – Simona Rivolta<\/td>\nArchimede<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Ombrello Viola<\/td>\nAlki Zei<\/td>\nMondadori<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Brividosi – La Notte Delle Streghe<\/td>\nP. P. Strello<\/td>\nPiemme<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ladre Di Regali<\/td>\nAi dan Chanbers<\/td>\nGiunti<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n496<\/td>\n<\/td>\n<\/tr>\n
I Liceali<\/td>\nElena E Daniele<\/td>\nMondadori<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Riccardo Cuor Di Leone<\/td>\nWalter Scott<\/td>\nLoescher<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n197<\/td>\n<\/td>\n<\/tr>\n
La Ragazza Che Sognava I Fantasmi<\/td>\nAdele Griffin<\/td>\nPiemme<\/td>\n2<\/td>\n3<\/td>\n<\/td>\n<\/td>\nnarrativa ragazzi<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alghe<\/td>\nLinda Aronson<\/td>\nFabbri<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n17<\/td>\n<\/td>\n<\/tr>\n
Il Mondo Di Daughter McGuire<\/td>\nSharon Dennis Wyeth<\/td>\nPanini<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n35<\/td>\n<\/td>\n<\/tr>\n
Debbora In Lov<\/td>\nChiara Rapaccini<\/td>\nPiemme<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Vera Storia Di Pocahontas<\/td>\nAntonio Faeti<\/td>\nBompiani<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n281<\/td>\n<\/td>\n<\/tr>\n
Streghe<\/td>\nRobin McKinley<\/td>\nMondadori<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n693<\/td>\n<\/td>\n<\/tr>\n
Tostissimo !<\/td>\nDomenica Luciani<\/td>\nFeltrinelli<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n28<\/td>\n<\/td>\n<\/tr>\n
Tobia E L ‘ Angelo<\/td>\nSusanna Tamaro<\/td>\nMondadori<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n266<\/td>\n<\/td>\n<\/tr>\n
Si , E Gli Asini Volano !<\/td>\nJune Rare Wood<\/td>\nMondadori<\/td>\n2<\/td>\n<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Grande Festa Dei Murales<\/td>\nNorman Silver<\/td>\nMondadori<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Eva<\/td>\nPeter Dickinson<\/td>\nMondadori<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n645<\/td>\n<\/td>\n<\/tr>\n
Tre Sorrisi Per Paride<\/td>\nRoberto Piumini<\/td>\nEinaudi<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n452<\/td>\n<\/td>\n<\/tr>\n
Il Bambino Sottovuoto<\/td>\nChristopher Nostlinger<\/td>\nSalani<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nSci – Fi<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storie Di Re Mida<\/td>\nGianni Rodari<\/td>\nEinaudi<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n420<\/td>\n<\/td>\n<\/tr>\n
C ‘ Era Due Volte Il Barone Lamberto<\/td>\nGianni Rodari<\/td>\nEinaudi<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n64<\/td>\n<\/td>\n<\/tr>\n
L ‘ Incredibile Storia Di Lavinia<\/td>\nBianca Pitzorno<\/td>\nEinaudi<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n733<\/td>\n<\/td>\n<\/tr>\n
L’ Alfabeto Del Cittadino<\/td>\n<\/td>\nFatatrac<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nSocial Science<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Novelle Di Lia<\/td>\nLia Valle<\/td>\nFederico & Ardia<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n532<\/td>\n<\/td>\n<\/tr>\n
Principessa Laurentina<\/td>\nBianca Pitzorno<\/td>\nMondadori<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n271<\/td>\n<\/td>\n<\/tr>\n
Disney Mystery – Il Circo Maledetto<\/td>\n<\/td>\nDisney Libri<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Librogame – La Foresta Senza Ritorno<\/td>\nWerner Fuchs<\/td>\nEL<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction, Fantasy<\/td>\nlibrogame<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Librogame – La Foresta Senza Ritorno<\/td>\nWerner Fuchs<\/td>\nEL<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction, Fantasy<\/td>\nlibrogame<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Club Delle Baby – Sitter – Il Tradimento Di Claudia<\/td>\nAnna M. Martin<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Club Delle Baby – Sitter – Mallory Scende In Sciopero<\/td>\nAnna M. Martin<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Club Delle Baby – Sitter – Mallory E Il Cavallo Dei Sogni<\/td>\nAnna M. Martin<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Club Delle Baby – Sitter – Provaci Ancora , Mallory<\/td>\nAnna M. Martin<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Club Delle Baby – Sitter – Dawn E La Guerra In Famiglia<\/td>\nAnna M. Martin<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Club Delle Baby – Sitter – Dawn Torna In California<\/td>\nAnna M. Martin<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Club Delle Baby – Sitter – Guarisci Presto , Mallory<\/td>\nAnna M. Martin<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Club Delle Baby – Sitter – Clauda E Il Genio Di Elm Sreet<\/td>\nAnna M. Martin<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Club Delle Baby – Sitter – Kristy For President<\/td>\nAnna M. Martin<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mamma Non Fare Scenate !<\/td>\nRosie Rushton<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Boy Watching<\/td>\nKathryn Lamb<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Volevo Fare La Modella<\/td>\nMargaret Clark<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cara E. Perche Non Mi Rispondi ?<\/td>\nPaula Danziger E Anna M. Martin<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
A Ciascuno Il Suo Corpo<\/td>\nMary Rodgers<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Accidenti ! Perch\u00e9 Non Mi Guarda !<\/td>\nChloe Rayban<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Non Sono Femminista Ma …<\/td>\nSophie Grillet<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Come Sopravvivere Agli Anni Migliori Della Nostra Vita<\/td>\nRos Asquith<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sei La Mia Migliore Amica Ma Ti Odio !<\/td>\nRosie Rushton<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n284<\/td>\n<\/td>\n<\/tr>\n
Un Anno In Questa Scuola Di Matti ?<\/td>\nYvonne Coppard<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Bugie , Artisti E Grandi Guai<\/td>\nKate Klise<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cara Mamma Rifatti Pure Una Vita … Ma Non Rovinare La Mia !<\/td>\nCaroline Plaisted<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Insonnia E Batticuori<\/td>\nRosie Rushton<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n464<\/td>\n<\/td>\n<\/tr>\n
Mia Sorella Si Sposa<\/td>\nKathryn Lamb<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Fatemi Andare Al Concerto !<\/td>\nGrace Dent<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sono Disperata E Nessuno Se Ne Cura\u00a0<\/span><\/td>\nLouise Rennison<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Volevo Un Principe Non Un Ranocchio<\/td>\nCaroline Plaisted<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ama Me ! No , Me!<\/td>\nRosie Rushton E Nina Schlinder<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ansia E Batticuore , Il Trionfo Dell ‘ Amore<\/td>\nRosie Rushton<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Non Ho Tempo Da Perdere Con I Ragazzi<\/td>\nJean Ure<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sposer\u00f2 Il Principe Williams<\/td>\nHolly – Jane Rahlens<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Grande ! Avete Rovinato Il Resto Della Mia Vita !<\/td>\nYvonne Coppard<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ero A Caccia Di Ragazzi … Ma Ho Conquistato Solo Un Gatto !<\/td>\nKaren Mccmbil<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ero A Caccia Di Ragazzi … Ma Ho Conquistato Solo Un Gatto !<\/td>\nKaren Mccmbil<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ero A Caccia Di Ragazzi … Ma Ho Conquistato Solo Un Gatto !<\/td>\nKaren Mccmbil<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mi Hanno Rubato L ‘ Amica Del Cuore<\/td>\nLisa Papademetriou<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ansia E Batticuore , Il Trionfo Dell ‘ Amore<\/td>\nRosie Rushton<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Se Mi Prestassi Il Tuo Wonderbra … Credi Che Mia Madre Se Ne Accorgerebbe ?<\/td>\nCathy Hopkins<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Capitan Mutanda<\/td>\nDan Pilkey<\/td>\nPiemme<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Boy Watching<\/td>\nKathryn Lamb<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nick E Il Glimmung<\/td>\nPhilip K. Dick<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n653<\/td>\n<\/td>\n<\/tr>\n
Lettere Di Una Sorella Maggiore<\/td>\nRobin Klein<\/td>\nEL<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mare Profondo<\/td>\nAnnika Thor<\/td>\nFeltrinelli<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n795<\/td>\n<\/td>\n<\/tr>\n
Il Sessantotto<\/td>\nGiovanni Angelo Brindisi<\/td>\nMedusa<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Promessi Sposi\u00a0<\/span><\/td>\nAlessandro Manzoni<\/td>\nLa Spiga<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Papirofobia<\/td>\nSusanna Tamaro<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n673<\/td>\n<\/td>\n<\/tr>\n
Cosa C’e’ Dietro Le Stelle ?<\/td>\nMostre Gaarder<\/td>\nEinaudi<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\nnarrativa ragazzi<\/td>\n417<\/td>\n<\/td>\n<\/tr>\n
Il Pianeta Dei Bruchi<\/td>\nKen Follett<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nSci – Fi<\/td>\nfanta-scienza<\/td>\n308<\/td>\n<\/td>\n<\/tr>\n
Gli Sporcelli<\/td>\nRoald Dahl<\/td>\nSalani<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n680<\/td>\n<\/td>\n<\/tr>\n
Puzzy<\/td>\nKate Umansky<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n683<\/td>\n<\/td>\n<\/tr>\n
Una Ragazza Chiamata Disastro<\/td>\nNancy Farmer<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n290<\/td>\n<\/td>\n<\/tr>\n
Il Posto Dei Sogni<\/td>\nCharles De Lint<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tre Metri Sopra Il Cielo<\/td>\nFederico Moccia<\/td>\nFeltrinelli<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mare Profondo<\/td>\nAnnika Thor<\/td>\nFeltrinelli<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n756<\/td>\n<\/td>\n<\/tr>\n
Dizionario Italiano – Portoghese<\/td>\n<\/td>\nA. Vallardi<\/td>\n2<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Proteina Dell ‘ Amore<\/td>\nMarco Innocenti<\/td>\nGiunti<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Chiavi Della Firebird Di Pap\u00e0<\/td>\nMaureen Johnson<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cattive Compagnie<\/td>\nCatherine MacPhail<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Estate Del Soldato Tedesco<\/td>\nBette Greene<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Smitty<\/td>\nKristen D. Randle<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n315<\/td>\n<\/td>\n<\/tr>\n
Strega A Malincuore<\/td>\nJean Thesman<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mia Sorella Summer<\/td>\nRuth White<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Carissima Nonna<\/td>\nJerrie Preston Oughton<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Uomo Della Segatura<\/td>\nAlexandria LaFaye<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Uomo Della Segatura<\/td>\nAlexandria LaFaye<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Club Degli Imbranati<\/td>\nClaudia Mills<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n666<\/td>\n<\/td>\n<\/tr>\n
TVUKDB<\/td>\nValentina F.<\/td>\nFanucci<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Primo Amore<\/td>\nAngela Liso<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mi Piaci Cos\u00ec<\/td>\nFrancesco Gungui<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L’ Amico Ritrovato<\/td>\nFred Uhlman<\/td>\nSalani<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Magia Interrotta<\/td>\nAnne Fine<\/td>\nSalani<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n821<\/td>\n<\/td>\n<\/tr>\n
Incontro Col Verga<\/td>\nGiovanni Verga<\/td>\nGreco<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Giacomo Due – Due Contro Zanna Incappucciata<\/td>\nMordecai Rchler<\/td>\nAdelphi<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n345<\/td>\n<\/td>\n<\/tr>\n
Da Quando Sono Tornata<\/td>\nLia Levi<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L’ Isola Del Tesoro<\/td>\nRobert Louis Stevenson<\/td>\nSEI<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n388<\/td>\n<\/td>\n<\/tr>\n
Cane O Pizza ?<\/td>\nAnne Fine<\/td>\nPiemme<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Cerchio Magico<\/td>\nSusanna Tamaro<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\nnarrativa ragazzi<\/td>\n264<\/td>\n<\/td>\n<\/tr>\n
Un Anno Insieme Appassionatamente<\/td>\nAntonella Carlo<\/td>\nEllepiesse<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vuoti Di Memoria<\/td>\nHerve Jaquen<\/td>\nSalani<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n465<\/td>\n<\/td>\n<\/tr>\n
Il Lato Comico Della Vita<\/td>\nLorenzo E Ettore Donadio<\/td>\nDanilo<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Eccomi Qua , Sono Lola !<\/td>\nIsabel Abedi<\/td>\nSonda<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Polissena Del Porcello<\/td>\nBianca Pitzorno<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Bambina Con La Valigia<\/td>\nJacqueline Wilson<\/td>\nSalani<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n749<\/td>\n<\/td>\n<\/tr>\n
Il Segreto Di Sua Maest\u00e0<\/td>\nAnthony Horowitz<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n619<\/td>\n<\/td>\n<\/tr>\n
Amore Che Ha Vinto<\/td>\nPiero Dario<\/td>\nGiunti<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Per Non Perdere Il Filo<\/td>\nSabina Colloredo<\/td>\nEL<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Caro Diario , Perch\u00e9 Ho Sempre Fame<\/td>\nSusie Morgenstern<\/td>\nEL<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Strega A Malincuore<\/td>\nJean Thesman<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n732<\/td>\n<\/td>\n<\/tr>\n
Fuori Dal Guscio<\/td>\nJerry Spinelli<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Scusa Ma Ti Chiamo Amore<\/td>\nFederico Moccia<\/td>\nRizzoli<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ho Voglia Di Te<\/td>\nFederico Moccia<\/td>\nFeltrinelli<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cercasi Niki Disperatamente<\/td>\nFederico Moccia<\/td>\nRizzoli<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Libro Delle Storie Di Fantasmi<\/td>\nRoald Dahl<\/td>\nSalani<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Rosina , Poi Annetta<\/td>\nBeatrice Solinas Longhi<\/td>\nFabbri<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n784<\/td>\n<\/td>\n<\/tr>\n
Tantiamici<\/td>\nEmma Di Zara<\/td>\nEllepiesse<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Abbaiare Stanca<\/td>\nDaniel Pennac<\/td>\nSalani<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Una Ragazza Modello<\/td>\nCynthia Voigt<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n663<\/td>\n<\/td>\n<\/tr>\n
La Schiappa<\/td>\nJerry Spinelli<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mi Hanno Lasciata Indietro<\/td>\nMarina Iraso<\/td>\nFatatrac<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Quando Eravamo Piccole<\/td>\nBianca Pitzorno<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\nCD<\/td>\n<\/tr>\n
Le Cronache Di Narnia – Il Leone , La Strega E L ‘ Armadio<\/td>\nClive Staples Lewis<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nfantasy<\/td>\n426<\/td>\n<\/td>\n<\/tr>\n
Blueprint<\/td>\nCharlotte Kerner<\/td>\nEL<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nSci – Fi<\/td>\nfanta-scienza<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nel Buio Splendeva La Luna<\/td>\nVari<\/td>\nEinaudi<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nLiterary Criticism<\/td>\numoristico<\/td>\n684<\/td>\n<\/td>\n<\/tr>\n
Il Richiamo Della Foresta<\/td>\nJack London<\/td>\nPeruzzo<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Grande Gioco<\/td>\nDavid Almond<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Okey Dokey , Sono Un Punk<\/td>\nDomenica Luciani<\/td>\nFeltrinelli<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n698<\/td>\n<\/td>\n<\/tr>\n
Tiri In Rete<\/td>\nRich Wallace<\/td>\nFabbri<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n302<\/td>\n<\/td>\n<\/tr>\n
Vino E Pane<\/td>\nIgnazio Silone<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Non Avr\u00f2 Pi\u00f9 Paura<\/td>\nGeorgia Manzi<\/td>\nFabbri<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n791<\/td>\n<\/td>\n<\/tr>\n
Il Piccolo Principe Di San Sereno – Fantasmagorico Pitagorico<\/td>\nNicola Barile<\/td>\nColonnese \\ Tilapia<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Stephen L ‘ Oscuro<\/td>\nTim Wynne – Jones<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n643<\/td>\n<\/td>\n<\/tr>\n
All ‘ Ombra Del Lungo Camino<\/td>\nAndrea Molesini<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n440<\/td>\n<\/td>\n<\/tr>\n
Fiabe Di Sport<\/td>\nVinicio Ongini<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n671<\/td>\n<\/td>\n<\/tr>\n
Che Stress !<\/td>\nChristopher Nostlinger<\/td>\nSalani<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n670<\/td>\n<\/td>\n<\/tr>\n
Io Non Ho Paura<\/td>\nNiccol\u00f2 Ammaniti<\/td>\nEinaudi<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Re Delle Patate Fritte<\/td>\nTim Wynne – Jones<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alabama 1964<\/td>\nChristopher Paul Curtis<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Trasloco<\/td>\nMatilde Lucchini<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n697<\/td>\n<\/td>\n<\/tr>\n
L ‘ Incantesimo Del Bosco Di Sopra<\/td>\nMaurizio Giannini<\/td>\nLa Scuola<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n60<\/td>\n<\/td>\n<\/tr>\n
Polissena Del Porcello<\/td>\nBianca Pitzorno<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n267<\/td>\n<\/td>\n<\/tr>\n
Giulietta E Romeo<\/td>\nWilliam Shakespeare<\/td>\nEinaudi<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n428<\/td>\n<\/td>\n<\/tr>\n
Davi ‘<\/td>\nBarbara Garlaschelli<\/td>\nEL<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n444<\/td>\n<\/td>\n<\/tr>\n
Mia Sorela E ‘ Un Mostro<\/td>\nMartha Essen<\/td>\nFeltrinelli<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n774<\/td>\n<\/td>\n<\/tr>\n
Il Dino Della Fata<\/td>\nGail Carson Levine<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\n<\/td>\nnarrativa ragazzi<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Rico La Peste Fonda Un Club Segreto<\/td>\nFrancesca Simon<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Clara Va Al Mare<\/td>\nGuido Quarzo<\/td>\nSalani<\/td>\n2<\/td>\n5<\/td>\n<\/td>\n<\/td>\nnarrativa ragazzi<\/td>\n51<\/td>\n<\/td>\n<\/tr>\n
L ‘ Aggiusta – Sogni<\/td>\nUri Orlev<\/td>\nFeltrinelli<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n729<\/td>\n<\/td>\n<\/tr>\n
Zuzu ‘<\/td>\nPaolo Luggeri<\/td>\nLiguori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n89<\/td>\n<\/td>\n<\/tr>\n
Il Segreto Di Manolito<\/td>\nElvira Lindo<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cuoresaldo A Caccia Grossa<\/td>\nVittorio Tedesco Zammariano<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\navventura<\/td>\n636<\/td>\n<\/td>\n<\/tr>\n
Le Novelle Di Lia<\/td>\nLia Valle<\/td>\nFederico & Ardia<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n532<\/td>\n<\/td>\n<\/tr>\n
Primavera Al Mio Paese<\/td>\nZoila Zambon<\/td>\nLa Scuola<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n531<\/td>\n<\/td>\n<\/tr>\n
Il Vento Di Santiago<\/td>\nPaola Zannoner<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n48<\/td>\n<\/td>\n<\/tr>\n
Inkiostrik , Il Mostro De Calcio<\/td>\nUrsel Scheffler<\/td>\nPiemme<\/td>\n2<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ritagli Di Cielo<\/td>\nPat Brisson<\/td>\nFeltrinelli<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Rcky<\/td>\nJulia Sorel<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Jimmi Della Collina<\/td>\nMassimo Carlotto<\/td>\nEL<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n341<\/td>\n<\/td>\n<\/tr>\n
Segreti Da Ragazzi<\/td>\nJacques Fansten<\/td>\nEinaudi<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n104<\/td>\n<\/td>\n<\/tr>\n
Palla Al Centro<\/td>\nMario Visone<\/td>\nMedusa<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n212<\/td>\n<\/td>\n<\/tr>\n
Squali All ‘ Orizzonte<\/td>\nTiziana Merani<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Un Anno Con Le Balene<\/td>\n<\/td>\nGiunti<\/td>\n2<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Kamo<\/td>\nDaniel Pennac<\/td>\nEinaudi<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n419<\/td>\n<\/td>\n<\/tr>\n
Il Naso Di Moritz<\/td>\nMira Lobe<\/td>\nPiemme<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Ripetente<\/td>\nClaire Mazard<\/td>\nBompiani<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n305<\/td>\n<\/td>\n<\/tr>\n
L ‘ Occhio Del Lupo<\/td>\nDaniel Pennac<\/td>\nSalani<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Racconti Comici E Umoristici<\/td>\nVari<\/td>\nLoescher<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n184<\/td>\n<\/td>\n<\/tr>\n
L ‘ Assente<\/td>\nJan De Zanger<\/td>\nEL<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n39<\/td>\n<\/td>\n<\/tr>\n
Alla Ricerca Del Pugnale Sacro<\/td>\nNadia Vittori<\/td>\nRaffaello<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Buck Dagli Occhi Azzurri<\/td>\nRossana Guarnieri<\/td>\nLe Monnier<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n160<\/td>\n<\/td>\n<\/tr>\n
Le Due Vite Di James Il Tuffatore<\/td>\nBerlie Doherty<\/td>\nPiemme<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n303<\/td>\n<\/td>\n<\/tr>\n
Il Padrone Della Scuola<\/td>\nGary Paulsen<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n300<\/td>\n<\/td>\n<\/tr>\n
Il Mio Amico Harold<\/td>\nGary Paulsen<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n299<\/td>\n<\/td>\n<\/tr>\n
Quando La Nebbia Si Infittisce<\/td>\nFiona Kelly<\/td>\nMotta<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n21<\/td>\n<\/td>\n<\/tr>\n
Il Wauga<\/td>\nChristopher Nostlinger<\/td>\nSalani<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n777<\/td>\n<\/td>\n<\/tr>\n
I Ragazzi Della Scala C<\/td>\nInes Belski Lagazzi<\/td>\nLa Scuola<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alle Sette Del Mattino Il Mondo E ‘ Ancora In Ordine<\/td>\nEric Malpass<\/td>\nBompiani<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n542<\/td>\n<\/td>\n<\/tr>\n
Racconti Comici E Umoristici<\/td>\nVari<\/td>\nLoescher<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Inventore Di Sogni<\/td>\nIan McEwan<\/td>\nEinaudi<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n649<\/td>\n<\/td>\n<\/tr>\n
Pinu ‘ L ‘ Omino Di Ferro<\/td>\nPier Mario Fasanotti<\/td>\nEL<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Signore Dei Bonsai<\/td>\nManuel Vazquez Montalban<\/td>\nFeltrinelli<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n755<\/td>\n<\/td>\n<\/tr>\n
Motu – Iti<\/td>\nRoberto Piumini<\/td>\nEinaudi<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n454<\/td>\n<\/td>\n<\/tr>\n
Il Mago Dei Numeri<\/td>\nHans M. Enzensberger<\/td>\nEinaudi<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\nscienze<\/td>\n346<\/td>\n<\/td>\n<\/tr>\n
Basta Guardare Il Cielo<\/td>\nRoadman Philbrick<\/td>\nFabbri<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Basta Guardare Il Cielo<\/td>\nRoadman Philbrick<\/td>\nFabbri<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n301<\/td>\n<\/td>\n<\/tr>\n
Un Pacco Postale Di Nome Michele Crismani<\/td>\nLuciano Comida<\/td>\nEL<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n43<\/td>\n<\/td>\n<\/tr>\n
Vacanze Col Padre<\/td>\nMarcello Argilli<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Ragazzi Della Seconda C<\/td>\nMarina Migliavacca<\/td>\nFabbri<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n204<\/td>\n<\/td>\n<\/tr>\n
La Notte Dei Desideri<\/td>\nMichael Ende<\/td>\nSalani<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n681<\/td>\n<\/td>\n<\/tr>\n
Orazio<\/td>\nArianna Papini<\/td>\nFatatrac<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Boy<\/td>\nRoald Dahl<\/td>\nSalani<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\nnarrativa ragazzi<\/td>\n655<\/td>\n<\/td>\n<\/tr>\n
Notizie Di Storia Su Poseidonia – Paestum<\/td>\n<\/td>\n<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\nPaestum<\/td>\n<\/tr>\n
Le Due Facce Di Gerusalemme<\/td>\nAlberto Melis<\/td>\nPiemme<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction, History<\/td>\nstoria<\/td>\n797<\/td>\n<\/td>\n<\/tr>\n
Alla Mia Prof Con Rabbia<\/td>\nGiuliana Cabrini<\/td>\nGribaudi<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n342<\/td>\n<\/td>\n<\/tr>\n
Il Cerchio Dei Tre Fratelli<\/td>\nRoberto Denti<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n345<\/td>\n<\/td>\n<\/tr>\n
Storia Di Iqbal<\/td>\nFrancesco D’ Adamo<\/td>\nEL<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\nnarrativa ragazzi<\/td>\n319<\/td>\n<\/td>\n<\/tr>\n
Quinta Corsa<\/td>\nMargherita D ‘ Amico<\/td>\nEL<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n779<\/td>\n<\/td>\n<\/tr>\n
Olimpia Sulle Isole<\/td>\nSara Marconi<\/td>\nFeltrinelli<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n450<\/td>\n<\/td>\n<\/tr>\n
Mattia E Il Nonno<\/td>\nRoberto Piumini<\/td>\nEL – Einaudi<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storie Sotto I Baffi<\/td>\nMichael Morpurgo<\/td>\nEL<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L’ Allodola E Il Cinghiale<\/td>\nNico Orengo<\/td>\nEinaudi<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n439<\/td>\n<\/td>\n<\/tr>\n
Festa Di Compleanno<\/td>\nPaula Fox<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n789<\/td>\n<\/td>\n<\/tr>\n
Festa Di Compleanno<\/td>\nPaula Fox<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n789<\/td>\n<\/td>\n<\/tr>\n
Il Diario Segreto Di Adrian Mole<\/td>\nSue Townsend<\/td>\nSperling & Kupfer<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Occhio Del Lupo<\/td>\nDaniel Pennac<\/td>\nSalani<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Fuggo Da Tutto<\/td>\nMatilde Lucchini<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n694<\/td>\n<\/td>\n<\/tr>\n
C’\u00e8 Una Lettera Per Te<\/td>\nMatilde Lucchini<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n657<\/td>\n<\/td>\n<\/tr>\n
Suonala Ancora , Cozzetta<\/td>\nLia Celi<\/td>\nEL<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n785<\/td>\n<\/td>\n<\/tr>\n
Lilli De Libris E La Biblioteca Magica<\/td>\nJostein Gaarder E Klaus Hagerup<\/td>\nSalani<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n728<\/td>\n<\/td>\n<\/tr>\n
La Maledizione Del Faraone<\/td>\nAllan Frewin Jones<\/td>\nPiemme<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Museo Abbandonato<\/td>\nHenry Chancellor<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Leonardo E La Macchina Infernale<\/td>\nRobert J. Harris<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Drago Di Ghiaccio<\/td>\nGeorge R. R. Martin<\/td>\nMondadori<\/td>\n2<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Grande Libro Delle Arti<\/td>\n<\/td>\nMondadori<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\nguide per ragazzi<\/td>\n191<\/td>\n<\/td>\n<\/tr>\n
La Principessa Di Helgoland<\/td>\nGiovanni Rossi<\/td>\nFabbri<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n540<\/td>\n<\/td>\n<\/tr>\n
Le Avventure Di Pinocchio<\/td>\nCarlo Collodi<\/td>\nMondadori<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n68<\/td>\n<\/td>\n<\/tr>\n
Fiabe Campane<\/td>\nRoberto De Simone<\/td>\nEL<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n405<\/td>\n<\/td>\n<\/tr>\n
Il Piccolo Zaccaria – La Principessa Brambilla<\/td>\nE. T. A. Hoffman<\/td>\nSEI<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n168<\/td>\n<\/td>\n<\/tr>\n
Cappuccetto Rosso A Manhattan<\/td>\nCarmen Martin Gaite<\/td>\nMondadori<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n427<\/td>\n<\/td>\n<\/tr>\n
La Strega Della Montagna<\/td>\nGloria Cecilia Diaz<\/td>\nPiemme<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Avventure Di Peter Pan<\/td>\nJames Matthew Barrie<\/td>\nSEI<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n380<\/td>\n<\/td>\n<\/tr>\n
Tartarino Di Tarascona<\/td>\nA. Daudet<\/td>\nSEI<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n632<\/td>\n<\/td>\n<\/tr>\n
Tre Sorrisi Per Paride<\/td>\nRoberto Piumini<\/td>\nEinaudi<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Fuggo Da Tutto<\/td>\nMatilde Lucchini<\/td>\nMondadori<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n695<\/td>\n<\/td>\n<\/tr>\n
Vita In Famiglia<\/td>\nAntonio Amurri<\/td>\nMondadori<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n625<\/td>\n<\/td>\n<\/tr>\n
Vita In Famiglia<\/td>\nAntonio Amurri<\/td>\nMondadori<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n109<\/td>\n<\/td>\n<\/tr>\n
Rommel<\/td>\nCesare Vietti<\/td>\nLa Spiga<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\nromanzo storico<\/td>\n244<\/td>\n<\/td>\n<\/tr>\n
La Bella E La Bestia<\/td>\nLeprince De Beaumont<\/td>\nLa Spiga<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Famiglia Scintilla – Volume 3 – Tattiche Di Terrore<\/td>\nTerry Deary E Barbara Allen<\/td>\nScienza<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Streghe<\/td>\nRoald Dahl<\/td>\nSalani<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n313<\/td>\n<\/td>\n<\/tr>\n
Scambio Con L’inglese<\/td>\nChristopher Nostlinger<\/td>\nPiemme<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n529<\/td>\n<\/td>\n<\/tr>\n
Grammatica Della Fantasia<\/td>\nGianni Rodari<\/td>\nEinaudi<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism, Fantasy<\/td>\nfantasy<\/td>\n647<\/td>\n<\/td>\n<\/tr>\n
Michele Crismani Vola A Bitritto<\/td>\nLuciano Comida<\/td>\nEL<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n328<\/td>\n<\/td>\n<\/tr>\n
Il Pentamerone<\/td>\nGiambattista Basile<\/td>\nSEI<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n546<\/td>\n<\/td>\n<\/tr>\n
Nel Regno Delle Farfalle<\/td>\nVittoria Santoro<\/td>\nGreo<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Frecce D ‘ Oro<\/td>\nPaolo Mastrocola<\/td>\nSEI<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Gatto Tigrato E Miss Rondinella<\/td>\nJorge Amado<\/td>\nMondadori<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n672<\/td>\n<\/td>\n<\/tr>\n
Contrari<\/td>\nRichard Wilbur<\/td>\nMondadori<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n719<\/td>\n<\/td>\n<\/tr>\n
Il Principe Felice<\/td>\nOscar Wilde<\/td>\nEinaudi<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Pentamerone<\/td>\nGiambattista Basile<\/td>\nLa Nuova Italia<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n546<\/td>\n<\/td>\n<\/tr>\n
Aspetti E Problemi Della Societ\u00e0 In Cui Viviamo<\/td>\nMarco Levi<\/td>\nDanilo<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Avventure Di Fabrizio E Pulcinellino<\/td>\nCarmela Politi Cenere<\/td>\nDanilo<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n208<\/td>\n<\/td>\n<\/tr>\n
La Colubrina<\/td>\nMichel Tournier<\/td>\nSalani<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction, History<\/td>\nromanzo storico<\/td>\n443<\/td>\n<\/td>\n<\/tr>\n
Storie Di Oggi E Domani<\/td>\nMatteo Speraddio<\/td>\nMedusa<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n203<\/td>\n<\/td>\n<\/tr>\n
Gip Nel Televisore<\/td>\nGianni Rodari<\/td>\nMursia<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n386<\/td>\n<\/td>\n<\/tr>\n
Anche Icaro Va A Scuola<\/td>\nLydia Giuffrida Longo<\/td>\nGreco<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n610<\/td>\n<\/td>\n<\/tr>\n
Ricomincio Dai Beni<\/td>\n<\/td>\n<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nSocial Science, History<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Scurpiddu<\/td>\nLuigi Capuana<\/td>\nSEI<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n386<\/td>\n<\/td>\n<\/tr>\n
Dal Popolo Degli Uomini<\/td>\nWalter Edrotti<\/td>\nAcquerelli D’oro<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n167<\/td>\n<\/td>\n<\/tr>\n
Le Mille E Una Notte<\/td>\nBrian Alderson<\/td>\nMondadori<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Fiabe D ‘ Europa<\/td>\nVari<\/td>\nMorano<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Favole Di Fedro<\/td>\n<\/td>\nFabbri<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n815<\/td>\n<\/td>\n<\/tr>\n
C’era Una Volta …<\/td>\nVari<\/td>\nMarietti<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n196<\/td>\n<\/td>\n<\/tr>\n
Storie Proprio Cos\u00ec<\/td>\nRudyard Kipling<\/td>\nMondadori<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n424<\/td>\n<\/td>\n<\/tr>\n
Fanta Ghiro ‘<\/td>\nItalo Calvino<\/td>\nEinaudi<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n459<\/td>\n<\/td>\n<\/tr>\n
Conan Il Barbaro<\/td>\n<\/td>\nComic Art\u00a0<\/span><\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Villa Con Prato All ‘ Inglese<\/td>\nGermano Lombardi<\/td>\nRizzoli<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piromane<\/td>\nSusan Gates<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ricordati Di Me<\/td>\nChristopher Pike<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\ngiallo<\/td>\n730<\/td>\n<\/td>\n<\/tr>\n
Occhi Di Bottone<\/td>\nSylvia Waugh<\/td>\nSalani<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Young Bond – Sete Di Sangue<\/td>\nCharlie Higson<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alla Ricerca Della Torre Magica<\/td>\nPaola Rango – Pasquale Sica<\/td>\nEllepiesse<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Robert E L ‘ Uomo Invisibile<\/td>\nNiklas Radstrom<\/td>\nPiemme<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Sentiero Segreto<\/td>\nSharon Creech<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storie Di Un Mondo Perduto<\/td>\nIsaac Bashevis Singer<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n621<\/td>\n<\/td>\n<\/tr>\n
Buchi Nel Deserto<\/td>\nLouis Sachar<\/td>\nPiemme<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n22<\/td>\n<\/td>\n<\/tr>\n
Fuga Da Paradiso<\/td>\nSteven L. Layne<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Scimmia Nella Biglia<\/td>\nSilvana Gandolfi<\/td>\nSalani<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Pietra Del Diavolo<\/td>\nRobert J. Green<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Railway Street 19<\/td>\nMichael Scott – Morgan Llywelin<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Vampiro<\/td>\nDavide Ardito<\/td>\nLa Spiga<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Tessera Della Biblioteca<\/td>\nJerry Spinelli<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n644<\/td>\n<\/td>\n<\/tr>\n
La Missione Di Nick<\/td>\nClaire H. Blatchford<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\ngiallo<\/td>\n742<\/td>\n<\/td>\n<\/tr>\n
Le Nuove Avventure Di Lupo Uragano<\/td>\nPinin Carpi<\/td>\nA. Vallardi<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ulf , Percy E Lo Sceicco Miliardario<\/td>\nUlf Stark<\/td>\nPiemme<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n30<\/td>\n<\/td>\n<\/tr>\n
La Boutique Del Mistero<\/td>\nDino Buzzati<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Giorni Della Mia Giovinezza<\/td>\nAna Novac<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Ultimo Segreto<\/td>\nGeorgia Manzi<\/td>\nFabbri<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ascolta Il Mio Cuore<\/td>\nBianca Pitzorno<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n270<\/td>\n<\/td>\n<\/tr>\n
Enrco VIII E La Sua Mannaia<\/td>\nAlan MacDonald<\/td>\nSalani<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mythos<\/td>\nGiovanni Angelo Brindisi<\/td>\nMedusa<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Parsifal<\/td>\nKatherine Peterson<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n353<\/td>\n<\/td>\n<\/tr>\n
Le Nuvole Da Latte<\/td>\nLoredana Frescura<\/td>\nFabbri<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n331<\/td>\n<\/td>\n<\/tr>\n
100 Libri<\/td>\nVari<\/td>\nSalani<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n763<\/td>\n<\/td>\n<\/tr>\n
Il Giardino Segreto<\/td>\nFrances H. Burnett<\/td>\nFabbri<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n753<\/td>\n<\/td>\n<\/tr>\n
Occhio Al Gatto<\/td>\nSilvana Gandolfi<\/td>\nSalani<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n626<\/td>\n<\/td>\n<\/tr>\n
Avr\u00f2 Vent ‘ Anni Nel Duemila<\/td>\nPier Mario Fasanotti<\/td>\nArchimede<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nSocial Science<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
C’\u00e8 Una Lettera Per Te<\/td>\nMatilde Lucchini<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n654<\/td>\n<\/td>\n<\/tr>\n
Andy E La Magica Mummia<\/td>\nElvira Woodruff<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Quarto Segreto<\/td>\nAndrea Camilleri<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Diario Di Una Casa Vuota<\/td>\nBeatrice Masini<\/td>\nEL<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Gufo Innamorato<\/td>\nPatrice Kindl<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n664<\/td>\n<\/td>\n<\/tr>\n
La Fabbrica Di Cioccolato<\/td>\nRoald Dahl<\/td>\nSalani<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Quella Strega Di Tulip<\/td>\nAnne Fine<\/td>\nFabbri<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n19<\/td>\n<\/td>\n<\/tr>\n
Vacanze Dagli Zii<\/td>\nMario Visone<\/td>\nMedusa<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n211<\/td>\n<\/td>\n<\/tr>\n
Il Naso Di Moritz<\/td>\nMira Lobe<\/td>\nPiemme<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
C’era Una Volta Ulisse<\/td>\nJean – Pierre Vernant<\/td>\nEinaudi<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Piccola Principesca<\/td>\nFrances H. Burnett<\/td>\nDe Agostini<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pi\u00f9 Forti Delle Armi<\/td>\nReinhard Schmoeckel<\/td>\nLa Scuola<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n130<\/td>\n<\/td>\n<\/tr>\n
I Ragazzi<\/td>\nEdith Wharton<\/td>\nNewton<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cinque Ragazzi E Un Cane<\/td>\nRende Reggiani<\/td>\nFabbri<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tutta Colpa Delle Nuvole<\/td>\nMario Sala Gallini<\/td>\nPiemme<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n16<\/td>\n<\/td>\n<\/tr>\n
Manuale Del Giovane Scrittore Creativo<\/td>\nBianca Pitzorno<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n723<\/td>\n<\/td>\n<\/tr>\n
Anna Di Bisanzio<\/td>\nTracy Barrett<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\nstoria<\/td>\n317<\/td>\n<\/td>\n<\/tr>\n
Fucking Matura<\/td>\n807<\/td>\nAdn Kronos<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n807<\/td>\n<\/td>\n<\/tr>\n
La Vita E ‘ Una Bomba<\/td>\nLuigi Garlando<\/td>\nPiemme<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n31<\/td>\n<\/td>\n<\/tr>\n
Il Mascheraio Innocente<\/td>\nRoberto Piumini<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n310<\/td>\n<\/td>\n<\/tr>\n
Fuga Di Cervelli<\/td>\nJanice Marriott<\/td>\nPiemme<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n36<\/td>\n<\/td>\n<\/tr>\n
Le Tre Chiavi<\/td>\nPaolo Fallai<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n352<\/td>\n<\/td>\n<\/tr>\n
Storie Di Giovani Mostri<\/td>\nVari<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nSci – Fi<\/td>\n<\/td>\n768<\/td>\n<\/td>\n<\/tr>\n
Quando La Paura Chiama<\/td>\nBarbara Garlaschelli<\/td>\nEL<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\nhorror<\/td>\n781<\/td>\n<\/td>\n<\/tr>\n
Un Grido Nella Notte<\/td>\nJay Kelso<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Una Serie Di Sfortunati Eventi – L ‘ Ostile Ospedale<\/td>\nLemony Snicket<\/td>\nSalani<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n738<\/td>\n<\/td>\n<\/tr>\n
Alla Conquista Del West<\/td>\nLou Cameron<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n804<\/td>\n<\/td>\n<\/tr>\n
Storia Di Re Odisseo<\/td>\nOmero<\/td>\nPiccoli<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n470<\/td>\n<\/td>\n<\/tr>\n
L ‘ Orma Gigante<\/td>\nEdgar Wallace<\/td>\nNewton<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lo Strano Caso Del Dottor Jekyll E Del Signor Hyde<\/td>\nRobert Louis Stevenson<\/td>\nMorano<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\nhorror<\/td>\n70<\/td>\n<\/td>\n<\/tr>\n
Piccoli Investigatori\u00a0<\/span><\/td>\nPina Cataldo<\/td>\nMarco Derva<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\ngiallo<\/td>\n192<\/td>\n<\/td>\n<\/tr>\n
Don Camillo<\/td>\nGiovanni Guareschi<\/td>\nSansoni<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Fango Su E Fango Giu<\/td>\nBeatrice Masini<\/td>\nSalani<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nfantasy<\/td>\n322<\/td>\n<\/td>\n<\/tr>\n
L ‘ Uomo Invisibile<\/td>\nH. G. Wells<\/td>\nMursia<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n488<\/td>\n<\/td>\n<\/tr>\n
La Ragazza Del Canale<\/td>\nThierry Lenain<\/td>\nFabbri<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n339<\/td>\n<\/td>\n<\/tr>\n
Frankenstein<\/td>\nMary Shelley<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Rubino Di Fumo<\/td>\nPhilip Pullman<\/td>\nSalani<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n762<\/td>\n<\/td>\n<\/tr>\n
Una Casa Per Maggie<\/td>\nRobert Westall<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\nhorror<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Carmilla<\/td>\nJoseph Sheridan Le Fanu<\/td>\nNewton<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Racconti Dell ‘ Oltretomba<\/td>\nAmbrose Bierce<\/td>\nNewton<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Brividosi – Un Magico Halloween<\/td>\nP. P. Strello<\/td>\nPiemme<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Furto A Scuola<\/td>\nChristopher Nostlinger<\/td>\nPiemme<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n351<\/td>\n<\/td>\n<\/tr>\n
Primo Amore<\/td>\nPatricia MacLachlan<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n272<\/td>\n<\/td>\n<\/tr>\n
Peggy Sue E Gli Invisibili<\/td>\nSerge Brussolo<\/td>\nFanucci<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n714<\/td>\n<\/td>\n<\/tr>\n
L ‘ Uomo Venuto Dal Nulla<\/td>\nMino Milani<\/td>\nFabbri<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n37<\/td>\n<\/td>\n<\/tr>\n
Poirot E Il Mistero Di Styles Court<\/td>\nAgatha Christie<\/td>\nNewton<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\ngiallo<\/td>\n831<\/td>\n<\/td>\n<\/tr>\n
Contro Tutte Le Bandiere<\/td>\nSebastiano Ruiz Mignone<\/td>\nEL<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Libro Dei Mostri<\/td>\nBruce Coville<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Quadro Eretico<\/td>\nCharles Willeford<\/td>\nBompiani<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Quattro Racconti Per Un Detective<\/td>\nArthur Conan Doyle<\/td>\nLa Nuova Italia<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\ngiallo<\/td>\n486<\/td>\n<\/td>\n<\/tr>\n
Un Piccolo Pezzo Di Terra<\/td>\nElizabeth Laird<\/td>\nFeltrinelli<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n761<\/td>\n<\/td>\n<\/tr>\n
Un Caso Per Mickey Sharp<\/td>\nDominic Barker<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Da Leggersi All ‘ Imbrunire<\/td>\nCharles Dickens\u00a0<\/span><\/td>\nEinaudi<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\nhorror<\/td>\n628<\/td>\n<\/td>\n<\/tr>\n
Il Castello Del Brivido<\/td>\nM. A. Garavaglia – D . Silvestri<\/td>\nMursia<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\ngiallo<\/td>\n170<\/td>\n<\/td>\n<\/tr>\n
Le Inchieste Di Dupin<\/td>\nEdgar Allan Poe<\/td>\nRadar<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Un Ragazzo , Un Elefante E Tanti Guai<\/td>\nGerald Durrell<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n151<\/td>\n<\/td>\n<\/tr>\n
L ‘ Orma Gigante<\/td>\nEdgar Wallace<\/td>\nNewton<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\n<\/td>\n854<\/td>\n<\/td>\n<\/tr>\n
Messa A Fuoco<\/td>\nJohn Lutz<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\ngiallo<\/td>\n805<\/td>\n<\/td>\n<\/tr>\n
Il Borgomastro Di Francoforte<\/td>\nAdriana Merenda<\/td>\nNuove Edizioni Romane<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\ngiallo<\/td>\n34<\/td>\n<\/td>\n<\/tr>\n
Lo Strano Caso Del Cane Ucciso A Mezzanotte<\/td>\nMark Haddon<\/td>\nEinaudi<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\ngiallo<\/td>\n792<\/td>\n<\/td>\n<\/tr>\n
La Capanna Dello Zio Tom<\/td>\nHarriet Beecher Stowe<\/td>\nRadar<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Classico Giallo<\/td>\nVari<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\ngiallo<\/td>\n414<\/td>\n<\/td>\n<\/tr>\n
Il Licantropo<\/td>\nCarola Susani<\/td>\nFeltrinelli<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Ospite Di Dracula<\/td>\nBram Stoker<\/td>\nNewton<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Gobbo Misterioso<\/td>\nAntonio Faeti<\/td>\nBompiani<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\nhorror<\/td>\n402<\/td>\n<\/td>\n<\/tr>\n
Quindici Giorni Con Montalbano<\/td>\nAndrea Camilleri<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nTrue Crime<\/td>\ngiallo<\/td>\n623<\/td>\n<\/td>\n<\/tr>\n
I Mostri Del Lago Scarlatto<\/td>\nMarino Cassini<\/td>\nMursia<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nSci – Fi<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Super Brividi – Tunnel Di Sangue<\/td>\nDarren Shan<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Super Brividi – Tunnel Di Sangue<\/td>\nDarren Shan<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Super Brividi – Il Padrone Del Male<\/td>\nDarren Shan<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Super Brividi – La Chiesta Stregata<\/td>\nJohnny Rosso<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Super Brividi – La Chiesta Stregata<\/td>\nJohnny Rosso<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Super Brividi – La Vendetta Dello Spettro<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Super Brividi – L ‘ Ombra Della Bestia<\/td>\nJohnny Rosso<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Super Brividi – Monster<\/td>\nChristopher Pike<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Super Brividi – Visitors<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Super Brividi – Un Amore Mortale<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Super Brividi – Darkside : La Citt\u00e0 Del Male<\/td>\nTom Becker<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Super Brividi – Darkside : Trappola Nelle Tenebre<\/td>\nTom Becker<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Super Brividi – La Ragazza Ombra<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Il Fantasma Nello Specchio<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – La Scuola Maledetta<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Un Mostro In Vacanza<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Il Campeggio Degli Orrori<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Il Ritorno Della Mummia<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Il Ritorno Della Mummia<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Una Testa Di Mummia Per Me<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Una Testa Di Mummia Per Me<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Una Spremuta Speciale<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Io Sono La Vendetta<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Al Mostro ! Al Mostro !<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Magico Inganno<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Il Bosco Dei Mostri Blu<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Prigionieri Di Un Incantesimo<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Un Insopportabile Ronzio<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Foto Dal Futuro<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Il Pupazzo Parlante<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Il Ragazzo Volante<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Il Pupazzo Parlante 4<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Spaventapasseri Viventi<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – L ‘ Incubo Di Slappy<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Un Tragico Esperimento<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Il Pianoforte Impazzito<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – La Macchina Stregata<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Una Giornata Particolare ( Horrorland )<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Ritorno A Horrorland<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Horrorland – Il Diabolico Dottor Maniac<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Horrorland Le Mummie Viventi<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Horrorland Gli Amici Mi Chiamano Mostro<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Horrorland Gli Amici Mi Chiamano Mostro<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Piccoli Brividi – Horrorland Gli Amici Mi Chiamano Mostro<\/td>\nR. L. Stine<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Guerre Stellari – Star Wars<\/td>\nGeorge Lucas<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nSci – Fi<\/td>\nfanta-scienza<\/td>\n806<\/td>\n<\/td>\n<\/tr>\n
The Nightmare Before Christmas<\/td>\nTim Burton<\/td>\nMondadori<\/td>\n3<\/td>\n3<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Avventure Di Robinson Crusoe<\/td>\nDaniel Defoe<\/td>\nMursia<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n565<\/td>\n<\/td>\n<\/tr>\n
Gulla Mantiene La Promessa<\/td>\nMartha Sandwall – Bergstrom<\/td>\nSaie<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n578<\/td>\n<\/td>\n<\/tr>\n
Moby Dick<\/td>\nHerman Melville<\/td>\nSaie<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n562<\/td>\n<\/td>\n<\/tr>\n
L ‘ America Di Colombo – Volume 1 – Le Civilt\u00e0 Precolombiane<\/td>\nVari<\/td>\nEdizioni Paoline<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Avventure Di Tom Sawyer<\/td>\nMark Twain<\/td>\nMursia<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n576<\/td>\n<\/td>\n<\/tr>\n
Il Signore Di Ballantrae<\/td>\nRobert Louis Stevenson<\/td>\nRadar<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n580<\/td>\n<\/td>\n<\/tr>\n
Figlia Di Strega<\/td>\nAnna Bawden<\/td>\nMondadori<\/td>\n3<\/td>\n2<\/td>\n<\/td>\nTrue Crime<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sammy Keys E La Mummia Di Hollywood<\/td>\nWendelin Van Draanen<\/td>\nMondadori<\/td>\n3<\/td>\n1<\/td>\n<\/td>\nTrue Crime<\/td>\ngiallo<\/td>\n712<\/td>\n<\/td>\n<\/tr>\n
L’ Isola Del Tesoro<\/td>\nRobert Louis Stevenson<\/td>\nRusconi<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Crociera Del Saetta<\/td>\nJack London<\/td>\nBoschi<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n635<\/td>\n<\/td>\n<\/tr>\n
La Storia Del Guerriero<\/td>\nPierdomenico Baccalario<\/td>\nPiemme<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n437<\/td>\n<\/td>\n<\/tr>\n
Carovane Combattenti<\/td>\nA. M. Pennyless<\/td>\nSEI<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n569<\/td>\n<\/td>\n<\/tr>\n
Diana , Cupido E Il Commendatore<\/td>\nBianca Pitzorno<\/td>\nMondadori<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n269<\/td>\n<\/td>\n<\/tr>\n
Il Mulatto<\/td>\nEnzo Maizza<\/td>\nMalipiero<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n813<\/td>\n<\/td>\n<\/tr>\n
Roba Dell ‘ Altro Mondo<\/td>\nDomenica Luciani<\/td>\nFeltrinelli<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n771<\/td>\n<\/td>\n<\/tr>\n
Il Piccolo Lord<\/td>\nFrances H. Burnett<\/td>\nG. B. Paravia & C.<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n536<\/td>\n<\/td>\n<\/tr>\n
Fadette<\/td>\nGeorge Sand<\/td>\nSaie<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n538<\/td>\n<\/td>\n<\/tr>\n
L ‘ Ospite Di Natale<\/td>\nSelma Lagerlot<\/td>\nG. B. Paravia & C.<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n577<\/td>\n<\/td>\n<\/tr>\n
I Pirati Della Malesia<\/td>\nEmilio Salgari<\/td>\nSEI<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Tigri Di Mompracen<\/td>\nEmilio Salgari<\/td>\nSEI<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Un Cuore Di Leone<\/td>\nLia Levi<\/td>\nPiemme<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Una Strega , Una Pizza E Un Orco Con La Stizza<\/td>\nBianca Fo<\/td>\nFatatrac<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Marcovaldo<\/td>\nItalo Calvino<\/td>\nEinaudi<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n458<\/td>\n<\/td>\n<\/tr>\n
Appuntamento Col Brivido<\/td>\nVari<\/td>\nSansoni<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nTrue Crime<\/td>\ngiallo<\/td>\n137<\/td>\n<\/td>\n<\/tr>\n
Quando L ‘ Atlante Era Un Gigante<\/td>\nVittoria Calvani<\/td>\nMondadori<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n618<\/td>\n<\/td>\n<\/tr>\n
La Casa Delle Bambole Non Si Tocca !<\/td>\nBeatrice Masini<\/td>\nSalani<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Giro Del Mondo In 80 Giorni<\/td>\nJules Verne<\/td>\nMursia<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Trillo Del Diavolo<\/td>\nCarlo Lucarelli<\/td>\nEL<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Avventure Di Prateria Di Giungla E Di Mare<\/td>\nEmilio Salgari<\/td>\nEinaudi<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n567<\/td>\n<\/td>\n<\/tr>\n
Storie Di Demoni E Fantasmi<\/td>\nMartin Waddell<\/td>\nEinaudi<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Corsaro Nero<\/td>\nEmilio Salgari<\/td>\nMursia<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Passaggio A Sud – Est<\/td>\nGiorgio Moser<\/td>\nMursia<\/td>\n3<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Piccola Casa Nella Prateria<\/td>\nLaura Ingalls Wilder<\/td>\nMondadori<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Richiamo Della Foresta<\/td>\nJack London<\/td>\nRusconi<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Ragazzo Rapito<\/td>\nRobert Louis Stevenson<\/td>\nFeltrinelli – Loescher<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Notte Dell ‘ Eclissi Di Luna<\/td>\nAdriana Merenda<\/td>\nPiemme<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Villa Del Mistero<\/td>\nAngela Della Pietra<\/td>\nMarco Derva<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nTrue Crime<\/td>\ngiallo<\/td>\n193<\/td>\n<\/td>\n<\/tr>\n
Capitani Coraggiosi<\/td>\nRudyard Kipling<\/td>\nSEI<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Corsaro Nero<\/td>\nEmilio Salgari<\/td>\nBietti<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n174<\/td>\n<\/td>\n<\/tr>\n
Il Segno Di Zorro<\/td>\nPietro Marcolini<\/td>\nMondadori<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Robinson Crusoe<\/td>\nDaniel Defoe<\/td>\nGiunti<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Avventure Di Barzamino<\/td>\nDaniele Ponchiroli<\/td>\nEinaudi<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Cimitero Dei Capodogli<\/td>\nIan Cameron<\/td>\nBompiani<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n581<\/td>\n<\/td>\n<\/tr>\n
Il Re Artus<\/td>\nAngiolo Biancotti<\/td>\nSEI<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dietro I Monti , L ‘ Oro<\/td>\nKurt Lutgen<\/td>\nLa Scuola<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n561<\/td>\n<\/td>\n<\/tr>\n
Il Fantasma<\/td>\nAndrea Cotti<\/td>\nFabbri<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n794<\/td>\n<\/td>\n<\/tr>\n
Zanna Bianca<\/td>\nJack London<\/td>\nSEI<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n378<\/td>\n<\/td>\n<\/tr>\n
Il Mondo Dell ‘ Avventura<\/td>\nVari<\/td>\nEinaudi<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Turbinosa Storia Di Picco Uragano<\/td>\nMargaret Mahy<\/td>\nSalani<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n332<\/td>\n<\/td>\n<\/tr>\n
Capitani Coraggiosi<\/td>\nRudyard Kipling<\/td>\nLa Biblioteca Ideale Tascabile<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n565<\/td>\n<\/td>\n<\/tr>\n
Il Corsaro Nero<\/td>\nEmilio Salgari<\/td>\nSEI<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n174<\/td>\n<\/td>\n<\/tr>\n
Le Avventure Di Tom Sawyer<\/td>\nMark Twain<\/td>\nFratelli Melita<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n572<\/td>\n<\/td>\n<\/tr>\n
Silenzio , Potrebbe Sentirci …<\/td>\nSummer Locke Elliot<\/td>\nDall ‘ Oglio<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pura E Semplice Perfidia<\/td>\nDebi Gliori<\/td>\nMondadori<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n642<\/td>\n<\/td>\n<\/tr>\n
L ‘ Ultimo Dei Moicani<\/td>\nJames Fenimore Cooper<\/td>\nSEI<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n387<\/td>\n<\/td>\n<\/tr>\n
Prima Media !<\/td>\nSusie Morgenstern<\/td>\nEinaudi<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n668<\/td>\n<\/td>\n<\/tr>\n
La Fattoria Degli Animali<\/td>\nGeorge Orwell<\/td>\nMondadori<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n410<\/td>\n<\/td>\n<\/tr>\n
La Bambola Dell ‘ Alchimista<\/td>\nBianca Pitzorno<\/td>\nMondadori<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n265<\/td>\n<\/td>\n<\/tr>\n
Ciaula Scopre La Luna<\/td>\nLuigi Pirandello<\/td>\nMondadori<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Sera Che La Sera Non Venne<\/td>\nBruno Tognolini<\/td>\nFatatrac<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Zampe Di Gallina<\/td>\nGuido Quarzo<\/td>\nFatatrac<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Mistero Corre Nella Rete<\/td>\nMario Visone<\/td>\nEllepiesse<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Belle E Sebastien – Il Rifugio Del Monte Baou<\/td>\nCecile Audry<\/td>\nFabbri<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Re Del Vento<\/td>\nMarguerite Henry<\/td>\nGiunti<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n487<\/td>\n<\/td>\n<\/tr>\n
Il Re Grigio<\/td>\nSusan Cooper<\/td>\nMondadori<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Intrighi E Duelli Alla Corte Del Re<\/td>\nAlexandre Dumas<\/td>\nSEI<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n564<\/td>\n<\/td>\n<\/tr>\n
Il Mistero Del Metr\u00f2<\/td>\nCatherine Storr<\/td>\nMondadori<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nTrue Crime<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Segreto Della Piramide Dei Maya<\/td>\nChris Eboch<\/td>\nPiemme<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n799<\/td>\n<\/td>\n<\/tr>\n
La Freccia Nera<\/td>\nRobert Louis Stevenson<\/td>\nSEI<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Brutte Storie – Gli Spaventevoli Egizi<\/td>\nTerry Deary E Peter Hepplewhite<\/td>\nSalani<\/td>\n3<\/td>\n1<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n429<\/td>\n<\/td>\n<\/tr>\n
Il Vicario Di Wakefield<\/td>\nOliver Goldsmith<\/td>\nSaie<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Avventure Di Jim Bottone<\/td>\nMichael Ende<\/td>\nSalani<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Europa Con Fantasia<\/td>\nChiara Lungo – Angela Laudani<\/td>\nGreco<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Mistero Dell ‘ Occhio Di Smeraldo<\/td>\nGeronimo Stilton<\/td>\nPiemme<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Abissi – L’ Oro Del Galeone<\/td>\nGordon Korman<\/td>\nPiemme<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Momo<\/td>\nMichael Ende<\/td>\nSEI<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n541<\/td>\n<\/td>\n<\/tr>\n
Jump Game – Regola Numero 1 : Non Toccare<\/td>\nJames Valentine<\/td>\nMondadori<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nSci – Fi<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Ritorno Del Cantore<\/td>\nWilliam Nicholson<\/td>\nMondadori<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Fairy Oak – Il Segreto Delle Gemelle<\/td>\nElisabetta Gnone<\/td>\nDe Agostini<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
CriptoAnimali – Il Segreto Di Loch Ness<\/td>\nAlberto Melis<\/td>\nPiemme<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Cerchio D ‘ Oro<\/td>\nGuillaume Prevost<\/td>\nLa Nuova Frontiera<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Artemis Fowl<\/td>\nEoin Colfer<\/td>\nMondadori<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFantasy, Sci – Fi<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sigrid E I Mondi Perduti – Il Grande Serpente<\/td>\nSerge Brussolo<\/td>\nFanucci<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Macchine Mortali<\/td>\nPhilip Reeve<\/td>\nMondadori<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nSci – Fi<\/td>\nfanta-scienza<\/td>\n716<\/td>\n<\/td>\n<\/tr>\n
Il Re Del Vento<\/td>\nMarguerite Henry<\/td>\nGiunti<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n487<\/td>\n<\/td>\n<\/tr>\n
Il Re Del Vento<\/td>\nMarguerite Henry<\/td>\nGiunti<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n487<\/td>\n<\/td>\n<\/tr>\n
Il Re Del Vento<\/td>\nMarguerite Henry<\/td>\nGiunti<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Abissi – L ‘ Isola Degli Squali<\/td>\nGordon Korman<\/td>\nPiemme<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Streghe<\/td>\nRoald Dahl<\/td>\nSalani<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n14<\/td>\n<\/td>\n<\/tr>\n
Lo Strano Caso Del Dottor Jekyll E Del Signor Hyde<\/td>\nRobert Louis Stevenson<\/td>\nBur<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Ggg<\/td>\nRoald Dahl<\/td>\nSalani<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n679<\/td>\n<\/td>\n<\/tr>\n
Alice Nel Paese Delle Meraviglie<\/td>\nLewis Carroll<\/td>\nRusconi<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
007 Thunderball<\/td>\nIan Fleming<\/td>\nMorano<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Piccolo Principe Di San Sereno – All ‘ Ombra Delle Due Torri<\/td>\nSerena Gaudino<\/td>\nColonnese \\ Tilapia<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Oro Del Canoteque<\/td>\nRoberto Piumini<\/td>\nEinaudi<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pi<\/td>\nMassimo Papini<\/td>\nFatatrac<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Eragon<\/td>\nChristopher Paolini<\/td>\nFabbri<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n703<\/td>\n<\/td>\n<\/tr>\n
Fantasmi In Riserva<\/td>\nEva Ibbotson<\/td>\nSalani<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nHorror<\/td>\nhorror<\/td>\n774<\/td>\n<\/td>\n<\/tr>\n
La Fiera Della Fantasia<\/td>\nCarlo Lapucci<\/td>\nSansoni<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n136<\/td>\n<\/td>\n<\/tr>\n
Occhio Al Gatto !<\/td>\nSilvana Gandolfi<\/td>\nEinaudi<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n626<\/td>\n<\/td>\n<\/tr>\n
Memorie Di Una Mucca<\/td>\nBernardo Atxaga<\/td>\nPiemme<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n718<\/td>\n<\/td>\n<\/tr>\n
Il Fantasma Di Canterville<\/td>\nOscar Wilde<\/td>\nLa Spiga<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\numoristico<\/td>\n651<\/td>\n<\/td>\n<\/tr>\n
Misha Corre<\/td>\nJerry Spinelli<\/td>\nMondadori<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n788<\/td>\n<\/td>\n<\/tr>\n
L ‘ Isola Del Faro<\/td>\nSebastiano Ruiz Mignone<\/td>\nEinaudi<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Mastino Dei Baskerville<\/td>\nArthur Conan Doyle<\/td>\nPiemme<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nTrue Crime<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Fiormuschiato<\/td>\nBrian Jacques<\/td>\nMondadori<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n752<\/td>\n<\/td>\n<\/tr>\n
Mariel Di Redwall<\/td>\nBrian Jacques<\/td>\nMondadori<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storia Di Pipino<\/td>\nGiulio Gianelli<\/td>\nSEI<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Macchina Del Tempo<\/td>\nGeorge Wells<\/td>\nLa Scala D’ Oro<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nSci – Fi<\/td>\n<\/td>\n501<\/td>\n<\/td>\n<\/tr>\n
Partenope Magica<\/td>\nClara Barbara Manacorda<\/td>\nL ‘ Isola Dei Ragazzi<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n544<\/td>\n<\/td>\n<\/tr>\n
Affondate La Cacciafuego<\/td>\nSebastiano Ruiz Mignone<\/td>\nEL<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lettere Dal Mio Mulino<\/td>\nA. Daudet<\/td>\nSEI<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Ragazzo Del Parco<\/td>\nDakota Lane<\/td>\nMondadori<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Vento Di Santiago<\/td>\nPaola Zannoner<\/td>\nMondadori<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Xch\u00e9 6 Qi\u00a0<\/span><\/td>\nPaola Zannoner<\/td>\nMondadori<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Cavaliere Inesistente<\/td>\nItalo Calvino<\/td>\nMondadori<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sul Mare Delle Perle<\/td>\nEmilio Salgari<\/td>\nSEI<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sebastian Dark – Il Principe Dei Pirati<\/td>\nPhilip Caveney<\/td>\nPiemme<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Harry Potter E La Pietra Filosofale<\/td>\nJ. K. Rowling\u00a0<\/span><\/td>\nSalani<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\nfantasy<\/td>\n260<\/td>\n<\/td>\n<\/tr>\n
Harry Potter E La Pietra Filosofale<\/td>\nJ. K. Rowling\u00a0<\/span><\/td>\nSalani<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Harry Potter E La Camera Dei Segreti<\/td>\nJ. K. Rowling\u00a0<\/span><\/td>\nSalani<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Harry Potter E La Pietra Filosofale<\/td>\nJ. K. Rowling\u00a0<\/span><\/td>\nSalani<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dietro Il Muro Segreto<\/td>\nEmmanuele E Benoit De Saint Chamas<\/td>\nEL<\/td>\n3<\/td>\n5<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Come Funzionano Le Cose<\/td>\nDavid Macaulay<\/td>\nMondadori<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Mondo Dell ‘ Alluminio<\/td>\n<\/td>\n<\/td>\n3<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Trucchi E Magie Con Aladdin<\/td>\n<\/td>\nDisney Libri<\/td>\n3<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Einstein E Le Macchine Del Tempo<\/td>\nLuca Novelli<\/td>\nScienza<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\nscienze<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mendel E L ‘ Invasione Degli OGM<\/td>\nLuca Novelli<\/td>\nScienza<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\nscienze<\/td>\n446<\/td>\n<\/td>\n<\/tr>\n
Galileo E La Prima Guerra Stellare<\/td>\nLuca Novelli<\/td>\nScienza<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Quiz Scintillanti 2 – I Misteri Del Corpo Umano<\/td>\nTerry Deary E Barbara Allen<\/td>\nScienza<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\nscienze<\/td>\n54<\/td>\n<\/td>\n<\/tr>\n
Quiz Scintillanti 2 – I Misteri Del Corpo Umano<\/td>\nTerry Deary E Barbara Allen<\/td>\nScienza<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\nscienze<\/td>\n54<\/td>\n<\/td>\n<\/tr>\n
La Casa<\/td>\n<\/td>\nAdn Kronos<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\nscienze<\/td>\n555<\/td>\n<\/td>\n<\/tr>\n
L ‘ Animale Culturale<\/td>\nDanilo Mainardi<\/td>\nRizzoli<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\nscienze<\/td>\n558<\/td>\n<\/td>\n<\/tr>\n
Brutte Scienze –\u00a0<\/span><\/td>\nNick Arnold<\/td>\nSalani<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\nscienze<\/td>\n682<\/td>\n<\/td>\n<\/tr>\n
Brutte Scienze – Neuroni , Ipofisi , Meningi<\/td>\nNick Arnold<\/td>\nSalani<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Crisalide E La Farfalla<\/td>\nGabriele Lolli<\/td>\nBollati Boringhieri<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\nscienze<\/td>\n283<\/td>\n<\/td>\n<\/tr>\n
Le Meraviglie Dl Nostro Corpo<\/td>\n<\/td>\nReader’s Digest Milano<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Strani Pesci<\/td>\nAlpheus Hyatt Verrill<\/td>\nMursia<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\nscienze<\/td>\n557<\/td>\n<\/td>\n<\/tr>\n
Strani Animali<\/td>\nAlpheus Hyatt Verrill<\/td>\nMursia<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alice ‘ S Adventures In Wonderland<\/td>\nLewis Carroll<\/td>\nSEI<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n177<\/td>\n<\/td>\n<\/tr>\n
The Mummy ‘ S Secret<\/td>\n<\/td>\nLe Monnier<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nHorror<\/td>\n<\/td>\n<\/td>\nCD<\/td>\n<\/tr>\n
The Secret Garden<\/td>\nFrances H. Burnett<\/td>\nBlack Cat<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\nCD<\/td>\n<\/tr>\n
Hamlet<\/td>\nWilliam Shakespeare<\/td>\nBlack Cat<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\nCD<\/td>\n<\/tr>\n
The Fisherman And His Soul<\/td>\nOscar Wilde<\/td>\nBlack Cat<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\nCD<\/td>\n<\/tr>\n
Tom Jones<\/td>\nHenry Fielding<\/td>\nBlack Cat<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\nCD<\/td>\n<\/tr>\n
Coup De Theatre<\/td>\nDominique Traina<\/td>\nMorano<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\nfrancese<\/td>\n185<\/td>\n<\/td>\n<\/tr>\n
Coup De Theatre<\/td>\nDominique Traina<\/td>\nMorano<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\nfrancese<\/td>\n185<\/td>\n<\/td>\n<\/tr>\n
Shakespeare<\/td>\nF. E. Hallyday<\/td>\nThames and Hudson<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ernest Hemingway\u00a0<\/span><\/td>\nAnthony Burgess<\/td>\nThames and Hudson<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The House Near The Sea<\/td>\nRichard Musman<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n523<\/td>\n<\/td>\n<\/tr>\n
On The Road<\/td>\nDonn Byrne<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n518<\/td>\n<\/td>\n<\/tr>\n
Car Thieves<\/td>\nL. G. Alexander<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n517<\/td>\n<\/td>\n<\/tr>\n
Detectives From Scotland Yard<\/td>\nL. G. Alexander<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n525<\/td>\n<\/td>\n<\/tr>\n
April Fools ‘ Day<\/td>\nL. G. Alexander<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n521<\/td>\n<\/td>\n<\/tr>\n
Don Quixote And Sancho Panza<\/td>\nMiguel De Cervantes<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n519<\/td>\n<\/td>\n<\/tr>\n
Worth A Fortune<\/td>\nL. G. Alexander<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n520<\/td>\n<\/td>\n<\/tr>\n
King Henry<\/td>\nWilliam Shakespeare<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n524<\/td>\n<\/td>\n<\/tr>\n
Green Island<\/td>\nAnthony Eyre<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n522<\/td>\n<\/td>\n<\/tr>\n
The Prisoners<\/td>\nDonn Byrne<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\n<\/td>\ninglese<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mr Punch<\/td>\nL. G. Alexander<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n520<\/td>\n<\/td>\n<\/tr>\n
Dragon Heart<\/td>\nAdriana Gabriel<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFantasy<\/td>\ninglese<\/td>\n359<\/td>\naudiocassetta<\/td>\n<\/tr>\n
Dragon Heart<\/td>\nAdriana Gabriel<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFantasy<\/td>\ninglese<\/td>\n369<\/td>\naudiocassetta<\/td>\n<\/tr>\n
Lost In New York<\/td>\nJohn Escott<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n375<\/td>\naudiocassetta<\/td>\n<\/tr>\n
Lost In New York<\/td>\nJohn Escott<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n375<\/td>\naudiocassetta<\/td>\n<\/tr>\n
Families<\/td>\nGeorgina Cretegny<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n<\/td>\naudiocassetta<\/td>\n<\/tr>\n
Families<\/td>\nGeorgina Cretegny<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n<\/td>\naudiocassetta<\/td>\n<\/tr>\n
Winners And Losers<\/td>\nVari<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n373<\/td>\naudiocassetta<\/td>\n<\/tr>\n
Winners And Losers<\/td>\nVari<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n<\/td>\naudiocassetta<\/td>\n<\/tr>\n
Robin Hood<\/td>\nLiz Austin<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n<\/td>\naudiocassetta<\/td>\n<\/tr>\n
Robin Hood<\/td>\nLiz Austin<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n366<\/td>\naudiocassetta<\/td>\n<\/tr>\n
The Last Photo<\/td>\nBernard Smith<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n563<\/td>\n<\/td>\n<\/tr>\n
Who Wants To Be A Star ?<\/td>\nMargaret Igguilden And Julia Allen<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n365<\/td>\n<\/td>\n<\/tr>\n
Dead Man ‘ S River<\/td>\nElizabeth Laird<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n362<\/td>\n<\/td>\n<\/tr>\n
Simon And The Spy<\/td>\nElizabeth Laird<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n364<\/td>\n<\/td>\n<\/tr>\n
Amazon Rally<\/td>\nEduardo Amos Band Elisabeth Prescher<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n360<\/td>\n<\/td>\n<\/tr>\n
Romeo And Juliet<\/td>\nWilliam Shakespeare<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Puss In Boots<\/td>\n<\/td>\nLongman<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\ninglese<\/td>\n367<\/td>\n<\/td>\n<\/tr>\n
I Vulcani Dell ‘ Italia Meridionale – Vesuvio Ed Etna<\/td>\n<\/td>\nC. Cefariello<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\nscienze<\/td>\n884<\/td>\n<\/td>\n<\/tr>\n
I Vulcani Dell ‘ Italia Meridionale – Vesuvio Ed Etna<\/td>\n<\/td>\nC. Cefariello<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\nscienze<\/td>\n884<\/td>\n<\/td>\n<\/tr>\n
Terra Gentile , Aria Azzurrina<\/td>\nVari<\/td>\nEinaudi<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism<\/td>\nclassici<\/td>\n702<\/td>\n<\/td>\n<\/tr>\n
Senza Famiglia<\/td>\nHector Malot<\/td>\nSEI<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Isola Del Grano Blu<\/td>\nGiovanni Calvino<\/td>\nL ‘ Isola Dei Ragazzi<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n<\/td>\nmolte copie in uno scatolo<\/td>\n<\/tr>\n
Filastrocche Per Tutto L ‘ Anno<\/td>\nGianni Rodari<\/td>\nEditori Riuniti<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Piccolo Lord<\/td>\nFrances H. Burnett<\/td>\nSaie<\/td>\n3<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ISO<\/td>\nAndrea Cotti<\/td>\nFabbri<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
In Ogni Istante<\/td>\nLuigi Ballerini<\/td>\nFabbri<\/td>\n2<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Danny Il Campione Del Mondo<\/td>\nRoald Dahl<\/td>\nEinaudi<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction, Fantasy<\/td>\nnarrativa ragazzi<\/td>\n627<\/td>\n<\/td>\n<\/tr>\n
Novelle Fantastiche<\/td>\nLuigi Pirandello<\/td>\nMorano<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n86<\/td>\n<\/td>\n<\/tr>\n
Le Maschere Della Realt\u00e0<\/td>\nLuigi Pirandello<\/td>\nMarco Derva<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n598<\/td>\n<\/td>\n<\/tr>\n
Dame , Mercanti E Cavalieri<\/td>\nGiovanni Boccaccio<\/td>\nMondadori<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Divina Commedia – Paradiso<\/td>\nDante Alighieri<\/td>\nLe Monnier<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Divina Commedia – Paradiso<\/td>\nDante Alighieri<\/td>\nSansoni<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Divina Commedia – Conoscere Dante<\/td>\nDante Alighieri<\/td>\nLoffredo<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Divina Commedia – Paradiso<\/td>\nDante Alighieri<\/td>\nMarco Derva<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storie D ‘ Amore<\/td>\nRoberto Piumini<\/td>\nEL<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sette Storie Gotiche<\/td>\nKaren Blixen<\/td>\nAdelphi<\/td>\n4<\/td>\n1<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Scurpiddu<\/td>\nLuigi Capuana<\/td>\nG. B. Paravia & C.<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n386<\/td>\n<\/td>\n<\/tr>\n
Venere , La Pi\u00f9 Bella Del Mondo<\/td>\nMarie Bertherat<\/td>\nEL<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Racconto Fantastico<\/td>\nN. Bonifazi<\/td>\nSteu<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Novecento<\/td>\nVari<\/td>\nMinerva Italica<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Campioni Di Poesia Carducciana<\/td>\nMario Santoro<\/td>\nLiguori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Notturno Indiano<\/td>\nAntonio Tabucchi<\/td>\nSEI<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storie Dell ‘ Anno Mille<\/td>\nGuerra \/ Malerba<\/td>\nBompiani<\/td>\n2<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nfiabe<\/td>\n549<\/td>\n<\/td>\n<\/tr>\n
Diplomazia Della Restaurazione<\/td>\nHenry Kissinger<\/td>\nGarzanti<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Menzogne Della Notte<\/td>\nGesualdo Bufalino<\/td>\nBompiani<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Di Madame Curie<\/td>\nEve Curie<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Poeti Italiani – Pier Paolo Pasolini<\/td>\n<\/td>\nL’ Unit\u00e0<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n874<\/td>\n<\/td>\n<\/tr>\n
Queen<\/td>\nAlex Haley<\/td>\nRizzoli<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dizionario Italiano – Portoghese<\/td>\n<\/td>\nMondadori<\/td>\n2<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vogliamo Un Mondo Pi\u00f9 Nuovo<\/td>\nRobert F. Kennedy<\/td>\nGarzanti<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Augusto<\/td>\nAntonio Spinosa<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Annata Rossa Dell ‘ Europa<\/td>\nDavid Mitchell<\/td>\nClub Degli Editori\u00a0<\/span><\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storia Militare Della Seconda Guerra Mondiale – Volume\u00a0<\/span><\/td>\nB. H. Liddell Hart<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storia Militare Della Seconda Guerra Mondiale – Volume 2<\/td>\nB. H. Liddell Hart<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Luigi XIV<\/td>\nPhilipp Erlanger<\/td>\nClub Degli Editori\u00a0<\/span><\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Piccolo Principe<\/td>\nAntoine De Saint – Exupery<\/td>\nBompiani<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Lettera Scarlatta<\/td>\nNathaniel Hawthorne<\/td>\nFabbri<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Sole Del Crepuscolo<\/td>\nFang Fang<\/td>\nGarzanti<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Grande Storia Dell ‘ Eneide<\/td>\nAntonio Spinosa<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storia Del Tempo<\/td>\nDavid S. Landes<\/td>\nMondadori<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Crociate<\/td>\nFranco Cardini<\/td>\nIstituto Di Cultura Nova Civitas<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Fuochi A Mare<\/td>\nMichele Prisco<\/td>\n<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Caterina Di Russia<\/td>\nAlessandro Bruckner<\/td>\nPeruzzo<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storia Di Roma<\/td>\nIndro Montanelli<\/td>\nRizzoli<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storia Dei Greci<\/td>\nIndro Montanelli<\/td>\nRizzoli<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Garibaldi<\/td>\nIndro Montanelli E Marco Nozza<\/td>\nRizzoli<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dante E Il Suo Secolo<\/td>\nIndro Montanelli<\/td>\nRizzoli<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Italia Della Controriforma<\/td>\nIndro Montanelli E Roberto Gervaso<\/td>\nRizzoli<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Italia Dei Comuni<\/td>\nIndro Montanelli E Roberto Gervaso<\/td>\nRizzoli<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Italia Dei Secoli Bui<\/td>\nIndro Montanelli E Roberto Gervaso<\/td>\nRizzoli<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Italia Giacobina E Carbonara<\/td>\nIndro Montanelli<\/td>\nRizzoli<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Delitto E Castigo – Volume Primo<\/td>\nFedor Dostoevskij<\/td>\nFamiglia Cristiana<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Delitto E Castigo – Volume Secondo<\/td>\nFedor Dostoevskij<\/td>\nFamiglia Cristiana<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Don Chisciotte- Volume 1<\/td>\nMiguel De Cervantes<\/td>\nFamiglia Cristiana<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Fratelli Karamazov<\/td>\nFedor Dostoevskij<\/td>\nFamiglia Cristiana<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Giocatore – L ‘Eterno Marito<\/td>\nFedor Dostoevskij<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ivanhoe<\/td>\nWalter Scott<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Gordon Pym<\/td>\nEdgar Allan Poe<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nTrue Crime, Fiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Dottor Jekyll E Altri Racconti<\/td>\nRobert Louis Stevenson<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction, Horror<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cime Tempestose<\/td>\nEmily Bronte<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Giacchetta Bianca<\/td>\nHerman Melville<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dala Parte Di Swann<\/td>\nMarcel Proust<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Lettera Scarlatta<\/td>\nNathaniel Hawthorne<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Gioielli Indiscreti<\/td>\nDenis Diderot<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Monaca<\/td>\nDenis Diderot<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lo Stagno Del Diavolo<\/td>\nGeorge Sand<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Indiana<\/td>\nGeorge Sand<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Cuccagna<\/td>\nEmile Zola<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dietro La Facciata<\/td>\nEmile Zola<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Horla ‘<\/td>\nGuy De Maupassant<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Inutile Bellezza<\/td>\nGuy De Maupassant<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tonio<\/td>\nGuy De Maupassant<\/td>\nSansoni<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Agente Segreto<\/td>\nJoseph Conrad<\/td>\nSansoni<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Gli Isolani Di Hemso<\/td>\nAugust Strindberg<\/td>\nSansoni<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Faust<\/td>\nJohann Wolfgang Goethe<\/td>\nSansoni<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Storia Dei Tredici<\/td>\nHonore ‘ De Balzac<\/td>\nSansoni<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cronache Italiane<\/td>\nStendhal<\/td>\nSansoni<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tom Jones<\/td>\nHenry Fielding<\/td>\nSansoni<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Rivolta Degli Angeli<\/td>\nAnatole France<\/td>\nSansoni<\/td>\n1<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Societ\u00e0 Dei Gatti Assassini<\/td>\nAkif Pirincci<\/td>\nMondadori<\/td>\n3<\/td>\n2<\/td>\n<\/td>\nTrue Crime<\/td>\n<\/td>\n640<\/td>\n<\/td>\n<\/tr>\n
Bach E Il Suo Tempo<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nPerforming Arts, History<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Bach E Il Suo Tempo<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nPerforming Arts, History<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1977 – I Giorni Delle P38<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1979 – La Guerra Del Petrolio<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1979 – La Guerra Del Petrolio<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1980 – Il Trionfo Di Reagan<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1981 – L ‘ Italia Della P2<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1981 – L ‘ Italia Della P2<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1982 – Mundial !<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1982 – Mundial !<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 183 – Un Socialista A Palazzo Chigi<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 183 – Un Socialista A Palazzo Chigi<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1984 – Addio Berlinguer<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1984 – Addio Berlinguer<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1986 – Quelli Della Notte<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1986 – Quelli Della Notte<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1986 – Quelli Della Notte<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1986 – Quelli Della Notte<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1986 – Quelli Della Notte<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dieci Anni – 1986 – Quelli Della Notte<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Imparare : Un Piacere Senza Et\u00e0<\/td>\n<\/td>\n<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Imparare : Un Piacere Senza Et\u00e0<\/td>\n<\/td>\n<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Imparare : Un Piacere Senza Et\u00e0<\/td>\n<\/td>\n<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Imparare : Un Piacere Senza Et\u00e0<\/td>\n<\/td>\n<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tutto Scienze – Volume 1<\/td>\n<\/td>\nLa Stampa<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tutto Scienze – Volume 2<\/td>\n<\/td>\nLa Stampa<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tutto Scienze – Volume 3<\/td>\n<\/td>\nLa Stampa<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tutto Scienze – Volume 4<\/td>\n<\/td>\nLa Stampa<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tutto Scienze – Volume 5<\/td>\n<\/td>\nLa Stampa<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tutto Scienze – Volume 6<\/td>\n<\/td>\nLa Stampa<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tutto Scienze – Volume 7<\/td>\n<\/td>\nLa Stampa<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tutto Scienze – Volume 8<\/td>\n<\/td>\nLa Stampa<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tutto Scienze – Volume 9<\/td>\n<\/td>\nLa Stampa<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tutto Scienze – Volume 10<\/td>\n<\/td>\nLa Stampa<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tutto Scienze – Volume 11<\/td>\n<\/td>\nLa Stampa<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tutto Scienze – Volume 12<\/td>\n<\/td>\nLa Stampa<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Hiroshima<\/td>\nStefano Reggiani<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – La Lotta Contro Il Dolore<\/td>\nEttore Curi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n845<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – John F Kennedy<\/td>\nVincenzo Toti<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Giovanni XXIII<\/td>\nMarco Bongioanni<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n841<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Abbiamo Camminato Nello Spazio<\/td>\nSandro Sandrelli<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n834<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – La Lotta Contro Il Dolore<\/td>\nEttore Curi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n903<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Giovanni XXIII<\/td>\nMarco Bongioanni<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n900<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Cittadini Si Diventa<\/td>\nAngelo Augello<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Cittadini Si Diventa<\/td>\nAngelo Augello<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n840<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Le Conquiste Della Scienza<\/td>\nSandro Sandrelli<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n839<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – John F Kennedy<\/td>\nVincenzo Toti<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n901<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Gli Scienziati E La Bomba<\/td>\nSandro Sandrelli<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n837<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – La Razza E I Suoi Pregiudizi<\/td>\nMario Rossi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n903<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Giacomo Matteotti<\/td>\nSilvio Manzati<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n889<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – L ‘ America Contemporanea<\/td>\nSilvia Siccardi\u00a0<\/span><\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n887<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – La Rivoluzione Russa<\/td>\nMario Rossi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n886<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Gli Alpini Del ‘ 15<\/td>\nMario Isnenghi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n885<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Gli Anarchici<\/td>\nGiovanna Baldessari<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n883<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – L ‘ Et\u00e0 Giolittiana<\/td>\nSergio Cella<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n882<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Brigantaggio<\/td>\nSergio Basalisco<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n881<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – La Destra Storica<\/td>\nGiovanna Baldessari<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n880<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Le Memorie Di Un Carbonaro<\/td>\nGiovanni Faggionato<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n879<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Abbiamo Camminato Nello Spazio<\/td>\nSandro Sandrelli<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n899<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Hiroshima<\/td>\nStefano Reggiani<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Come Nasce Un Quotidiano<\/td>\nGiorgio Colarossi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Come Nasce Un Quotidiano<\/td>\nGiorgio Colarossi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Dopoguerra<\/td>\nGiuseppe Jori<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Germania E Austria<\/td>\nRolando Jotti<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n769<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Sud – Est Asiatico<\/td>\nMario Procopio<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n768<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Grecia<\/td>\nGiorgio Plumidis<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n767<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Inghilterra<\/td>\nGiuseppe Magnano<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n766<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Le Regioni Polari<\/td>\nGiuseppe Magnano<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n765<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Giappone<\/td>\nFranco Escoffier<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n763<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – America Latina 1<\/td>\nLuisa Sambonet<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n770<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – America Latina 2<\/td>\nLuisa Sambonet<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n771<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Vocabolario<\/td>\nGianfranco Rossi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n778<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – L ‘ Umorismo<\/td>\nLuigi Montobbio<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n776<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – La Fantascienza<\/td>\nPiero Zanotto<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n773<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – La Pubblicit\u00e0<\/td>\nNedo Ivaldi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n777<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – La Biologia<\/td>\nElena Benedetti<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n815<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – La Magia<\/td>\nMario Procopio<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Jazz<\/td>\nSalvatore G. Biamonte<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n775<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – La Scrittura<\/td>\nPiergiorgio Trotto<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n774<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – L ‘ Archeologia<\/td>\nAmbrogio Manzati<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n772<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – L ‘ Urbanistica<\/td>\nPaolo Morachiello<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n772<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Gli Eroi Del Tempo Libero<\/td>\nClaudio Bertieri<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n780<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Davanti Alla Televisione<\/td>\nGuido Guarda<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n781<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – La Guerra Sullo Schermo<\/td>\nStefano Reggiani<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n783<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – I Disegni Animati<\/td>\nPiero Zanotto<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n782<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Grande Charlot<\/td>\nRolando Jotti<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n786<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Circo<\/td>\nMario Verdone<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n785<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – I Fumetti<\/td>\nRinaldo Traini – Sergio Trinchero<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n789<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Cinema Italiano<\/td>\nOrio Caldiron<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n779<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Le Comiche Di Una Volta<\/td>\nPiero Zanotto<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n784<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Rugby<\/td>\nGiovanni Hochkofler<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n797<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Lo Sci<\/td>\nEnzo Lanzotti<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n795<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Basket<\/td>\nAldo Mazzola<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n796<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – L ‘ Automobilismo<\/td>\nEnzo Lanzotti<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n794<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – L ‘ Atletica Leggera<\/td>\nClaudio De Santis<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n793<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – L ‘ Alpinismo<\/td>\nCarlo Guaraldo<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n792<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Ciclismo<\/td>\nClaudio De Santis<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n791<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Calcio<\/td>\nGiovanni Hochkofler<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n790<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Pugilato<\/td>\nClaudio De Santis<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n788<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Nuoto<\/td>\nJean – Sul Morelle<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n787<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Le Tecniche Del Disegno<\/td>\nPiergiorgio Trotto<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n826<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Teatro Nella Scuola<\/td>\nJolanda Sarzi Amade ‘<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n833<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Come Coltivare I Fiori<\/td>\nGianfranco Rossi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n832<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – L ‘ Aeromodellismo<\/td>\nFranco Monteleone<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n830<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – L ‘ Arte Della Ceramica<\/td>\nEsa Estrafallaces<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n829<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – L ‘ Arredamento<\/td>\nFranco Monteleone<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n828<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Come Si Fa Un Inchiesta<\/td>\nFranco Alimonti<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n827<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – La Religione Egizia<\/td>\nRoberta Rambelli Pollini<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n890<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – La Religione Precolombiana<\/td>\nAda Someda<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n891<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Le Religioni Indiane<\/td>\nMario Procopio<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n892<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Le Grandi Religioni Dell ‘ Antichit\u00e0<\/td>\nRoberta Rambelli Pollini<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n889<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Don Bosco<\/td>\nMarco Bongioanni<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n895<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – S . Agostino<\/td>\nErcole Chiari<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n894<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Budda<\/td>\nMario Procopio<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n893<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Le Chiese Riformate<\/td>\nRoberta Rambelli Pollini<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n896<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Storia Dei Concili<\/td>\nRoberta Rambelli Pollini<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n897<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Maometto<\/td>\nMario Procopio<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Toscana<\/td>\nJolanda Fraracci Bianchi – Bona Martinelli<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n747<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Lazio<\/td>\nAnnamaria Vivona Domino<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n752<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Liguria<\/td>\nMaria Luisa Mazzola<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n745<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Piemonte<\/td>\nMaria Antonini<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n756<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Puglia<\/td>\nEthel Moreno – Angelina Modesti<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n757<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Campania<\/td>\nAngelina Modesti Moreno<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n751<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Friuli – Venezia Giulia<\/td>\nGiuseppe Fornasir<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n758<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Basilicata<\/td>\nAngelina Modesti Moreno<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n759<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Lombardia<\/td>\nMaria Antonini<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n760<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Trentino – Alto Adige<\/td>\nUmberto Ruzza<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n761<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Molise<\/td>\nRosa Angela Gazzotti – Paola Cocchi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n749<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Abruzzo<\/td>\nMaria Piacentini – Paola Cocchi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n750<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Calabria<\/td>\nGiovan Battista Maone<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n753<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Emilia – Romagna<\/td>\nMaria Luisa Bertele ‘ Roberti<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n754<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Sardegna<\/td>\nAntonio Moreno<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n755<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Val D ‘ Aosta<\/td>\nMaria Antonini<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n744<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Umbria<\/td>\nMa fra Ceolin<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Marche<\/td>\nMario Natallucci<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n748<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Veneto<\/td>\nSandra Ussardi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n746<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Sicilia<\/td>\nLidia Mastellaro<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n762<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Gli Animali Che Vorresti Conoscere<\/td>\nRoberta Rambelli Pollini<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n816<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Sole E Luna<\/td>\nEttore Curi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n844<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Mondo Sommerso<\/td>\nFrancesco Taraborrelli<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n825<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Storia Dei Numeri<\/td>\nSandro Calogero<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n824<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – La Speleologia<\/td>\nAndrea Gobetti<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n823<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Le Macchine<\/td>\nFranco De Grandis<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n822<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – I Pianeti<\/td>\nEttore Curi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n821<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Mondo Dei Minerali<\/td>\nFranco De Grandis<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n820<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Gli Alimenti<\/td>\nFranco Monteleone<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n819<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Il Mondo Dei Microbi<\/td>\nFranco Monteleone<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n818<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – La Luce<\/td>\nSandro Calogero<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n817<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Barcellona<\/td>\nPiero Zanotto<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n800<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Alte Pinakothek<\/td>\nFranco Bernabei<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n811<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Paestum<\/td>\nAlessandra Pucci – Vincenzo Testoni<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n812<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Galleria Degli Uffizi<\/td>\nRoberta Rambelli Pollini<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n813<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Museo Egizio Di Torino<\/td>\nElisabetta E Giuseppe Magnano<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n810<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Pompei Ed Ercolano<\/td>\nAlessandra Pucci – Vincenzo Testoni<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n809<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – National Gallery<\/td>\nAnnamaria Vivona Domino<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n808<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Louvre<\/td>\nRoberta Rambelli Pollini<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n807<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Museo Dell ‘ Ermitage<\/td>\nFrancesco Cessi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n806<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Museo Del Prado<\/td>\nMaria Cionini Visani<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n805<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Museo Nazionale Di Este<\/td>\nLeonzio Panpaloni<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n814<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Venezia<\/td>\nMaria Luisa Mazzola<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n804<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Roma<\/td>\nMario Procopio<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Rio De Janeiro<\/td>\nMario Procopio<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n803<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Tokyo<\/td>\nFranco Escoffier<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n802<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Mosca<\/td>\nAlberto Tomiolo<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n801<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Parigi<\/td>\nRoberto Verdi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n798<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Greci Nell ‘ Et\u00e0 Di Pericle<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n905<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Greci Nell ‘ Et\u00e0 Di Pericle<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Economica In Roma<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Economica In Roma<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Economica In Roma<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Economica In Roma<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n926<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Formazione Dei Centri Urbani In Italia<\/td>\nMaria Caprioli<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Formazione Dei Centri Urbani In Italia<\/td>\nMaria Caprioli<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Produzione Mineraria In Italia<\/td>\nPietro Doneddu<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Produzione Mineraria In Italia<\/td>\nPietro Doneddu<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Interroghiamo L ‘ Atmosfera<\/td>\nUgo Pampallona<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Interroghiamo L ‘ Atmosfera<\/td>\nUgo Pampallona<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Interroghiamo L ‘ Atmosfera<\/td>\nUgo Pampallona<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Interroghiamo L ‘ Atmosfera<\/td>\nUgo Pampallona<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Nozioni Fondamentali Di Ottica<\/td>\nAldo Vespi<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Nozioni Fondamentali Di Ottica<\/td>\nAldo Vespi<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Piante<\/td>\nM. Antonietta Belasio<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Piante<\/td>\nM. Antonietta Belasio<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Etruschi<\/td>\nGiancarlo Ambrosetti<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Etruschi<\/td>\nGiancarlo Ambrosetti<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Teatro E Pubblico<\/td>\nRosanna Ghiaroni<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Teatro E Pubblico<\/td>\nRosanna Ghiaroni<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Ai Tempi Dei Castelli Feudali<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Ai Tempi Dei Castelli Feudali<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita In Una Citt\u00e0 Comunale Italiana<\/td>\nAnita Bujoni<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Dominazione Spagnola Nell Italia Meridionale<\/td>\nC. Ascari – O. Cardarelli<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Dominazione Spagnola Nell Italia Meridionale<\/td>\nC. Ascari – O. Cardarelli<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Alle Origini Degli Stati Uniti D ‘ America<\/td>\nLydia Tornatore<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Alle Origini Degli Stati Uniti D ‘ America<\/td>\nLydia Tornatore<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Piccola Storia Dell ‘ Abitazione In Europa<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Piccola Storia Dell ‘ Abitazione In Europa<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Capitali D ‘ Europa<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Capitali D ‘ Europa<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n924<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Foreste In Europa<\/td>\nPietro Doneddu<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Pesca In Europa<\/td>\nLucia Landi Barittoni<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Pesca In Europa<\/td>\nLucia Landi Barittoni<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Precolombiane<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Precolombiane<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Degli Arabi<\/td>\nFrancesco Castro<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Grandi Fiumi<\/td>\nBruna Bianchi Valentini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Grandi Fiumi<\/td>\nBruna Bianchi Valentini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Pensiero Politico Del Risorgimento<\/td>\nAnita Bujoni<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Pensiero Politico Del Risorgimento<\/td>\nAnita Bujoni<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Resistenza Un Europa<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Resistenza Un Europa<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Asiatici Del XIX E XX Secolo<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Asiatici Del XIX E XX Secolo<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Grandi Fiumi<\/td>\nMaria Nanni Germano<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Grandi Fiumi<\/td>\nMaria Nanni Germano<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Delle Ferrovie<\/td>\nClementina Golzio Migliori<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Piante<\/td>\nM. Antonietta Belasio<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Piante<\/td>\nM. Antonietta Belasio<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Degli Arabi<\/td>\nFrancesco Castro<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Carte Geografiche<\/td>\nGiuseppe Nangeroni<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Carte Geografiche<\/td>\nGiuseppe Nangeroni<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Che Cos’\u00e8 La Statistica<\/td>\nU. Pampallona . L. Ragusa Gilli<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Che Cos’\u00e8 La Statistica<\/td>\nU. Pampallona . L. Ragusa Gilli<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – il petrolio<\/td>\nM. Antonietta Belasio<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – la guerra di secessione americana<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – la guerra di secessione americana<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Suolo<\/td>\nIvo Neviani<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Suolo<\/td>\nIvo Neviani<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Microrganismi<\/td>\nFrancesco Giordani<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Microrganismi<\/td>\nFrancesco Giordani<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Cervello E Calcolatori<\/td>\nAlexander M. Andrew<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Cervello E Calcolatori<\/td>\nAlexander M. Andrew<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n924<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Grandi Fiumi<\/td>\nMaria Nanni Germano<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Grandi Fiumi<\/td>\nMaria Nanni Germano<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Classificazione E Variabilit\u00e0<\/td>\nG. De Sabbata – A. Tongiorgi<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Classificazione E Variabilit\u00e0<\/td>\nG. De Sabbata – A. Tongiorgi<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Immagini In Movimento<\/td>\nGianfranco Staccioli<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Immagini In Movimento<\/td>\nGianfranco Staccioli<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Uomini Si Muovono<\/td>\nUmberto Cassinis<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Uomini Si Muovono<\/td>\nUmberto Cassinis<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Sindacati<\/td>\nCarlo Cartiglia<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Sindacati<\/td>\nCarlo Cartiglia<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Grafici<\/td>\nAldo Vespi<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Grafici<\/td>\nAldo Vespi<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Introduzione Allo Studio Delle Onde<\/td>\nMarta Lara Nascimento<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Introduzione Allo Studio Delle Onde<\/td>\nMarta Lara Nascimento<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Sindacati<\/td>\nCarlo Cartiglia<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Sindacati<\/td>\nCarlo Cartiglia<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Questione Meridionale<\/td>\nG. Fissore – G. Meinardi<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Questione Meridionale<\/td>\nG. Fissore – G. Meinardi<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Poteri Locali In Italia<\/td>\nGiuseppe Martinez<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Poteri Locali In Italia<\/td>\nGiuseppe Martinez<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Teatro E Pubblico<\/td>\nRosanna Ghiaroni<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Teatro E Pubblico<\/td>\nRosanna Ghiaroni<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – URSS E USA Strutture Agricole E Classi Sociali<\/td>\nLuigi Marelli<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – URSS E USA Strutture Agricole E Classi Sociali<\/td>\nLuigi Marelli<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Evoluzione Biologica<\/td>\nNicoletta Morello<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Evoluzione Biologica<\/td>\nNicoletta Morello<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Comportamento Animale<\/td>\nE. Alleva – E. Visalberghi<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Asia<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Asia<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Africa<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Africa<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Angola<\/td>\nAnna Milanini Kemeny<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Angola<\/td>\nAnna Milanini Kemeny<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Deserti Del Mondo<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Deserti Del Mondo<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Esplorando Lo Spazio<\/td>\nE. Valabrega – L. Manassi<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Esplorando Lo Spazio<\/td>\nE. Valabrega – L. Manassi<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Acqua<\/td>\nOvidio Pasquali<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Acqua<\/td>\nOvidio Pasquali<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Eresie Nei Primi Secoli Del Cristianesimo<\/td>\nFrancesco Saverio Pericoli Ridolfini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Eresie Nei Primi Secoli Del Cristianesimo<\/td>\nFrancesco Saverio Pericoli Ridolfini<\/td>\nLoescher<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Vesuvio E L ‘ Uomo<\/td>\n<\/td>\nT & M<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\nCD<\/td>\n<\/tr>\n
Enciclopedia Multimediale Rizzoli – Larousse 2002<\/td>\n<\/td>\nRizzoli<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\nCD<\/td>\n<\/tr>\n
Legalit\u00e0 In Rete – Senza Confini<\/td>\n<\/td>\n<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Legalit\u00e0 In Rete – Senza Confini<\/td>\n<\/td>\n<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicolo 2089<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicolo 2090<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicolo 2093<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicolo 2094<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicolo 2095<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicolo 2098<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicolo 2099<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicolo 2100<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicolo 2103<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicolo 2108<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicolo 2111<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicolo 2112<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicolo 2113<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicolo 2114<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicoli 2115 , 2116 , 2117<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicoli 2118 , 2119 , 2120<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nuova Antologia – Fascicoli 2125 , 2126<\/td>\nVari<\/td>\nMondadori<\/td>\n4<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Aquiloni Nella Notte<\/td>\nM. E. Kerr<\/td>\nEL<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n15<\/td>\n<\/td>\n<\/tr>\n
I Promessi Sposi\u00a0<\/span><\/td>\nAlessandro Manzoni<\/td>\nIl Rubino<\/td>\n2<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1966<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Ottobre 1966<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1966<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1967<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1967<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Agosto 1967<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Settembre Ottobre 1967<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1967<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1968<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1968<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1968<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Ottobre 1968<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1968<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1969<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1969<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Ottobre 1969<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1969<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1970<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1970<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1970<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Ottobre 1970<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1970<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1971<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1971<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1971<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Ottobre 1971<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1971<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1972<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Agosto 1972<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Settembre Ottobre 1972<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1973<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Giugno 1973<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Agosto 1973<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Settembre Ottobre 1973<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1973<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Roma 1973<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Roma 1974<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1974<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1974<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Agosto 1974<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Settembre Ottobre 1974<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1974<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Marzo 1975<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Settembre 1975<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Ottobre Dicembre 1975<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1976<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1976<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1976<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Settembre Ottobre 1976<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1976<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1977<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1977<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1978<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1978<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1978<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Ottobre 1978<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1978<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1979<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1979<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1979<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Agosto 1979<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Settembre Ottobre 1979<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1979<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1980<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1980<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1980<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Agosto 1980<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Settembre Ottobre 1980<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1980<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1981<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1981<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Settembre Ottobre 1981<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1981<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1982<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1982<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1982<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Settembre Ottobre 1982<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1982<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1983<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1983<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Agosto 1983<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Settembre Ottobre 1983<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1984<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1984<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1984<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Agosto 1984<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Settembre Ottobre 1984<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1985<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Settembre Ottobre 1983<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Settembre Ottobre 1985<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1985<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1986<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1986<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1986<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1986<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Agosto 1986<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Settembre Ottobre 1986<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1986<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1987<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Agosto 1987<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Settembre Ottobre 1987<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1987<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Ottobre 1988<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1988<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1988<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Gennaio Febbraio 1989<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1989<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Marzo Aprile 1990<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n5<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1991<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n6<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Maggio Giugno 1993<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n6<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Luglio Agosto 1993<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n6<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – Novembre Dicembre 1993<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n6<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – 1999 5-6<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n6<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annali Della Pubblica Istruzione – 2000 5-6<\/td>\n<\/td>\nLe Monnier<\/td>\n4<\/td>\n6<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 17<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 17<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 18<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 19<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 20<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 21<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 22<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 23<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 24<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 25<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 26<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 27<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 28<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 29<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 30<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 31<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 32<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 33 34<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 33 35<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 35<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 37<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 38<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 40<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 42<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 43<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 45 46<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 47<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 48<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 48<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 49 50<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 49 50<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 51<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 51<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 52<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 52<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 53<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 53<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 54<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 54<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 55<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 56<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 56<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 57<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 58<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 59<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 60<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 63 64<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 66<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 67<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 68<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 70<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 71<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 72<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 74<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 75<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 76<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 77<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 78<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 79<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Scuola Media Letteratura 1<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism, School<\/td>\n<\/td>\n1451<\/td>\n<\/td>\n<\/tr>\n
Scuola Media Letteratura 2<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism, School<\/td>\n<\/td>\n1452<\/td>\n<\/td>\n<\/tr>\n
Scuola Media Letteratura 3<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism, School<\/td>\n<\/td>\n1453<\/td>\n<\/td>\n<\/tr>\n
Scuola Media Matematica 1<\/td>\nLuigi Trabuccio<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1453<\/td>\n<\/td>\n<\/tr>\n
Scuola Media Matematica 2<\/td>\nLuigi Trabuccio<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1454<\/td>\n<\/td>\n<\/tr>\n
Scuola Media Matematica 3<\/td>\nLuigi Trabuccio<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1455<\/td>\n<\/td>\n<\/tr>\n
Atlante Enciclopedia Geografica<\/td>\n<\/td>\nGarzanti<\/td>\n7<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Atlante Enciclopedia Geografica<\/td>\n<\/td>\nGarzanti<\/td>\n7<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Atlante Enciclopedia Geografica<\/td>\n<\/td>\nGarzanti<\/td>\n7<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Atlante Enciclopedia Geografica<\/td>\n<\/td>\nGarzanti<\/td>\n7<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Scientifica Tecnica<\/td>\n<\/td>\nGarzanti<\/td>\n7<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Scientifica Tecnica<\/td>\n<\/td>\nGarzanti<\/td>\n7<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Scientifica Tecnica<\/td>\n<\/td>\nGarzanti<\/td>\n7<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Scientifica Tecnica<\/td>\n<\/td>\nGarzanti<\/td>\n7<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Musica , Mare , Ammore<\/td>\nGiuseppe “Raimir” Raiola\u00a0<\/span><\/td>\nIl Tipografo<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n1466<\/td>\n<\/td>\n<\/tr>\n
Musica , Mare , Ammore<\/td>\nGiuseppe “Raimir” Raiola\u00a0<\/span><\/td>\nIl Tipografo<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n1466<\/td>\n<\/td>\n<\/tr>\n
Il Corallo<\/td>\nBasilio Liverino<\/td>\nLi Causi<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Biblioteca Storica Del Corallo<\/td>\nVari<\/td>\nAnalisi<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 81<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 85<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 86<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 87<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 88<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 89<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 93<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 95<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 96<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 98<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 99<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 100<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 103<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 104<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 105<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 107<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 106<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 107<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 113<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 114<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 118<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 121<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 127<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 128<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cultura E Scuola – 129<\/td>\nVari<\/td>\n<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Educazione Permanente E Democrazia<\/td>\nVari<\/td>\nGiunti & Lisciani<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\n<\/td>\n1409<\/td>\n<\/td>\n<\/tr>\n
Educazione : Dove ?<\/td>\nVari<\/td>\nFerraro<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\n<\/td>\n1404<\/td>\n<\/td>\n<\/tr>\n
La Previdenza Nella Scuola Elementare<\/td>\nVari<\/td>\nIstituto Nazionale Delle Assicurazioni<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\n<\/td>\n1403<\/td>\n<\/td>\n<\/tr>\n
L ‘ Orientamento<\/td>\nVari<\/td>\nUnio<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1402<\/td>\n<\/td>\n<\/tr>\n
Ernesto Codignola In 50 Anni Di Battaglie Educative<\/td>\nVari<\/td>\nLa Nuova Italia<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1401<\/td>\n<\/td>\n<\/tr>\n
Educazione E Selezione Tra Genetisti E Ambientalisti<\/td>\nHans J. Eysenck<\/td>\nArmando Armando<\/td>\n7<\/td>\n4<\/td>\n<\/td>\nSocial Science<\/td>\n<\/td>\n1400<\/td>\n<\/td>\n<\/tr>\n
La Valutazione Nella Scuola Dell ‘ Obbligo<\/td>\nVari<\/td>\nLe Monnier<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1398<\/td>\n<\/td>\n<\/tr>\n
La Comunicazione Orale E Scritta<\/td>\nVari<\/td>\nGiunti \\ Marzocco<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1418<\/td>\n<\/td>\n<\/tr>\n
Organizzazione Scolastica E Programmazione D ‘ Istituto<\/td>\nVari<\/td>\nLa Scuola<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1417<\/td>\n<\/td>\n<\/tr>\n
Il Curricolo<\/td>\nClotilde Pontecorvo – Luisa Fuse ‘<\/td>\nLoescher<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\n<\/td>\n1416<\/td>\n<\/td>\n<\/tr>\n
A Misura Degli Atteggiamenti<\/td>\nLuciano Arcuri – Giovanni B. Flores D ‘ Arcais<\/td>\nMartello – Giunti<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\n<\/td>\n1415<\/td>\n<\/td>\n<\/tr>\n
Problemi Dell ‘ Educazione Contemporanea E Teoria Dell ‘ Educazione Fisica<\/td>\nGiovanni B. Costanzo – Francesco Vacatello<\/td>\nAmleto Sparano<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1414<\/td>\n<\/td>\n<\/tr>\n
Scuola Lavoro –<\/td>\nVari<\/td>\nMaggioli<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Scuola Lavoro – Verso Un Sistema Di Orientamento<\/td>\nVari<\/td>\nMaggioli<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1410<\/td>\n<\/td>\n<\/tr>\n
Scuola Lavoro – Rapporto Isfol<\/td>\nVari<\/td>\nMaggioli<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1412<\/td>\n<\/td>\n<\/tr>\n
Scuola Lavoro -tecnologia E Creativit\u00e0 In Classe<\/td>\nVari<\/td>\nMaggioli<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1413<\/td>\n<\/td>\n<\/tr>\n
I Disturbi Dell ‘ Linguaggio<\/td>\nVari<\/td>\nEtas<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1448<\/td>\n<\/td>\n<\/tr>\n
Per Una Didattica Interdisciplinare<\/td>\nVari<\/td>\nCentro Programmazione<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1445<\/td>\n<\/td>\n<\/tr>\n
Creativit\u00e0 E Funzioni Della Lingua<\/td>\nFrancesca Farina<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\nSocial Science<\/td>\n<\/td>\n1441<\/td>\n<\/td>\n<\/tr>\n
Guida All ‘ Osservazione In Classe<\/td>\nSalvatore Soresi<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n435<\/td>\n<\/td>\n<\/tr>\n
A Practical Guide To The Teaching Of English<\/td>\nWilga M. Rivers – Mary S. Temperley<\/td>\nOxford University<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1436<\/td>\n<\/td>\n<\/tr>\n
La Formazione Professionale Dell ‘ Insegnante<\/td>\nVari<\/td>\nGiunti \\ Marzocco<\/td>\n7<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1423<\/td>\n<\/td>\n<\/tr>\n
Studi E Ricerche<\/td>\nBurrhus F. Skinner<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1420<\/td>\n<\/td>\n<\/tr>\n
Il Giudizio Morale Nel Fanciullo<\/td>\nJean Piaget<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1419<\/td>\n<\/td>\n<\/tr>\n
Il Comportamentismo<\/td>\nJohn B. Watsn<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1422<\/td>\n<\/td>\n<\/tr>\n
Il Pensiero Produttivo<\/td>\nMax Wertheimer<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1421<\/td>\n<\/td>\n<\/tr>\n
Psicologia Del Fanciullo E Pedagogia Sperimentale<\/td>\nEdouard Claparede<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1424<\/td>\n<\/td>\n<\/tr>\n
Psicologia Scolastica<\/td>\nAmleto Bassi<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1429<\/td>\n<\/td>\n<\/tr>\n
Lo Sviluppo Mentale Nelle Ricerche Di Jean Piaget<\/td>\nGuido Petter<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1430<\/td>\n<\/td>\n<\/tr>\n
Lo Studio Psicologico Del Carattere E Delle Attitudini<\/td>\nM. L. Falorni<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1432<\/td>\n<\/td>\n<\/tr>\n
Lo Studio Psicologico Dell ‘ Intelligenza E Della Motricit\u00e0<\/td>\nM. L. Falorni<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1433<\/td>\n<\/td>\n<\/tr>\n
Aspetti Psicologici Della Personalit\u00e0 Nell ‘ Et\u00e0 Evolutiva<\/td>\nM. L. Falorni<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1434<\/td>\n<\/td>\n<\/tr>\n
Dalla Logica Del Fanciullo Alla Logica Dell’ Adolescente<\/td>\nJean Piaget – B. Inhelder<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1431<\/td>\n<\/td>\n<\/tr>\n
La Geometria Spontanea Del Bambino<\/td>\nJean Piaget – B. Inhelder – A . Szeminska<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1425<\/td>\n<\/td>\n<\/tr>\n
Psicologia Dell ‘ Intelligenza<\/td>\nJean Piaget<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1426<\/td>\n<\/td>\n<\/tr>\n
I Meccanismi Percettivi<\/td>\nJean Piaget<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1428<\/td>\n<\/td>\n<\/tr>\n
Introduzione Al Test De Disegno Dell ‘ Uomo<\/td>\nLucia Pizzo Russo<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1392<\/td>\n<\/td>\n<\/tr>\n
L ‘ Uomo Nel Fanciullo\u00a0<\/span><\/td>\nGiovanni Procino<\/td>\nRelations Latines<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1424<\/td>\n<\/td>\n<\/tr>\n
Metodi Di Ricerca Nella Scienza Dell ‘ Educazione<\/td>\nHermann Rohrs<\/td>\nLa Scuola<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1361<\/td>\n<\/td>\n<\/tr>\n
Manuale Di Psicologia Del Fanciullo<\/td>\nF. Hotyat<\/td>\nLa Scuola<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1360<\/td>\n<\/td>\n<\/tr>\n
Manuale Di Psicologia Del Fanciullo<\/td>\nF. Hotyat<\/td>\nLa Scuola<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1360<\/td>\n<\/td>\n<\/tr>\n
L’innominabile<\/td>\nSamuel Beckett<\/td>\nMondadori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1377<\/td>\n<\/td>\n<\/tr>\n
Malone Muore<\/td>\nSamuel Beckett<\/td>\nMondadori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1378<\/td>\n<\/td>\n<\/tr>\n
Molloy<\/td>\nSamuel Beckett<\/td>\nMondadori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1379<\/td>\n<\/td>\n<\/tr>\n
Sperimentazione<\/td>\nFranco Bertoldi<\/td>\nLa Scuola<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1386<\/td>\n<\/td>\n<\/tr>\n
Valutazione E Sperimentazione<\/td>\nDante Luparia<\/td>\nMassimo – M.C.D.<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1384<\/td>\n<\/td>\n<\/tr>\n
Il Problema Della Valutazione Nella Scuola Secondaria<\/td>\nVari<\/td>\nMassimo – M.C.D.<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1382<\/td>\n<\/td>\n<\/tr>\n
Spunti Per Una Didattica Della Geografia Nella Scuola Media<\/td>\nEugenia Baldoni<\/td>\nMassimo – M.C.D.<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1383<\/td>\n<\/td>\n<\/tr>\n
Economia Moderna<\/td>\nJay Pen<\/td>\nMondadori<\/td>\n7<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1381<\/td>\n<\/td>\n<\/tr>\n
La Nuova Scuola Media<\/td>\nVari<\/td>\nERI<\/td>\n7<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1393<\/td>\n<\/td>\n<\/tr>\n
La Nuova Scuola Media<\/td>\nVari<\/td>\nERI<\/td>\n7<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1394<\/td>\n<\/td>\n<\/tr>\n
La Costituzione Della Repubblica Italiana<\/td>\nVari<\/td>\nMondadori<\/td>\n7<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1380<\/td>\n<\/td>\n<\/tr>\n
Antologia Poetica Di Umanisti Meridionali<\/td>\nVari<\/td>\nSEN<\/td>\n7<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n1388<\/td>\n<\/td>\n<\/tr>\n
Dante Autobiografico<\/td>\nGiovanni Fallani<\/td>\nSEN<\/td>\n7<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n1307<\/td>\n<\/td>\n<\/tr>\n
Dante Autobiografico<\/td>\nEnzo Biagi<\/td>\nRizzoli<\/td>\n7<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1367<\/td>\n<\/td>\n<\/tr>\n
Dante Autobiografico<\/td>\nEnzo Biagi<\/td>\nRizzoli<\/td>\n7<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1372<\/td>\n<\/td>\n<\/tr>\n
Lo Studio Critico Della Letteratura Italiana – Dalle Origini Al Quattrocento<\/td>\nMario Gabrielle Giordano – Armando Pavone<\/td>\nFratelli Conte<\/td>\n7<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n1363<\/td>\n<\/td>\n<\/tr>\n
Lo Studio Critico Della Letteratura Italiana – Dal Cinquecento Al Settecento<\/td>\nMario Gabrielle Giordano – Armando Pavone<\/td>\nFratelli Conte<\/td>\n7<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n1364<\/td>\n<\/td>\n<\/tr>\n
Lo Studio Critico Della Letteratura Italiana – L’ Ottocento<\/td>\nMario Gabrielle Giordano – Armando Pavone<\/td>\nFratelli Conte<\/td>\n7<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n1365<\/td>\n<\/td>\n<\/tr>\n
Lo Studio Critico Della Letteratura Italiana – Il Novecento<\/td>\nMario Gabrielle Giordano – Armando Pavone<\/td>\nFratelli Conte<\/td>\n7<\/td>\n6<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n1366<\/td>\n<\/td>\n<\/tr>\n
Storia Della Medicina Per Immagini<\/td>\nAntonio Molfese<\/td>\n<\/td>\n7<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Grandi Battaglie<\/td>\nIl Club Delle Giovani Marmotte<\/td>\nMondadori<\/td>\n7<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Del Tempo Libero – Uomini E Fatti Della Grande Guerra<\/td>\nMario Isnenghi<\/td>\nRadar<\/td>\n4<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n884<\/td>\n<\/td>\n<\/tr>\n
Citta E Paesi D’ Italia – 5<\/td>\n<\/td>\nDe Agostini<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storia Universale – 6<\/td>\nVari<\/td>\nVallardi<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1268<\/td>\n<\/td>\n<\/tr>\n
Storia Universale – 6<\/td>\nVari<\/td>\nVallardi<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1268<\/td>\n<\/td>\n<\/tr>\n
Storia Universale – 7<\/td>\nVari<\/td>\nVallardi<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storia Universale – 7<\/td>\nVari<\/td>\nVallardi<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Vigilia Del Fascismo<\/td>\nD. Veneruso<\/td>\nIl Mulino<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1232<\/td>\n<\/td>\n<\/tr>\n
Il Grande Dibattito<\/td>\nRaymond Aron<\/td>\nIl Mulino<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1231<\/td>\n<\/td>\n<\/tr>\n
L ‘ Industria Culturale<\/td>\nEdgar Morin<\/td>\nIl Mulino<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Problemi Psicologici Della Preadolescenza E Dell ‘ Adolescenza<\/td>\nGuido Petter<\/td>\nLa Nuova Italia<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1227<\/td>\n<\/td>\n<\/tr>\n
Problemi Di Geografia Del Linguaggio<\/td>\nGastone Imbrighi<\/td>\nL. U. Japadre<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Corallo<\/td>\nCristina Del Mare – Flavio Russo<\/td>\nElecta<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La sfida Tecnologica<\/td>\nSergio Cotta<\/td>\nIl Mulino<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1233<\/td>\n<\/td>\n<\/tr>\n
La Storia Come Giudizio<\/td>\nRichino Castiglione<\/td>\nLa Scuola<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1240<\/td>\n<\/td>\n<\/tr>\n
Drammaturgia Televisiva<\/td>\nMario Apollonio<\/td>\nLa Scuola<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1235<\/td>\n<\/td>\n<\/tr>\n
Didattica Delle Osservazioni Ed Elementi Di Scienze Naturali<\/td>\nVari<\/td>\nLa Scuola<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1239<\/td>\n<\/td>\n<\/tr>\n
L ‘ Insegnamento Della Storia<\/td>\nMarcel Reinhard<\/td>\nArmando Armando<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1247<\/td>\n<\/td>\n<\/tr>\n
Macchine Per Pensare<\/td>\nD. S. Halacy Junior<\/td>\nGarzanti<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1277<\/td>\n<\/td>\n<\/tr>\n
L ‘ Autogoverno Dell ‘ Universit\u00e0<\/td>\n<\/td>\nIstituto Per La Cooperazione Universitaria<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1272<\/td>\n<\/td>\n<\/tr>\n
Vita Sociale E Insegnamento Di Gruppo<\/td>\nErnst Meyer<\/td>\nAVE<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1263<\/td>\n<\/td>\n<\/tr>\n
Didattica Delle Osservazioni Scientifiche Nella Scuola Media<\/td>\nAnna Fanti Lolli<\/td>\nCappelli<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1270<\/td>\n<\/td>\n<\/tr>\n
I Principi E Gli Orientamenti Didattici Della Nuova Scuola Media<\/td>\nRomilde Coletti<\/td>\nDella Quercia<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1279<\/td>\n<\/td>\n<\/tr>\n
Saggi Di Psicologia Dell ‘ Insegnamento Delle Lingue Straniere<\/td>\nBoris Vasil’evic Beljaev<\/td>\nLa Nuova Italia<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1278<\/td>\n<\/td>\n<\/tr>\n
Storia Sociale Dell ‘educazione<\/td>\nRoger Holmes Beck<\/td>\nAldo Martello<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1280<\/td>\n<\/td>\n<\/tr>\n
Le Origini Dell ‘ Europa Moderna<\/td>\nGeorge Clark<\/td>\nGarzanti<\/td>\n8<\/td>\n7<\/td>\n<\/td>\n<\/td>\n<\/td>\n1276<\/td>\n<\/td>\n<\/tr>\n
Il Codice Della Forma<\/td>\nGrazia Marchiano<\/td>\nDedalo<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Scuola Per Tutti In Italia<\/td>\n<\/td>\n<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Problema Della Forma<\/td>\nStefano Bottari<\/td>\nG. D ‘ Anna<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1273<\/td>\n<\/td>\n<\/tr>\n
Momento Della Critica D ‘ Arte<\/td>\nAdolfo Hilderbrand<\/td>\nG. D ‘ Anna<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1274<\/td>\n<\/td>\n<\/tr>\n
Genesi E Sviluppi Della Filosofia Europea<\/td>\nPonte Nuovo<\/td>\n1281<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Introduzione Alla Nuova Scuola Media<\/td>\nFranco Bonacina<\/td>\nDella Quercia<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1264<\/td>\n<\/td>\n<\/tr>\n
Introduzione Alla Nuova Scuola Media – Documentazione<\/td>\nFranco Bonacina<\/td>\nDella Quercia<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1265<\/td>\n<\/td>\n<\/tr>\n
Orientamenti Didattici Per L ‘ Educazione Artistica Della Scuola Media<\/td>\n<\/td>\n<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1258<\/td>\n<\/td>\n<\/tr>\n
I Problemi Attuali Della Linguistica<\/td>\nVari<\/td>\nBompiani<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1253<\/td>\n<\/td>\n<\/tr>\n
I Fondamenti Della Teoria Del Linguaggio<\/td>\nLouis Hjelmslev<\/td>\nEinaudi<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1259<\/td>\n<\/td>\n<\/tr>\n
Un Adolescente Allo Specchio<\/td>\nRita D ‘ Amelio<\/td>\nAdriatica<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1245<\/td>\n<\/td>\n<\/tr>\n
Ragazzi E Libri<\/td>\nJ. A. Cutforth E S. H. Battersby<\/td>\nArmando Armando<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1246<\/td>\n<\/td>\n<\/tr>\n
Semiotica Ed Estetica<\/td>\nEmilio Garroni<\/td>\nLaterza<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1241<\/td>\n<\/td>\n<\/tr>\n
L ‘ Europa – Idea E Realt\u00e0<\/td>\nJoseph Rovan<\/td>\nArmando Armando<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1248<\/td>\n<\/td>\n<\/tr>\n
La Formazione Della Civilt\u00e0 Mediterranea<\/td>\nSilvio Accame<\/td>\nLa Scuola<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1238<\/td>\n<\/td>\n<\/tr>\n
La Sperimentazione<\/td>\nMario Mencarelli<\/td>\nLa Scuola<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1237<\/td>\n<\/td>\n<\/tr>\n
Plotino<\/td>\nPietro Prini<\/td>\nAbete<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1243<\/td>\n<\/td>\n<\/tr>\n
L ‘ Antologia Italiana<\/td>\nRita D ‘ Amelio<\/td>\nAdriatica<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1244<\/td>\n<\/td>\n<\/tr>\n
Letture – Volume 1<\/td>\nLina Sacchetti<\/td>\nGiunti \\ Marzocco<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1251<\/td>\n<\/td>\n<\/tr>\n
Letture – Volume 2<\/td>\nLina Sacchetti<\/td>\nGiunti \\ Marzocco<\/td>\n8<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1252<\/td>\n<\/td>\n<\/tr>\n
Che Cos’\u00e8 Lo Stato<\/td>\nMarcello Capurso<\/td>\nERI<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1260<\/td>\n<\/td>\n<\/tr>\n
Teatro Universale – Dalle Origini A Shakespeare<\/td>\nAchille Fiocco<\/td>\nCappelli<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1254<\/td>\n<\/td>\n<\/tr>\n
Teatro Universale – Dal Classicismo Al Romanticismo<\/td>\nAchille Fiocco<\/td>\nCappelli<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1255<\/td>\n<\/td>\n<\/tr>\n
Teatro Universale – Dal Naturalismo Ai Giorni Nostri<\/td>\nAchille Fiocco<\/td>\nCappelli<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n125<\/td>\n<\/td>\n<\/tr>\n
Insetti<\/td>\nCesare Conci – Italo Bucciarelli<\/td>\nDe Agostini<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1234<\/td>\n<\/td>\n<\/tr>\n
Le Marche<\/td>\nGiuseppe Massani<\/td>\nItalia Universale<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1267<\/td>\n<\/td>\n<\/tr>\n
Le Meraviglie Dell ‘ Arte – Volume 1 – L ‘ Arte Antica<\/td>\nPiero De Martino<\/td>\nM. Confalonieri<\/td>\n8<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1266<\/td>\n<\/td>\n<\/tr>\n
Geografia<\/td>\nVari<\/td>\nZanichelli<\/td>\n8<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1200<\/td>\n<\/td>\n<\/tr>\n
Letteratura<\/td>\nVari<\/td>\nZanichelli<\/td>\n8<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1201<\/td>\n<\/td>\n<\/tr>\n
Tecnica<\/td>\nVari<\/td>\nZanichelli<\/td>\n8<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1202<\/td>\n<\/td>\n<\/tr>\n
Giochi E Sport<\/td>\nVari<\/td>\nZanichelli<\/td>\n8<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1203<\/td>\n<\/td>\n<\/tr>\n
Arte<\/td>\nVari<\/td>\nZanichelli<\/td>\n8<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1204<\/td>\n<\/td>\n<\/tr>\n
Storia<\/td>\nVari<\/td>\nZanichelli<\/td>\n8<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1205<\/td>\n<\/td>\n<\/tr>\n
Scienze<\/td>\nVari<\/td>\nZanichelli<\/td>\n8<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1206<\/td>\n<\/td>\n<\/tr>\n
Biologia<\/td>\nVari<\/td>\nZanichelli<\/td>\n8<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1207<\/td>\n<\/td>\n<\/tr>\n
Atlante Geografico<\/td>\nVari<\/td>\nZanichelli<\/td>\n8<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1208<\/td>\n<\/td>\n<\/tr>\n
Indici<\/td>\nVari<\/td>\nZanichelli<\/td>\n8<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1209<\/td>\n<\/td>\n<\/tr>\n
Vita E Storia Degli Animali<\/td>\nA. E. Brehm. – C. Vogt<\/td>\nEditrice Italiana Di Cultura<\/td>\n8<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1197<\/td>\n<\/td>\n<\/tr>\n
Vita E Storia Degli Animali<\/td>\nA. E. Brehm. – C. Vogt<\/td>\nEditrice Italiana Di Cultura<\/td>\n8<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1198<\/td>\n<\/td>\n<\/tr>\n
La Semantica\u00a0<\/span><\/td>\nStephen Ullman<\/td>\nIl Mulino<\/td>\n8<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1195<\/td>\n<\/td>\n<\/tr>\n
Lo Sviluppo Mentale Nelle Ricerche Di Jean Piaget<\/td>\nGuido Petter<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1212<\/td>\n<\/td>\n<\/tr>\n
Il Rapporto Affettivo Maestro – Scolari<\/td>\nJacob M. Levy<\/td>\nGiunti – Barbera<\/td>\n7<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1213<\/td>\n<\/td>\n<\/tr>\n
Pensiero E Linguaggio<\/td>\nLev Semenovich Vygotsky<\/td>\nGiunti – Barbera<\/td>\n8<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1214<\/td>\n<\/td>\n<\/tr>\n
Teoria Dinamica Della Personalit\u00e0<\/td>\nKurt Lewin<\/td>\nGiunti – Barbera<\/td>\n8<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1215<\/td>\n<\/td>\n<\/tr>\n
L ‘ Educazione Civica Degli Italiani<\/td>\nVari<\/td>\nUCIIM<\/td>\n8<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Sussidi Audiovisivi Nella Scuola Media<\/td>\nArmando D ‘ Elia<\/td>\nLe Monnier<\/td>\n8<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1218<\/td>\n<\/td>\n<\/tr>\n
I Sussidi Audiovisivi Nella Scuola Media<\/td>\nArmando D ‘ Elia<\/td>\nLe Monnier<\/td>\n8<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1218<\/td>\n<\/td>\n<\/tr>\n
La Scuola E La Societ\u00e0 Italiana In Trasformazione<\/td>\n<\/td>\nLaterza<\/td>\n8<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1219<\/td>\n<\/td>\n<\/tr>\n
Dizionario Etimologico Italiano<\/td>\nDante Olivieri<\/td>\nCeschina<\/td>\n8<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1210<\/td>\n<\/td>\n<\/tr>\n
Dizionario Ragionato Dei Sinonimi E Contrari<\/td>\nGianni Cesana<\/td>\nDe Vecchi<\/td>\n8<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1216<\/td>\n<\/td>\n<\/tr>\n
Come Raddoppiare La Vostra Velocit\u00e0 Di Lettura<\/td>\nGiulio R. Alliprandi<\/td>\nDe Vecchi<\/td>\n8<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1217<\/td>\n<\/td>\n<\/tr>\n
Le Repubbliche Del Mare<\/td>\nArmando Lodolini<\/td>\n<\/td>\n8<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1223<\/td>\n<\/td>\n<\/tr>\n
Il Mondo Invisibile<\/td>\nUberto Tosco<\/td>\nDe Agostini<\/td>\n8<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1211<\/td>\n<\/td>\n<\/tr>\n
Atala<\/td>\nRenato Francesco<\/td>\nItalia Universale<\/td>\n8<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nella Roma Dell 800<\/td>\nJohann Wolfgang Goethe E Bartolomeo Pinelli<\/td>\nItalia Universale<\/td>\n8<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Signore Dell ‘ Altissimo Canto<\/td>\nEugenio Cutolo<\/td>\nAtena<\/td>\n8<\/td>\n5<\/td>\n<\/td>\nLiterary Criticism, Mind & Spirit<\/td>\n<\/td>\n1224<\/td>\n<\/td>\n<\/tr>\n
Nuova Enciclopedia – 1<\/td>\n<\/td>\nEditrice Italiana Di Cultura<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1161<\/td>\n<\/td>\n<\/tr>\n
Nuova Enciclopedia – 2<\/td>\n<\/td>\nEditrice Italiana Di Cultura<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1162<\/td>\n<\/td>\n<\/tr>\n
Nuova Enciclopedia – 3<\/td>\n<\/td>\nEditrice Italiana Di Cultura<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1163<\/td>\n<\/td>\n<\/tr>\n
Nuova Enciclopedia – 4<\/td>\n<\/td>\nEditrice Italiana Di Cultura<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1164<\/td>\n<\/td>\n<\/tr>\n
Nuova Enciclopedia – 5<\/td>\n<\/td>\nEditrice Italiana Di Cultura<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1165<\/td>\n<\/td>\n<\/tr>\n
Nuova Enciclopedia – 6<\/td>\n<\/td>\nEditrice Italiana Di Cultura<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1166<\/td>\n<\/td>\n<\/tr>\n
Storia D ‘ Europa Nel Secolo Decimonono<\/td>\nBenedetto Croce<\/td>\nLaterza<\/td>\n8<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1154<\/td>\n<\/td>\n<\/tr>\n
La Linguistica Strutturale<\/td>\nGiulio C. Lepschy<\/td>\nEinaudi<\/td>\n8<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1193<\/td>\n<\/td>\n<\/tr>\n
Strada Sicura<\/td>\nLorenzo Moneti<\/td>\nCappelli<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1180<\/td>\n<\/td>\n<\/tr>\n
La Vita Sociale Dei Ragazzi<\/td>\nRoger Cousinet<\/td>\nLa Nuova Italia<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1186<\/td>\n<\/td>\n<\/tr>\n
Conoscenza E Meraviglia<\/td>\nVictor F. Weisskopf<\/td>\nZanichelli<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1189<\/td>\n<\/td>\n<\/tr>\n
L ‘ Insegnamento Della Matematica<\/td>\nVari<\/td>\nLa Nuova Italia<\/td>\n8<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1181<\/td>\n<\/td>\n<\/tr>\n
Breve Storia Della Lingua Italiana<\/td>\nB . Migliorini – I. Baldelli<\/td>\nSansoni<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1188<\/td>\n<\/td>\n<\/tr>\n
Le Letture Dei Giovani<\/td>\nVari<\/td>\nSociet\u00e0 Dante Alighieri<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1196<\/td>\n<\/td>\n<\/tr>\n
La Tavola Di Eraclea Opistografica<\/td>\nGuerrino Peruzzi<\/td>\nLoffredo<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1270<\/td>\n<\/td>\n<\/tr>\n
La Schiavit\u00f9 Quale Componente Economico Sociale Della Crisi Repubblicana A Roma<\/td>\nGuerrino Peruzzi<\/td>\nLoffredo<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1269<\/td>\n<\/td>\n<\/tr>\n
Linguaggio Scienza E Filosofia<\/td>\nAlberto Pasquinelli<\/td>\nIl Mulino<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1253<\/td>\n<\/td>\n<\/tr>\n
Studi Sul Pensiero Antico<\/td>\nEttore Bignone<\/td>\nLoffredo<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1150<\/td>\n<\/td>\n<\/tr>\n
Didattica Delle Lingue Straniere<\/td>\nAdolf Bohlen<\/td>\nArmando Armando<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1156<\/td>\n<\/td>\n<\/tr>\n
Didattica Delle Osservazioni Ed Elementi Di Scienze Naturali<\/td>\nVari<\/td>\nLa Scuola<\/td>\n8<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1182<\/td>\n<\/td>\n<\/tr>\n
La Didattica Nella Geografia<\/td>\nVari<\/td>\nCentro Didattico Nazionale Scuola Media<\/td>\n8<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1178<\/td>\n<\/td>\n<\/tr>\n
La Didattica Nella Storia<\/td>\nVari<\/td>\nCentro Didattico Nazionale Scuola Media<\/td>\n8<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1179<\/td>\n<\/td>\n<\/tr>\n
La Didattica Dei Musei E Dei Monumenti<\/td>\nVari<\/td>\nCentro Didattico Nazionale Scuola Media<\/td>\n8<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1159<\/td>\n<\/td>\n<\/tr>\n
Didattica Della Matematica<\/td>\nEmma Castelnuovo<\/td>\nLa Nuova Italia<\/td>\n8<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1158<\/td>\n<\/td>\n<\/tr>\n
La Scuola Del Preadolescente Un Europa<\/td>\nVari<\/td>\nLa Nuova Italia<\/td>\n8<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1160<\/td>\n<\/td>\n<\/tr>\n
Psicologia Dell ‘ Apprendimento<\/td>\nHermas Bastien<\/td>\nLa Scuola<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1152<\/td>\n<\/td>\n<\/tr>\n
L ‘ Insuccesso E Il Ritardo Nella Scuola Media<\/td>\nAmleto Bassi<\/td>\nLa Nuova Italia<\/td>\n8<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n1185<\/td>\n<\/td>\n<\/tr>\n
Trattato Di Pedagogia Generale<\/td>\nAlbert Kriekemans<\/td>\nLa Scuola<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Segnalibro<\/td>\n<\/td>\nCentro Didattico Di Studi E Documentazione<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1157<\/td>\n<\/td>\n<\/tr>\n
Storia Degli Europei<\/td>\nMario Bastianetto<\/td>\nIl Mulino<\/td>\n8<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1155<\/td>\n<\/td>\n<\/tr>\n
Profilo Storico Del Mondo Hittita<\/td>\nGuerrino Peruzzi<\/td>\nLoffredo<\/td>\n8<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1171<\/td>\n<\/td>\n<\/tr>\n
Educare 1<\/td>\nVari<\/td>\nPas – Verlag<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1190<\/td>\n<\/td>\n<\/tr>\n
Educare 2<\/td>\nVari<\/td>\nPas – Verlag<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1191<\/td>\n<\/td>\n<\/tr>\n
Dizionario Generale Di Cultura<\/td>\nA. Brunacci<\/td>\nSEI<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Libro Dell ‘ Atomo<\/td>\nA . Bandini Buti<\/td>\nAMZ<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1151<\/td>\n<\/td>\n<\/tr>\n
Lazio<\/td>\nGiuseppe Massani<\/td>\nFelix<\/td>\n8<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1168<\/td>\n<\/td>\n<\/tr>\n
Dizionario Letterario – 1<\/td>\nVari<\/td>\nBompiani<\/td>\n6<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1086<\/td>\n<\/td>\n<\/tr>\n
Dizionario Letterario – 2<\/td>\nVari<\/td>\nBompiani<\/td>\n6<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1087<\/td>\n<\/td>\n<\/tr>\n
Dizionario Letterario – 3<\/td>\nVari<\/td>\nBompiani<\/td>\n6<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1088<\/td>\n<\/td>\n<\/tr>\n
Dizionario Letterario – 4<\/td>\nVari<\/td>\nBompiani<\/td>\n6<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1089<\/td>\n<\/td>\n<\/tr>\n
Dizionario Letterario – 5<\/td>\nVari<\/td>\nBompiani<\/td>\n6<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1089<\/td>\n<\/td>\n<\/tr>\n
Dizionario Letterario – 5<\/td>\nVari<\/td>\nBompiani<\/td>\n6<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1090<\/td>\n<\/td>\n<\/tr>\n
Dizionario Letterario – 6<\/td>\nVari<\/td>\nBompiani<\/td>\n6<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1091<\/td>\n<\/td>\n<\/tr>\n
Dizionario Letterario – 7<\/td>\nVari<\/td>\nBompiani<\/td>\n6<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1092<\/td>\n<\/td>\n<\/tr>\n
Dizionario Letterario – 9<\/td>\nVari<\/td>\nBompiani<\/td>\n6<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1094<\/td>\n<\/td>\n<\/tr>\n
Nuova Pagina Di Gloria Dell ‘ Aereonautica Militare Italiana<\/td>\nMario Malan<\/td>\nRindu<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1085<\/td>\n<\/td>\n<\/tr>\n
Storia D ‘ Italia – 1<\/td>\nFrancesco Cognasso<\/td>\nPrimato<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1082<\/td>\n<\/td>\n<\/tr>\n
Storia D ‘ Italia – 2<\/td>\nSalvatore Francesco Romano<\/td>\nPrimato<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1083<\/td>\n<\/td>\n<\/tr>\n
Storia D ‘ Italia – 3<\/td>\nAmedeo Tosti<\/td>\nPrimato<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1083<\/td>\n<\/td>\n<\/tr>\n
Le Capitali Del Mondo – 1<\/td>\nVari<\/td>\nDe Agostini<\/td>\n9<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1079<\/td>\n<\/td>\n<\/tr>\n
Le Capitali Del Mondo – 2<\/td>\nVari<\/td>\nDe Agostini<\/td>\n9<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1080<\/td>\n<\/td>\n<\/tr>\n
Le Capitali Del Mondo – 3<\/td>\nVari<\/td>\nDe Agostini<\/td>\n9<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1081<\/td>\n<\/td>\n<\/tr>\n
De Officiis – 1<\/td>\nM . Tullio Ciceronis<\/td>\nG. B. Paravia & C.<\/td>\n9<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1065<\/td>\n<\/td>\n<\/tr>\n
De Officiis – 2<\/td>\nM . Tullio Ciceronis<\/td>\nG. B. Paravia & C.<\/td>\n9<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1066<\/td>\n<\/td>\n<\/tr>\n
De Officiis – 3<\/td>\nM . Tullio Ciceronis<\/td>\nG. B. Paravia & C.<\/td>\n9<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1067<\/td>\n<\/td>\n<\/tr>\n
Carmina<\/td>\nQ. Valerio Catvlli<\/td>\nG. B. Paravia & C.<\/td>\n9<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1068<\/td>\n<\/td>\n<\/tr>\n
I Racconti Della Ghiandaia<\/td>\nCorrado Govoni<\/td>\nGiuseppe Carraba<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pap\u00e0 Goriot<\/td>\nHonore ‘ De Balzac<\/td>\nRizzoli<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1064<\/td>\n<\/td>\n<\/tr>\n
Storia D ‘ Europa Nel Secolo Decimonono<\/td>\nBenedetto Croce<\/td>\nLaterza<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1074<\/td>\n<\/td>\n<\/tr>\n
Il Conte Rosso<\/td>\nAnton Giulio Barrili<\/td>\nFratelli Treves<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1073<\/td>\n<\/td>\n<\/tr>\n
Storia Della Letteratura Italiana<\/td>\nFrancesco De Sanctis<\/td>\nLaterza<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Arte , Realt\u00e0 E Storia<\/td>\nRocco Montano<\/td>\nConte\u00a0<\/span><\/td>\n9<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n1070<\/td>\n<\/td>\n<\/tr>\n
La Capanna In Cima Al Colle<\/td>\nCecil Hallack<\/td>\nIstituto Di Propaganda Libraria<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1069<\/td>\n<\/td>\n<\/tr>\n
Questo Io Ricordo<\/td>\nEleanor Roosevelt<\/td>\nGarzanti<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1078<\/td>\n<\/td>\n<\/tr>\n
Dall ‘ Istruttoria Alla Fucilazione<\/td>\nVincenzo Cersosimo<\/td>\nGarzanti<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1077<\/td>\n<\/td>\n<\/tr>\n
Memorie Di Pace E Di Guerra – 1<\/td>\nCordell Hull<\/td>\nRizzoli<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1061<\/td>\n<\/td>\n<\/tr>\n
Memorie Di Pace E Di Guerra – 2<\/td>\nCordell Hull<\/td>\nRizzoli<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1062<\/td>\n<\/td>\n<\/tr>\n
L’ Isola Del Tesoro<\/td>\nRobert Louis Stevenson<\/td>\nEinaudi<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1072<\/td>\n<\/td>\n<\/tr>\n
Il Sole Non E ‘ Tramontato<\/td>\nG. A. Borgese<\/td>\nMondadori<\/td>\n9<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1076<\/td>\n<\/td>\n<\/tr>\n
L ‘ Idiota – 2<\/td>\nFedor Dostoevskij<\/td>\nGiuseppe Carraba<\/td>\n6<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1063<\/td>\n<\/td>\n<\/tr>\n
L ‘ Idiota – 3<\/td>\nFedor Dostoevskij<\/td>\nGiuseppe Carraba<\/td>\n6<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1063<\/td>\n<\/td>\n<\/tr>\n
L ‘ Idiota – 4<\/td>\nFedor Dostoevskij<\/td>\nGiuseppe Carraba<\/td>\n6<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1063<\/td>\n<\/td>\n<\/tr>\n
Il Secondo Risorgimento<\/td>\nVari<\/td>\nIstituto Poligrafico Dello Stato<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1054<\/td>\n<\/td>\n<\/tr>\n
La Rivoluzione Siciliana Del 1848<\/td>\nAlberto La Pegna<\/td>\nAlfredo Guida<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1052<\/td>\n<\/td>\n<\/tr>\n
Il Cinquecento<\/td>\nGiuseppe Toffanin<\/td>\nVallardi<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1053<\/td>\n<\/td>\n<\/tr>\n
I Longobardi<\/td>\nGiuseppe Pochettino<\/td>\nAlfredo Guida<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1049<\/td>\n<\/td>\n<\/tr>\n
Alcyone<\/td>\nGabriele D ‘ Annunzio<\/td>\nZanichelli<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1047<\/td>\n<\/td>\n<\/tr>\n
Italia Ed Ungheria<\/td>\nCarlo Antonio<\/td>\nAlfredo Guida<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1046<\/td>\n<\/td>\n<\/tr>\n
Aspetti Della Vita Italo – Spagnola<\/td>\nFausto Nicolini<\/td>\nAlfredo Guida<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1045<\/td>\n<\/td>\n<\/tr>\n
In Missione Speciale<\/td>\nSamuel Hoare<\/td>\nRizzoli<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1059<\/td>\n<\/td>\n<\/tr>\n
Poesia e Forza Delle Nazioni<\/td>\nMassimo Lelj<\/td>\nGiuseppe Carraba<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1058<\/td>\n<\/td>\n<\/tr>\n
Storie Crudeli<\/td>\nEnrico Emmanueli<\/td>\nGiuseppe Carraba<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1057<\/td>\n<\/td>\n<\/tr>\n
La Signorina Elsa<\/td>\nArthur Schnitzler<\/td>\nDall ‘ Oglio<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1025<\/td>\n<\/td>\n<\/tr>\n
Problemi Di Tutti<\/td>\nJohn Dewey<\/td>\nMondadori<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1023<\/td>\n<\/td>\n<\/tr>\n
Muang Thai<\/td>\nAntonio M. Alessi<\/td>\nLa Sorgente<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1026<\/td>\n<\/td>\n<\/tr>\n
Il Paese Del Melodramma<\/td>\nBruno Barilli<\/td>\nGiuseppe Carraba<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1060<\/td>\n<\/td>\n<\/tr>\n
I Buddenbrook<\/td>\nThomas Mann<\/td>\nEinaudi<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1022<\/td>\n<\/td>\n<\/tr>\n
L ‘ Uomo Dal Pi\u00e8 Storto<\/td>\nV. Williams<\/td>\nNovissima<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1021<\/td>\n<\/td>\n<\/tr>\n
Le Sicilie<\/td>\nAndrea Genoino<\/td>\nAlfredo Guida<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1024<\/td>\n<\/td>\n<\/tr>\n
Amori Grandezze E Miserie Di Balzac<\/td>\nDante Serra<\/td>\nFratelli Palombi<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1020<\/td>\n<\/td>\n<\/tr>\n
Ancora Faust<\/td>\nAlmerico Ribera<\/td>\nTariffi<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1019<\/td>\n<\/td>\n<\/tr>\n
Piove A Cincinnati<\/td>\nRing Lardner<\/td>\nLonganesi<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1028<\/td>\n<\/td>\n<\/tr>\n
Ho Scelto La Libert\u00e0<\/td>\nV. Kravchenko<\/td>\nLonganesi<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1027<\/td>\n<\/td>\n<\/tr>\n
La Letteratura Latina 1<\/td>\nEnrico Cocchia<\/td>\nRondinella E Loffredo<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n1042<\/td>\n<\/td>\n<\/tr>\n
La Letteratura Latina 2<\/td>\nEnrico Cocchia<\/td>\nRondinella E Loffredo<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n1043<\/td>\n<\/td>\n<\/tr>\n
La Letteratura Latina 3<\/td>\nEnrico Cocchia<\/td>\nRondinella E Loffredo<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n1044<\/td>\n<\/td>\n<\/tr>\n
Studi Critici 1<\/td>\nEnrico Cocchia<\/td>\nRondinella E Loffredo<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n1040<\/td>\n<\/td>\n<\/tr>\n
Studi Critici 2<\/td>\nEnrico Cocchia<\/td>\nRondinella E Loffredo<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n1041<\/td>\n<\/td>\n<\/tr>\n
I Miei Ricordi<\/td>\nMassimo D’Azeglio<\/td>\nGiuseppe Carraba<\/td>\n9<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1029<\/td>\n<\/td>\n<\/tr>\n
L ‘ Educazione Del Popolo<\/td>\nGuglielmo Ellery Channing<\/td>\nGiuseppe Carraba<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1030<\/td>\n<\/td>\n<\/tr>\n
L ‘ Educazione Della Volont\u00e0<\/td>\nEduardo Tagliatela<\/td>\nGiuseppe Carraba<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1031<\/td>\n<\/td>\n<\/tr>\n
La Meditazione<\/td>\nG. A. Colozza<\/td>\nGiuseppe Carraba<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1032<\/td>\n<\/td>\n<\/tr>\n
Le Perle Della Corona<\/td>\nMassimo Spiritini<\/td>\nGiuseppe Carraba<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1033<\/td>\n<\/td>\n<\/tr>\n
Volere E Potere<\/td>\nMichele Lessona<\/td>\nGiuseppe Carraba<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1034<\/td>\n<\/td>\n<\/tr>\n
L ‘ Arte Di Studiare<\/td>\nEduardo Tagliatela<\/td>\nGiuseppe Carraba<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1035<\/td>\n<\/td>\n<\/tr>\n
La Filosofia Dell Esistenza E Carlo Jaspers<\/td>\nLuigi Pareyson<\/td>\nLoffredo<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1036<\/td>\n<\/td>\n<\/tr>\n
Questioni Colombiane<\/td>\nAlberto Magnaghi<\/td>\nLoffredo<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1037<\/td>\n<\/td>\n<\/tr>\n
Faraoni Senza Pace<\/td>\nEvaristo Breccia<\/td>\nLoffredo<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1038<\/td>\n<\/td>\n<\/tr>\n
Egitto Greco E Romano<\/td>\nEvaristo Breccia<\/td>\nLoffredo<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1039<\/td>\n<\/td>\n<\/tr>\n
Viaggio In Italia<\/td>\nIppolito Taine<\/td>\nUTET<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1055<\/td>\n<\/td>\n<\/tr>\n
Trenta Novelle<\/td>\nGuy De Maupassant<\/td>\nUTET<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1056<\/td>\n<\/td>\n<\/tr>\n
Melodie Dell ‘ Anima<\/td>\nVittorio Bergonzini<\/td>\nGennaro D ‘ Agostino<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1051<\/td>\n<\/td>\n<\/tr>\n
Melodie Dell ‘ Anima<\/td>\nVittorio Bergonzini<\/td>\nGennaro D ‘ Agostino<\/td>\n9<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1050<\/td>\n<\/td>\n<\/tr>\n
Maestri Moderni<\/td>\nMarco Valsecchi<\/td>\nGarzanti<\/td>\n9<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1007<\/td>\n<\/td>\n<\/tr>\n
Novelle Per Un Anno 3<\/td>\nLuigi Pirandello<\/td>\nMondadori<\/td>\n9<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1003<\/td>\n<\/td>\n<\/tr>\n
Novelle Per Un Anno 4<\/td>\nLuigi Pirandello<\/td>\nMondadori<\/td>\n9<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1004<\/td>\n<\/td>\n<\/tr>\n
Maschere Nude 3<\/td>\nLuigi Pirandello<\/td>\nMondadori<\/td>\n9<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1005<\/td>\n<\/td>\n<\/tr>\n
Maschere Nude 4<\/td>\nLuigi Pirandello<\/td>\nMondadori<\/td>\n9<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1006<\/td>\n<\/td>\n<\/tr>\n
Dizionario Biografico Degli Autori 1<\/td>\nVari<\/td>\nBompiani<\/td>\n9<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1000<\/td>\n<\/td>\n<\/tr>\n
Dizionario Biografico Degli Autori 1<\/td>\nVari<\/td>\nBompiani<\/td>\n9<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n997<\/td>\n<\/td>\n<\/tr>\n
Dizionario Biografico Degli Autori 2<\/td>\nVari<\/td>\nBompiani<\/td>\n9<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1001<\/td>\n<\/td>\n<\/tr>\n
Dizionario Biografico Degli Autori 2<\/td>\nVari<\/td>\nBompiani<\/td>\n9<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dizionario Biografico Degli Autori 3<\/td>\nVari<\/td>\nBompiani<\/td>\n9<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1002<\/td>\n<\/td>\n<\/tr>\n
Dizionario Biografico Degli Autori 3<\/td>\nVari<\/td>\nBompiani<\/td>\n9<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n999<\/td>\n<\/td>\n<\/tr>\n
La Pittura Tedesca<\/td>\nRoberto Salvini<\/td>\nGarzanti<\/td>\n9<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n996<\/td>\n<\/td>\n<\/tr>\n
La Pittura Fiamminga<\/td>\nRoberto Salvini<\/td>\nGarzanti<\/td>\n9<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n995<\/td>\n<\/td>\n<\/tr>\n
La Congiura Contro La Pace<\/td>\nRalph Parker<\/td>\nEdizioni Di Cultura Sociale<\/td>\n9<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n1012<\/td>\n<\/td>\n<\/tr>\n
Campagna<\/td>\nRaimonde Vincent<\/td>\nIstituto Di Propaganda Libraria<\/td>\n9<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1017<\/td>\n<\/td>\n<\/tr>\n
La Vostra Speranza Non Sar\u00e0 Delusa<\/td>\nGuido Ghezzi<\/td>\nGastaldi<\/td>\n9<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1013<\/td>\n<\/td>\n<\/tr>\n
La Morte<\/td>\nG. Bossuet<\/td>\nRondinella<\/td>\n9<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1018<\/td>\n<\/td>\n<\/tr>\n
Verdi Colline D ‘ Africa<\/td>\nHernest Hemingway<\/td>\nEinaudi<\/td>\n9<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1016<\/td>\n<\/td>\n<\/tr>\n
Questa Orribile Forza<\/td>\nClive Staples Lewis<\/td>\nMondadori<\/td>\n9<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1015<\/td>\n<\/td>\n<\/tr>\n
L ‘ Uomo In Bilico<\/td>\nSaul Bellow<\/td>\nMondadori<\/td>\n9<\/td>\n5<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n1014<\/td>\n<\/td>\n<\/tr>\n
Incontro Di Popoli<\/td>\nVari<\/td>\nEICA<\/td>\n9<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n994<\/td>\n<\/td>\n<\/tr>\n
Soldati Della Fede<\/td>\nTingralli Ziliani<\/td>\nIstituto Editoriale Nazionale<\/td>\n9<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n993<\/td>\n<\/td>\n<\/tr>\n
Civilt\u00e0 Cristiana<\/td>\n<\/td>\nFondazione Don Carlo Gnocchi<\/td>\n9<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1010<\/td>\n<\/td>\n<\/tr>\n
La Madonna E L ‘ Italia<\/td>\n<\/td>\nSEIR<\/td>\n9<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1011<\/td>\n<\/td>\n<\/tr>\n
La Patria Italiana<\/td>\n<\/td>\n<\/td>\n9<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1009<\/td>\n<\/td>\n<\/tr>\n
San Francesco D ‘ Assisi<\/td>\nGiovanna Picconcelli<\/td>\nIstituto Diffusione Edizioni Culturali<\/td>\n9<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n1008<\/td>\n<\/td>\n<\/tr>\n
Simboli E Glorie D ‘ Italia<\/td>\nRenato Marotta<\/td>\nS. Gaudenzio<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n984<\/td>\n<\/td>\n<\/tr>\n
Poemetti 2<\/td>\nRinaldo D ‘ Ambrogio<\/td>\nContessa<\/td>\n9<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n983<\/td>\n<\/td>\n<\/tr>\n
Manuale Del Massaggio<\/td>\nGiuseppe D ‘ Ettorres<\/td>\nG. B. Paravia & C.<\/td>\n9<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n9782<\/td>\ncosa centra con la scuola?<\/td>\n<\/tr>\n
Liriche<\/td>\nRinaldo D ‘ Ambrogio<\/td>\nContessa<\/td>\n9<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n975<\/td>\n<\/td>\n<\/tr>\n
Fasciculus Myrrhae<\/td>\nRinaldo D ‘ Ambrogio<\/td>\nReali<\/td>\n9<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n985<\/td>\n<\/td>\n<\/tr>\n
La Mano Di Venere<\/td>\nLuigi Chiarelli<\/td>\nGiuseppe Carraba<\/td>\n9<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n974<\/td>\n<\/td>\n<\/tr>\n
Poemetti 1<\/td>\nRinaldo D ‘ Ambrogio<\/td>\nCasa Divina Provvidenza<\/td>\n9<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n976<\/td>\n<\/td>\n<\/tr>\n
Il Fenomenismo Nel Suo Sviluppo Storico<\/td>\nAlfonso Sammartino<\/td>\nFrancesco Perrella<\/td>\n9<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n977<\/td>\n<\/td>\n<\/tr>\n
La Critica E Il Tempo<\/td>\nGiuseppe Toffanin<\/td>\nG. B. Paravia & C.<\/td>\n9<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n973<\/td>\n<\/td>\n<\/tr>\n
Storia Di Cristo<\/td>\nGiovanni Papini<\/td>\nVallecchi<\/td>\n9<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n979<\/td>\n<\/td>\n<\/tr>\n
Le Navigazioni Atlantiche<\/td>\nAlvise Da Ca Da Mosto<\/td>\nVallecchi<\/td>\n9<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n982<\/td>\n<\/td>\n<\/tr>\n
Responsabilit\u00e0 Della Cultura<\/td>\nSalvatore Comes<\/td>\nVallecchi<\/td>\n9<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n986<\/td>\n<\/td>\n<\/tr>\n
Primi Poemetti<\/td>\nGiovanni Pascoli<\/td>\nMondadori<\/td>\n9<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n980<\/td>\n<\/td>\n<\/tr>\n
Myricae<\/td>\nGiovanni Pascoli<\/td>\nMondadori<\/td>\n9<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n981<\/td>\n<\/td>\n<\/tr>\n
Storia Della Diplomazia 1<\/td>\nVladimir Potiomkin<\/td>\nEditori Riuniti<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n987<\/td>\n<\/td>\n<\/tr>\n
Storia Della Diplomazia 2<\/td>\nVladimir Potiomkin<\/td>\nEditori Riuniti<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n988<\/td>\n<\/td>\n<\/tr>\n
Storia Della Diplomazia 3<\/td>\nVladimir Potiomkin<\/td>\nEditori Riuniti<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n989<\/td>\n<\/td>\n<\/tr>\n
Storia Della Diplomazia 4<\/td>\nVladimir Potiomkin<\/td>\nEditori Riuniti<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n990<\/td>\n<\/td>\n<\/tr>\n
Storia Della Diplomazia 5<\/td>\nVladimir Potiomkin<\/td>\nEditori Riuniti<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n991<\/td>\n<\/td>\n<\/tr>\n
Le Grandi Civilt\u00e0 Del Passato 1<\/td>\nMargarete Riemshneider<\/td>\nPrimato<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n964<\/td>\n<\/td>\n<\/tr>\n
Le Grandi Civilt\u00e0 Del Passato 2<\/td>\nHartmut Schmokel<\/td>\nPrimato<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n965<\/td>\n<\/td>\n<\/tr>\n
Le Grandi Civilt\u00e0 Del Passato 3<\/td>\nWalther Wolf<\/td>\nPrimato<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n966<\/td>\n<\/td>\n<\/tr>\n
Le Grandi Civilt\u00e0 Del Passato 4<\/td>\nFriedrich Matz<\/td>\nPrimato<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n967<\/td>\n<\/td>\n<\/tr>\n
Le Grandi Civilt\u00e0 Del Passato 5<\/td>\nAnton Jirku<\/td>\nPrimato<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n968<\/td>\n<\/td>\n<\/tr>\n
Le Grandi Civilt\u00e0 Del Passato 6<\/td>\nHans Henning<\/td>\nPrimato<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n969<\/td>\n<\/td>\n<\/tr>\n
Le Grandi Civilt\u00e0 Del Passato 8<\/td>\nHermann Trimborn<\/td>\nPrimato<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n970<\/td>\n<\/td>\n<\/tr>\n
Le Grandi Civilt\u00e0 Del Passato 9<\/td>\nHeinz Mode<\/td>\nPrimato<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n971<\/td>\n<\/td>\n<\/tr>\n
Le Grandi Civilt\u00e0 Del Passato 10<\/td>\nLuisa Banti<\/td>\nPrimato<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n972<\/td>\n<\/td>\n<\/tr>\n
Profilo Dell ‘ Arte Italiana 1<\/td>\nEnzo Carlo – Gian Alberto Dell ‘ Acqua<\/td>\nIstituto Italiano D ‘ Arti Grafiche<\/td>\n9<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n961<\/td>\n<\/td>\n<\/tr>\n
Profilo Dell ‘ Arte Italiana 2<\/td>\nEnzo Carlo – Gian Alberto Dell ‘ Acqua<\/td>\nIstituto Italiano D ‘ Arti Grafiche<\/td>\n9<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n962<\/td>\n<\/td>\n<\/tr>\n
Pagine Di Gloria<\/td>\nEnrico Tingralli<\/td>\nLibritalia<\/td>\n9<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n992<\/td>\n<\/td>\n<\/tr>\n
La Poesia Giocosa E L ‘ Umorismo 1<\/td>\nCarmelo Previtera<\/td>\nVallardi<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n882<\/td>\n<\/td>\n<\/tr>\n
La Poesia Giocosa E L ‘ Umorismo 2<\/td>\nCarmelo Previtera<\/td>\nVallardi<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n883<\/td>\n<\/td>\n<\/tr>\n
Novellistica 1<\/td>\nLetterio Di Francia<\/td>\nVallardi<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n884<\/td>\n<\/td>\n<\/tr>\n
Novellistica 2<\/td>\nLetterio Di Francia<\/td>\nVallardi<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n885<\/td>\n<\/td>\n<\/tr>\n
La Lirica<\/td>\nEnrico M. Fusco<\/td>\nVallardi<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n886<\/td>\n<\/td>\n<\/tr>\n
La Lirica 2<\/td>\nEnrico M. Fusco<\/td>\nVallardi<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n887<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo 1<\/td>\nGino Raya<\/td>\nVallardi<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n888<\/td>\nl’autore ha lo stesso nome di un personaggio di Naruto<\/td>\n<\/tr>\n
Il Romanzo 2<\/td>\nGino Raya<\/td>\nVallardi<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n889<\/td>\nl’autore ha lo stesso nome di un personaggio di Naruto<\/td>\n<\/tr>\n
La Commedia 1<\/td>\nIreneo Sanesi<\/td>\nVallardi<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n889<\/td>\n<\/td>\n<\/tr>\n
La Commedia 2<\/td>\nIreneo Sanesi<\/td>\nVallardi<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n890<\/td>\n<\/td>\n<\/tr>\n
La Satira 1<\/td>\nVittorio Cian<\/td>\nVallardi<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n891<\/td>\n<\/td>\n<\/tr>\n
La Satira 2<\/td>\nVittorio Cian<\/td>\nVallardi<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n892<\/td>\n<\/td>\n<\/tr>\n
La Filosofia 1<\/td>\nEugenio Garin<\/td>\nVallardi<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n893<\/td>\n<\/td>\n<\/tr>\n
La Filosofia 2<\/td>\nEugenio Garin<\/td>\nVallardi<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n894<\/td>\n<\/td>\n<\/tr>\n
Traduzioni E Riduzioni<\/td>\nGiovanni Pascoli<\/td>\nMondadori<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n895<\/td>\n<\/td>\n<\/tr>\n
Poemi Del Risorgimento<\/td>\nGiovanni Pascoli<\/td>\nMondadori<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n896<\/td>\n<\/td>\n<\/tr>\n
Odi E Inni<\/td>\nGiovanni Pascoli<\/td>\nMondadori<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n897<\/td>\n<\/td>\n<\/tr>\n
Poemi Italici<\/td>\nGiovanni Pascoli<\/td>\nMondadori<\/td>\n10<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n89<\/td>\n<\/td>\n<\/tr>\n
Il Fuoco<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n857<\/td>\n<\/td>\n<\/tr>\n
Il Piacere<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n858<\/td>\n<\/td>\n<\/tr>\n
Forse Che Si Forse Che No<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n859<\/td>\n<\/td>\n<\/tr>\n
Il Verso E ‘ Tutto<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n860<\/td>\n<\/td>\n<\/tr>\n
Contemplazione Della Morte<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n861<\/td>\n<\/td>\n<\/tr>\n
Teneo Te Africa<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n862<\/td>\n<\/td>\n<\/tr>\n
La Leda Senza Cigno<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n863<\/td>\n<\/td>\n<\/tr>\n
La Vita Di Cola Di Rienzo<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n8<\/td>\n<\/td>\n<\/tr>\n
Femmine E Muse<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n8<\/td>\n<\/td>\n<\/tr>\n
Elettra<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n866<\/td>\n<\/td>\n<\/tr>\n
la Figlia Di Iorio<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n867<\/td>\n<\/td>\n<\/tr>\n
Maia<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n868<\/td>\n<\/td>\n<\/tr>\n
La Nave<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n869<\/td>\n<\/td>\n<\/tr>\n
La Fiaccola Sotto Il Moggio<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n870<\/td>\n<\/td>\n<\/tr>\n
Pi\u00f9 Che Amore<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n871<\/td>\n<\/td>\n<\/tr>\n
Le Chevre Feuile<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n872<\/td>\n<\/td>\n<\/tr>\n
I Sogni Delle Stagioni<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n873<\/td>\n<\/td>\n<\/tr>\n
Il Ferro<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n874<\/td>\n<\/td>\n<\/tr>\n
Fedra<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n875<\/td>\n<\/td>\n<\/tr>\n
Le Martyre De Saint Sebastien<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n876<\/td>\n<\/td>\n<\/tr>\n
La Gloria<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n877<\/td>\n<\/td>\n<\/tr>\n
Francesca Da Rimini<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n878<\/td>\n<\/td>\n<\/tr>\n
La Gioconda<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n879<\/td>\n<\/td>\n<\/tr>\n
La Citt\u00e0 Morta<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n880<\/td>\n<\/td>\n<\/tr>\n
Parisina – La Crociata Degli Innocenti – Cabiria<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n8<\/td>\n<\/td>\n<\/tr>\n
Di Grammatica In Retorica<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n849<\/td>\n<\/td>\n<\/tr>\n
Notturno<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n850<\/td>\n<\/td>\n<\/tr>\n
Alcyone<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n851<\/td>\n<\/td>\n<\/tr>\n
Merope<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n852<\/td>\n<\/td>\n<\/tr>\n
Le Vergini Delle Rocce<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n853<\/td>\n<\/td>\n<\/tr>\n
Le Faville Del Maglio 1<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n854<\/td>\n<\/td>\n<\/tr>\n
Le Faville Del Maglio 2<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n855<\/td>\n<\/td>\n<\/tr>\n
Le Primavere Della Mala Pianta<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n8<\/td>\n<\/td>\n<\/tr>\n
Le Dit Du Sourd Et Muet<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n842<\/td>\n<\/td>\n<\/tr>\n
Novelle Della Pescara<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n843<\/td>\n<\/td>\n<\/tr>\n
Il Libro Ascetico Della Giovane Italia<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n844<\/td>\n<\/td>\n<\/tr>\n
L ‘ Orto E La Prora<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n845<\/td>\n<\/td>\n<\/tr>\n
L ‘ Innocente<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n846<\/td>\n<\/td>\n<\/tr>\n
Trionfo Della Morte<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n8<\/td>\n<\/td>\n<\/tr>\n
Per La Pi\u00f9 Grande Italia<\/td>\nGabriele D ‘ Annunzio<\/td>\nIl Vittoriale Degli Italiani<\/td>\n10<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n848<\/td>\n<\/td>\n<\/tr>\n
Polemiche<\/td>\nLodovico Di Breme<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n803<\/td>\n<\/td>\n<\/tr>\n
Sonetti<\/td>\nFolgore Da San Gimignano<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n804<\/td>\n<\/td>\n<\/tr>\n
Poesie<\/td>\nUgo Foscolo<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n805<\/td>\n<\/td>\n<\/tr>\n
Il Primato 1<\/td>\nVincenzo Gioberti<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n806<\/td>\n<\/td>\n<\/tr>\n
Il Primato 2<\/td>\nVincenzo Gioberti<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n807<\/td>\n<\/td>\n<\/tr>\n
Il Primato 3<\/td>\nVincenzo Gioberti<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n808<\/td>\n<\/td>\n<\/tr>\n
Poesie\u00a0<\/span><\/td>\nGiuseppe Giusti<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n809<\/td>\n<\/td>\n<\/tr>\n
Commedie<\/td>\nCarlo Goldoni<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n810<\/td>\n<\/td>\n<\/tr>\n
Memorie Inutili 1<\/td>\nCarlo Gozzi<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n811<\/td>\n<\/td>\n<\/tr>\n
Memorie Inutili 2<\/td>\nCarlo Gozzi<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n812<\/td>\n<\/td>\n<\/tr>\n
Ricordi Politici E Civili<\/td>\nFrancesco Guicciardini<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n813<\/td>\n<\/td>\n<\/tr>\n
I Paralipomeni<\/td>\nGiacomo Leopardi<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n814<\/td>\n<\/td>\n<\/tr>\n
Dallo Zibaldone 1<\/td>\nGiacomo Leopardi<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n815<\/td>\n<\/td>\n<\/tr>\n
Dallo Zibaldone 2<\/td>\nGiacomo Leopardi<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n816<\/td>\n<\/td>\n<\/tr>\n
Il Principe<\/td>\nNiccol\u00f2 Macchiavelli<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n817<\/td>\n<\/td>\n<\/tr>\n
Operette Satiriche<\/td>\nNiccol\u00f2 Macchiavelli<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n818<\/td>\n<\/td>\n<\/tr>\n
Liriche<\/td>\nAlessandro Manzoni<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n819<\/td>\n<\/td>\n<\/tr>\n
Idilii Favolosi<\/td>\nG. B. Marino<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n820<\/td>\n<\/td>\n<\/tr>\n
L ‘ Invito A Lesbia<\/td>\nLorenzo Mascheroni<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n821<\/td>\n<\/td>\n<\/tr>\n
Scritti Scelti<\/td>\nLorenzo De Medici<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n822<\/td>\n<\/td>\n<\/tr>\n
Aridosia E Apologia<\/td>\nLorenzo De Medici<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n823<\/td>\n<\/td>\n<\/tr>\n
Melodrammi<\/td>\nPietro Metastasio<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n824<\/td>\n<\/td>\n<\/tr>\n
Poemetti Mitologici<\/td>\nVincenzo Monti<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n827<\/td>\n<\/td>\n<\/tr>\n
Novelle Romantiche<\/td>\nVari<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n828<\/td>\n<\/td>\n<\/tr>\n
Novelle Del Trecento<\/td>\nVari<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n829<\/td>\n<\/td>\n<\/tr>\n
Il Giorno<\/td>\nGiuseppe Parini<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n830<\/td>\n<\/td>\n<\/tr>\n
Odi E Sonetti<\/td>\nGiuseppe Parini<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n831<\/td>\n<\/td>\n<\/tr>\n
Tragedie<\/td>\nSilvio Pellico<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n832<\/td>\n<\/td>\n<\/tr>\n
Le Rime 1<\/td>\nFrancesco Petrarca<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n833<\/td>\n<\/td>\n<\/tr>\n
Le Rime 2<\/td>\nFrancesco Petrarca<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n834<\/td>\n<\/td>\n<\/tr>\n
Trionfi<\/td>\nFrancesco Petrarca<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n835<\/td>\n<\/td>\n<\/tr>\n
Le Stanze<\/td>\nAngelo Ambrogini Poliziano<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n836<\/td>\n<\/td>\n<\/tr>\n
Edmenegarda<\/td>\nGiovanni Prati<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n837<\/td>\n<\/td>\n<\/tr>\n
La Gerusalemme Liberata 1<\/td>\nTorquato Tasso<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n838<\/td>\n<\/td>\n<\/tr>\n
La Gerusalemme Liberata 2<\/td>\nTorquato Tasso<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n839<\/td>\n<\/td>\n<\/tr>\n
Dell ‘ Italia 1<\/td>\nNiccol\u00f2 Tommaseo<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n840<\/td>\n<\/td>\n<\/tr>\n
Dell ‘ Italia 2<\/td>\nNiccol\u00f2 Tommaseo<\/td>\nUTET<\/td>\n10<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n841<\/td>\n<\/td>\n<\/tr>\n
Poesie<\/td>\nGerolamo Savonarola<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n742<\/td>\n<\/td>\n<\/tr>\n
Letteratura Italiana 1<\/td>\nLuigi Settembrini<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n743<\/td>\n<\/td>\n<\/tr>\n
Letteratura Italiana 2<\/td>\nLuigi Settembrini<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n744<\/td>\n<\/td>\n<\/tr>\n
Letteratura Italiana 3<\/td>\nLuigi Settembrini<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n745<\/td>\n<\/td>\n<\/tr>\n
Il Floridante<\/td>\nTorquato Tasso<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n746<\/td>\n<\/td>\n<\/tr>\n
La Secchia Rapita<\/td>\nAlessandro Tassoni<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n747<\/td>\n<\/td>\n<\/tr>\n
G. B. Vico<\/td>\nNiccol\u00f2 Tommaseo<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n748<\/td>\n<\/td>\n<\/tr>\n
Prose<\/td>\nLeonardo Da Vinci<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n749<\/td>\n<\/td>\n<\/tr>\n
Canti Scelti<\/td>\nA. Aleardi<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n786<\/td>\n<\/td>\n<\/tr>\n
La Vita<\/td>\nVittorio Alfieri<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n787<\/td>\n<\/td>\n<\/tr>\n
La Divina Commedia 3 – Paradiso<\/td>\nDante Alighieri<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n788<\/td>\n<\/td>\n<\/tr>\n
Il Canzoniere<\/td>\nCecco Angolieri<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n789<\/td>\n<\/td>\n<\/tr>\n
Orlando Furioso 2<\/td>\nLodovico Ariosto<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n790<\/td>\n<\/td>\n<\/tr>\n
Orlando Furioso 3<\/td>\nLodovico Ariosto<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n791<\/td>\n<\/td>\n<\/tr>\n
Speranze D ‘ Italia<\/td>\nCesare Balbo<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n792<\/td>\n<\/td>\n<\/tr>\n
La Nautica<\/td>\nBernardino Baldi<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n793<\/td>\n<\/td>\n<\/tr>\n
Canzoniere<\/td>\nMatteo Bandello<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n794<\/td>\n<\/td>\n<\/tr>\n
Sacre Rappresentazioni E Laude<\/td>\nFeo Belcari<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n795<\/td>\n<\/td>\n<\/tr>\n
Il Filocolo 1<\/td>\nGiovanni Boccaccio<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n796<\/td>\n<\/td>\n<\/tr>\n
Il Filocolo 2<\/td>\nGiovanni Boccaccio<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n797<\/td>\n<\/td>\n<\/tr>\n
Caccia Di Diana<\/td>\nGiovanni Boccaccio<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n798<\/td>\n<\/td>\n<\/tr>\n
Lettere Scelte<\/td>\nCaterina Da Siena<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n799<\/td>\n<\/td>\n<\/tr>\n
Dal Conciliatore<\/td>\n<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n800<\/td>\n<\/td>\n<\/tr>\n
Racconti Leggende E Ricordi<\/td>\nMassimo D’Azeglio<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n801<\/td>\n<\/td>\n<\/tr>\n
La Lega Lombarda<\/td>\nMassimo D’Azeglio<\/td>\nUTET<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n802<\/td>\n<\/td>\n<\/tr>\n
Introduzione Alla Vita Beata<\/td>\nG. A. Fichte<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n750<\/td>\n<\/td>\n<\/tr>\n
L ‘ Erba D ‘ Amore<\/td>\nGiorgio Drosinis<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n751<\/td>\n<\/td>\n<\/tr>\n
La Figlia Del Capitano<\/td>\nPuskin<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n752<\/td>\n<\/td>\n<\/tr>\n
Novelle Rumene<\/td>\nI. L. Caragiale<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n753<\/td>\n<\/td>\n<\/tr>\n
Enrico D ‘ Ofterdingen – Volume 1<\/td>\nNovalis<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n754<\/td>\n<\/td>\n<\/tr>\n
Donne Del Don Chisciotte<\/td>\nConchita Espina<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n755<\/td>\n<\/td>\n<\/tr>\n
Il Trovatello<\/td>\nConchita Espina<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n757<\/td>\n<\/td>\n<\/tr>\n
Lo Studente Spagnuolo<\/td>\nH. W. Longfellow<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n758<\/td>\n<\/td>\n<\/tr>\n
La Vita Di Maria Wuz<\/td>\nJean Paul<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n761<\/td>\n<\/td>\n<\/tr>\n
Pagine Sparse<\/td>\nCarlo Baudelaire<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n764<\/td>\n<\/td>\n<\/tr>\n
Gl ‘ Iluminati Di Koenigsberg<\/td>\nOtto Stoessl<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Mandarino<\/td>\nECA De Queiroz<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n765<\/td>\n<\/td>\n<\/tr>\n
La Saga Dei Volsunghi E Dei Nibelunghi<\/td>\n<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n770<\/td>\n<\/td>\n<\/tr>\n
Memorie Postume Di Braz Cubas – Volume 1<\/td>\nMachado De Assis<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n772<\/td>\n<\/td>\n<\/tr>\n
Memorie Postume Di Braz Cubas – Volume 2<\/td>\nMachado De Assis<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n773<\/td>\n<\/td>\n<\/tr>\n
Virinea<\/td>\nLidia Seifullina<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n774<\/td>\n<\/td>\n<\/tr>\n
Verso Il Domani<\/td>\nLidia Seifullina<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n775<\/td>\n<\/td>\n<\/tr>\n
Il Capitano Ribnicov<\/td>\nA. Kuprin<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n776<\/td>\n<\/td>\n<\/tr>\n
K ‘ Affondamento Dek ‘ Anna Hollman<\/td>\nGustav Frennsen<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n777<\/td>\n<\/td>\n<\/tr>\n
Il Mal Di Mare<\/td>\nA. Kuprin<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n778<\/td>\n<\/td>\n<\/tr>\n
Le Uova Fatali<\/td>\nMichele A. Bulgacof<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n779<\/td>\n<\/td>\n<\/tr>\n
La Casa Di Maria Ausiliatrice<\/td>\nIvan Cankar<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n780<\/td>\n<\/td>\n<\/tr>\n
Eupalino<\/td>\nPaul Valery<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n782<\/td>\n<\/td>\n<\/tr>\n
Gabriele Conroy 1<\/td>\nBret Harte<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n783<\/td>\n<\/td>\n<\/tr>\n
Gabriele Conroy 2<\/td>\nBret Harte<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n784<\/td>\n<\/td>\n<\/tr>\n
Poesie Scelte<\/td>\nRiccardo Dehmel<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n7<\/td>\n<\/td>\n<\/tr>\n
Racconti 1<\/td>\nHeinrich Von Kleist<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n762<\/td>\n<\/td>\n<\/tr>\n
Racconti 2<\/td>\nHeinrich Von Kleist<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n763<\/td>\n<\/td>\n<\/tr>\n
Biografia Frammentaria<\/td>\nE. T. A. Hoffman<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n766<\/td>\n<\/td>\n<\/tr>\n
Kreisleriana<\/td>\nE. T. A. Hoffman<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n767<\/td>\n<\/td>\n<\/tr>\n
Frammenti Del Suo Giornale<\/td>\nEugenia De Guerin<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n768<\/td>\n<\/td>\n<\/tr>\n
Immensee<\/td>\nTeodoro Storm<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n769<\/td>\n<\/td>\n<\/tr>\n
Vita Di Maometto 2<\/td>\nWashington Irving<\/td>\nCarraba<\/td>\n10<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n771<\/td>\n<\/td>\n<\/tr>\n
Orlando Innamorato 1<\/td>\nMatteo Maria Boiardo<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n708<\/td>\n<\/td>\n<\/tr>\n
Orlando Innamorato 2<\/td>\nMatteo Maria Boiardo<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n709<\/td>\n<\/td>\n<\/tr>\n
Orlando Innamorato 3<\/td>\nMatteo Maria Boiardo<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n710<\/td>\n<\/td>\n<\/tr>\n
De Gl ‘ Heroici Furori<\/td>\nGiordano Bruno<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n711<\/td>\n<\/td>\n<\/tr>\n
Le Rime<\/td>\nMichelangelo Buonarroti<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n712<\/td>\n<\/td>\n<\/tr>\n
Da Il Caff\u00e8<\/td>\n<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n713<\/td>\n<\/td>\n<\/tr>\n
L ‘ Eneide<\/td>\nAnnibal Caro<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n714<\/td>\n<\/td>\n<\/tr>\n
Le Vite De ‘ S. S. Padri<\/td>\nDomenico Cavalca<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n715<\/td>\n<\/td>\n<\/tr>\n
La Vita 1<\/td>\nBenvenuto Cellini<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n716<\/td>\n<\/td>\n<\/tr>\n
La Vita 2<\/td>\nBenvenuto Cellini<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n717<\/td>\n<\/td>\n<\/tr>\n
Liriche<\/td>\nGabriello Chiabrera<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n718<\/td>\n<\/td>\n<\/tr>\n
Il Mambriano<\/td>\nFrancesco Cieco<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n719<\/td>\n<\/td>\n<\/tr>\n
Il Mambriano 2<\/td>\nFrancesco Cieco<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n720<\/td>\n<\/td>\n<\/tr>\n
Il Mambriano 3<\/td>\nFrancesco Cieco<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n721<\/td>\n<\/td>\n<\/tr>\n
Rimatori Del Dolce Stil Novo<\/td>\nVari<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n722<\/td>\n<\/td>\n<\/tr>\n
Fioretti<\/td>\nSan Francesco<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n723<\/td>\n<\/td>\n<\/tr>\n
Saggi Letterari<\/td>\nUgo Foscolo<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n724<\/td>\n<\/td>\n<\/tr>\n
Prolegomeni<\/td>\nVincenzo Gioberti<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n725<\/td>\n<\/td>\n<\/tr>\n
Prolegomeni 2<\/td>\nVincenzo Gioberti<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n726<\/td>\n<\/td>\n<\/tr>\n
L ‘ Asino<\/td>\nF. Domenico Guerrazzi<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n727<\/td>\n<\/td>\n<\/tr>\n
L ‘ Asino 2<\/td>\nF. Domenico Guerrazzi<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n728<\/td>\n<\/td>\n<\/tr>\n
La Moscheide E La Franceide<\/td>\nG. B. Lalli<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n729<\/td>\n<\/td>\n<\/tr>\n
Canti<\/td>\nGiacomo Leopardi<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n730<\/td>\n<\/td>\n<\/tr>\n
Lettere<\/td>\nGiuseppe Mazzini<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n731<\/td>\n<\/td>\n<\/tr>\n
Novelle Del Quattrocento<\/td>\n<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n732<\/td>\n<\/td>\n<\/tr>\n
L ‘ Uomo Al Punto 1<\/td>\nDaniello Bartoli<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n700<\/td>\n<\/td>\n<\/tr>\n
L ‘ Uomo Al Punto 2<\/td>\nDaniello Bartoli<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n701<\/td>\n<\/td>\n<\/tr>\n
La Tebaide Di Stazio 1<\/td>\nCornelio Bentivoglio<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n702<\/td>\n<\/td>\n<\/tr>\n
La Tebaide Di Stazio 2<\/td>\nCornelio Bentivoglio<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n703<\/td>\n<\/td>\n<\/tr>\n
I Capitoli<\/td>\nFrancesco Berni<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n704<\/td>\n<\/td>\n<\/tr>\n
Il Ninfale Fiesolano<\/td>\nGiovanni Boccaccio<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n705<\/td>\n<\/td>\n<\/tr>\n
Il Boezio E L ‘ Arrighetto<\/td>\n<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n706<\/td>\n<\/td>\n<\/tr>\n
Il Canzoniere<\/td>\nMatteo Maria Boiardo<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n7<\/td>\n<\/td>\n<\/tr>\n
Novelle Del Cinquecento<\/td>\nVari<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n733<\/td>\n<\/td>\n<\/tr>\n
Novellino<\/td>\nVari<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n734<\/td>\n<\/td>\n<\/tr>\n
L ‘ Odissea<\/td>\nIppolito Pindemonte<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n735<\/td>\n<\/td>\n<\/tr>\n
Il Morgante 1<\/td>\nLuigi Pulci<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n736<\/td>\n<\/td>\n<\/tr>\n
Il Morgante 2<\/td>\nLuigi Pulci<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n737<\/td>\n<\/td>\n<\/tr>\n
Il Morgante 3<\/td>\nLuigi Pulci<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n738<\/td>\n<\/td>\n<\/tr>\n
Dafne – Euridice Arianna<\/td>\nOttavio Rinuccini<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n739<\/td>\n<\/td>\n<\/tr>\n
Liriche<\/td>\nPaolo Rolli<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n740<\/td>\n<\/td>\n<\/tr>\n
Arcadia<\/td>\nJacopo Sannanzaro<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n741<\/td>\n<\/td>\n<\/tr>\n
Tragedie 1<\/td>\nVittorio Alfieri<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n693<\/td>\n<\/td>\n<\/tr>\n
Tragedie 2<\/td>\nVittorio Alfieri<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n694<\/td>\n<\/td>\n<\/tr>\n
Tragedie 3<\/td>\nVittorio Alfieri<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n695<\/td>\n<\/td>\n<\/tr>\n
Il Convivio<\/td>\nDante Alighieri<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n696<\/td>\n<\/td>\n<\/tr>\n
La Vita Nuova E Il Canzoniere<\/td>\nDante Alighieri<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n697<\/td>\n<\/td>\n<\/tr>\n
Prose<\/td>\nPietro Bembo<\/td>\nUTET<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n698<\/td>\n<\/td>\n<\/tr>\n
Poesie<\/td>\nAlessandro Poerio<\/td>\nGiuseppe Carraba<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n692<\/td>\n<\/td>\n<\/tr>\n
Manzoni<\/td>\nPaolo Arcari<\/td>\nAlpes<\/td>\n10<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n691<\/td>\n<\/td>\n<\/tr>\n
Storia Universale Della Letteratura – Volume 1<\/td>\nGiacomo Prampolini<\/td>\nUTET<\/td>\n11<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n534<\/td>\n<\/td>\n<\/tr>\n
Storia Universale Della Letteratura – Volume 2<\/td>\nGiacomo Prampolini<\/td>\nUTET<\/td>\n11<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n535<\/td>\n<\/td>\n<\/tr>\n
Storia Universale Della Letteratura – Volume 3 Parte 1<\/td>\nGiacomo Prampolini<\/td>\nUTET<\/td>\n11<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n536<\/td>\n<\/td>\n<\/tr>\n
Storia Universale Della Letteratura – Volume 3 Parte 2<\/td>\nGiacomo Prampolini<\/td>\nUTET<\/td>\n11<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n537<\/td>\n<\/td>\n<\/tr>\n
Storia Universale Della Letteratura – Volume 3 Parte 3<\/td>\nGiacomo Prampolini<\/td>\nUTET<\/td>\n11<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n537<\/td>\n<\/td>\n<\/tr>\n
Storia Universale – Volume 2 Parte 1<\/td>\nCorrado Barbagallo<\/td>\nUTET<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n529<\/td>\n<\/td>\n<\/tr>\n
Storia Universale – Volume 2 Parte 2<\/td>\nCorrado Barbagallo<\/td>\nUTET<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n530<\/td>\n<\/td>\n<\/tr>\n
Storia Universale Volume 3<\/td>\nCorrado Barbagallo<\/td>\nUTET<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n531<\/td>\n<\/td>\n<\/tr>\n
Storia Universale – Volume 4 Parte 1<\/td>\nCorrado Barbagallo<\/td>\nUTET<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n532<\/td>\n<\/td>\n<\/tr>\n
Storia Universale – Volume 4 Parte 2<\/td>\nCorrado Barbagallo<\/td>\nUTET<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n533<\/td>\n<\/td>\n<\/tr>\n
Cimarosa<\/td>\nMaria Tibaldi Chiesa<\/td>\nGarzanti<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n527<\/td>\n<\/td>\n<\/tr>\n
Storia Del Regno Di Napoli<\/td>\nBenedetto Croce<\/td>\nLaterza<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n526<\/td>\n<\/td>\n<\/tr>\n
La Letteratura Della Nuova Italia<\/td>\nBenedetto Croce<\/td>\nLaterza<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism<\/td>\n<\/td>\n525<\/td>\n<\/td>\n<\/tr>\n
L ‘ Italia Nella Grande Guerra<\/td>\nGian Dauli<\/td>\nAurora<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n528<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani –\u00a0<\/span><\/td>\n<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Guicciardini<\/td>\nAttilio Siro Nulli<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n493<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Marino<\/td>\nCarlo Culcasi<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n494<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Vasari<\/td>\nAndrea Moschetti<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n495<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Prati<\/td>\nFrancesco Luigi Mannucci<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n496<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Boccalini<\/td>\nAntonio Belloni<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n497<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Mazzini<\/td>\nFerruccio Quintavalle<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n498<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Nievo<\/td>\nDomenico Bulferetti<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n499<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Metastasio<\/td>\nCarlo Culcasi<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n500<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani Del Secolo XIII<\/td>\nAntonio Belloni<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n501<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Segneri<\/td>\nAntonio Belloni<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n502<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Settembrini<\/td>\nDomenico Bulferetti<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n503<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Tassoni<\/td>\nGiulio Reichenbach<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n504<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Tommaseo<\/td>\nGiovanni Gambarin<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n505<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Poliziano<\/td>\nDomenico Claps<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n506<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Oriani<\/td>\nGiuseppe Lipparini<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n507<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Pellico<\/td>\nEgidio Bellorini<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n508<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Alberti<\/td>\nLuigi Gaudenzio<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n509<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Abba<\/td>\nDomenico Bulferetti<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n510<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Balbo<\/td>\nStefano De Simone<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n511<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Bandello<\/td>\nG. Brognoligo<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n512<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Baretti<\/td>\nLuigi Piccioni<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n513<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Gozzi<\/td>\nGiovanni Ziccardi<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n514<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Bartoli<\/td>\nAntonio Belloni<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n515<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Chiabrera<\/td>\nAntonio Belloni<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n516<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Cellini<\/td>\nEnrico Carrara<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n517<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Giusti<\/td>\nGiovanni Cristofori<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n518<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Goldoni<\/td>\nOnorato Castellino<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n519<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Berchet<\/td>\nEgidio Bellorini<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n520<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Redi<\/td>\nAntonio Belloni<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n521<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Pulci<\/td>\nCarlo Curto<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n522<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Fogazzaro<\/td>\nFerruccio Piggioli<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n523<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Firenzola<\/td>\nGiuseppe Fatini<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n3<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n524<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Buonarroti<\/td>\nMatteo Cerni<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n482<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Cuoco<\/td>\nDomenico Bulferetti<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n483<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – De Sanctis<\/td>\nDomenico Bulferetti<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n484<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – De ‘ Medici<\/td>\nEdmondo Rho<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n485<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Dini Compagni<\/td>\nDomenico Guerri<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n486<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Galilei<\/td>\nAntonio Belloni<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n187<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Savonarola<\/td>\nFerruccio Piggioli<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n488<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Castiglione<\/td>\nAugusto Vicinelli<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n489<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Caro<\/td>\nFortunato Rizzi<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n490<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – Sannazaro<\/td>\nEnrico Carrara<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n491<\/td>\n<\/td>\n<\/tr>\n
Scrittori Italiani – V. Gozzi<\/td>\nBenvenuto Cestaro<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n4<\/td>\n<\/td>\nLiterary Criticism, History<\/td>\n<\/td>\n492<\/td>\n<\/td>\n<\/tr>\n
Erasmo Da Rotterdam<\/td>\nStefano Zweig<\/td>\nMondadori<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n481<\/td>\n<\/td>\n<\/tr>\n
Guida Della Donna Intelligente<\/td>\nG. Bernard Shaw<\/td>\nMondadori<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n480<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Gottoldo Efraimo Lessing<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n442<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Giulio Slowacki<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n443<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Jean – Jacques Rousseau<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n444<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Charles Baudelaire<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n445<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Fed. Maxim Klinger<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n446<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Luis De Camoes<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n447<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Emerico Madach<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n448<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Nathaniel Hawthorne<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n449<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Anton Francesco Prevost<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n450<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Federico Schiller<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n451<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Volfango Goethe<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n452<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Oscar Wilde<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n453<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Benjamin Constant<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n454<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Tomaso Carlyle<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n455<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Federico G. Nietzsche<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n456<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Fedor M- Dostoievski<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n457<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Francesco Quevedo<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n458<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – F. R. Di Chateaubriand<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n459<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Ivan Turghenjev<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n460<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Erasmo Da Rotterdam<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n461<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Alessandro Petofi<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n462<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Jean De La Fontaine<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n463<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Nikolai Vassilievic Gogol<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n464<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Alessandro Pusckin<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n465<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Alfredo De Musset<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n466<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Rainer Maria Rilke<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n467<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Vari E Anonimi<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n468<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Cesare Petrescu<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n469<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – George Eliot<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n470<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Bjornstjerne Bjornson<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n471<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Samuel T. Coleridge<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n472<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Washington Irving<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n473<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Pedro Calderon<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n474<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Miguel De Cervantes Saavedra<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n475<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Michel De Mointagne<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n476<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Ottone Di Bismarck<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n477<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – William Shakespeare<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n478<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Enrico Federico Amiel<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Johann Gottlieb Fichte<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n410<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Gian Paolo F. Richter<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n411<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Joseph Von Eichendorff<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n412<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Gottfried Keller<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n413<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Jonathan Swift<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n414<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Federico H\u00f6lderlin<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n415<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – E. T. A Hoffman<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n416<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Sebastiano R. N. Chamfort<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n419<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Geza Gardonyi<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n418<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Michele De Molinos<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n432<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Tirso De Molina<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n433<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Pedro De Alarcon<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n434<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Armando Palacio Valdes<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n435<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Stendhal<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n436<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Mariano Jose De Larra<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n437<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Leone Tolstoi<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n438<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Lope De Vega<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n439<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Ivan . Gonciarov<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n440<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Federico C. Hebbrk<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n441<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – La Rochefoucald<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n420<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Canti Dell ‘ Edda<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n421<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Moliere<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n422<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Percy Bysshe Shelley<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n423<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Wolfgang Goethe<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n424<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – John Ruskin<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n425<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Duilio Zamfirescu<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n426<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Enrico Heine<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n427<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Leonid Andreiev<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n428<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Jean Racine<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n429<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Enrico Ibsen<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n430<\/td>\n<\/td>\n<\/tr>\n
I Grandi Scrittori Stranieri – Federico Mistral<\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n431<\/td>\n<\/td>\n<\/tr>\n
Attravero I Cieli<\/td>\nManfred Curry<\/td>\nMediterranea<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n396<\/td>\n<\/td>\n<\/tr>\n
Il Patrono D ‘ Italia<\/td>\nVari<\/td>\n<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n408<\/td>\n<\/td>\n<\/tr>\n
Epopea Italica<\/td>\nVari<\/td>\n<\/td>\n11<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n409<\/td>\n<\/td>\n<\/tr>\n
Piemonte<\/td>\n<\/td>\nTouring Club Italiano<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n397<\/td>\n<\/td>\n<\/tr>\n
Roma<\/td>\n<\/td>\nTouring Club Italiano<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n398<\/td>\n<\/td>\n<\/tr>\n
Toscana – Parte Prima<\/td>\n<\/td>\nTouring Club Italiano<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n399<\/td>\n<\/td>\n<\/tr>\n
Toscana – Parte Seconda<\/td>\n<\/td>\nTouring Club Italiano<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n400<\/td>\n<\/td>\n<\/tr>\n
Campania<\/td>\n<\/td>\nTouring Club Italiano<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n401<\/td>\n<\/td>\n<\/tr>\n
Puglia , Lucania , Calabria<\/td>\n<\/td>\nTouring Club Italiano<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n402<\/td>\n<\/td>\n<\/tr>\n
Sicilia<\/td>\n<\/td>\nTouring Club Italiano<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n403<\/td>\n<\/td>\n<\/tr>\n
Lombardia<\/td>\n<\/td>\nTouring Club Italiano<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n404<\/td>\n<\/td>\n<\/tr>\n
Abruzzo e Molise<\/td>\n<\/td>\nTouring Club Italiano<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n405<\/td>\n<\/td>\n<\/tr>\n
Abruzzo E Molise<\/td>\n<\/td>\nTouring Club Italiano<\/td>\n11<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n406<\/td>\n<\/td>\n<\/tr>\n
La Patria –\u00a0<\/span><\/td>\n<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/tr>\n
La Patria – Venezia Tridentina<\/td>\nGermano Poli<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n388<\/td>\n<\/td>\n<\/tr>\n
La Patria – Piemonte<\/td>\nStefano Grande<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n389<\/td>\n<\/td>\n<\/tr>\n
La Patria – Sicilia E Malta<\/td>\nEnrico Mauceri<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n390<\/td>\n<\/td>\n<\/tr>\n
La Patria – Umbria<\/td>\nGiuseppe Angelini – Rota<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n391<\/td>\n<\/td>\n<\/tr>\n
La Patria – Fiume E Dalmazia<\/td>\nGiotto Dainelli<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n392<\/td>\n<\/td>\n<\/tr>\n
La Patria – Le Colonie E Rodi<\/td>\nGiuseppe Stefanini – Ardito Desio<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n393<\/td>\n<\/td>\n<\/tr>\n
La Patria – Marche<\/td>\nEttore Ricci<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n394<\/td>\n<\/td>\n<\/tr>\n
La Patria – Lazio<\/td>\nCaputo – Romero<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n395<\/td>\n<\/td>\n<\/tr>\n
La Patria – Venezia Giulia<\/td>\nSenofonte Squinabol E Vittorio Furlani<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n377<\/td>\n<\/td>\n<\/tr>\n
La Patria – Emilia<\/td>\nMario Longhena<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n378<\/td>\n<\/td>\n<\/tr>\n
La Patria – Venezia Euganea<\/td>\nAdriano Augusto Michieli<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n379<\/td>\n<\/td>\n<\/tr>\n
La Patria – Lombardia Col Canton Ticino<\/td>\nGiovanni Graziani E Stefano Grande<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n380<\/td>\n<\/td>\n<\/tr>\n
La Patria – Toscana<\/td>\nAttilio Mori<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n381<\/td>\n<\/td>\n<\/tr>\n
La Patria – Liguria<\/td>\nStefano Grande<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n382<\/td>\n<\/td>\n<\/tr>\n
La Patria – Basilicata E Calabria<\/td>\nGina Algranati<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n383<\/td>\n<\/td>\n<\/tr>\n
La Patria – Puglia<\/td>\nCosimo Bertacci<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n384<\/td>\n<\/td>\n<\/tr>\n
La Patria – Abruzzo E Molise<\/td>\nVincenzo Balzano<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n385<\/td>\n<\/td>\n<\/tr>\n
La Patria – Sardegna E Corsica<\/td>\nAngelo Cossu<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n386<\/td>\n<\/td>\n<\/tr>\n
La Patria – Campania<\/td>\nVincenzo Epifanio<\/td>\nUTET<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n387<\/td>\n<\/td>\n<\/tr>\n
L ‘ Esperienza Futurista<\/td>\nGiovanni Papini<\/td>\nVallecchi<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n357<\/td>\n<\/td>\n<\/tr>\n
Nel Sud America<\/td>\nArnaldo Cipolla<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n358<\/td>\n<\/td>\n<\/tr>\n
Il Milione<\/td>\nMarco Polo<\/td>\nAlpes<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n359<\/td>\n<\/td>\n<\/tr>\n
Cina<\/td>\nMario Appelius<\/td>\nAlpes<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n370<\/td>\n<\/td>\n<\/tr>\n
Itinerario<\/td>\nLudovico De Varthema<\/td>\nAlpes<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n360<\/td>\n<\/td>\n<\/tr>\n
Itinerario<\/td>\nLudovico De Varthema<\/td>\nAlpes<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n360<\/td>\n<\/td>\n<\/tr>\n
Nel Giappone Dei Grattacieli<\/td>\nArnaldo Cipolla<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n361<\/td>\n<\/td>\n<\/tr>\n
Le Mie Navi Mistero<\/td>\nGordon Campbell<\/td>\nLa Nuova Italia<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n362<\/td>\n<\/td>\n<\/tr>\n
I Racconti D ‘ Oltreoceano<\/td>\nArnaldo Cipolla<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n363<\/td>\n<\/td>\n<\/tr>\n
Vecchia Terra D ‘ Iberia<\/td>\nArnaldo Cipolla<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n364<\/td>\n<\/td>\n<\/tr>\n
Nella Grande Asia Rivoluzionaria<\/td>\nArnaldo Cipolla<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n365<\/td>\n<\/td>\n<\/tr>\n
Nell’ America Del Nord<\/td>\nArnaldo Cipolla<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n366<\/td>\n<\/td>\n<\/tr>\n
Nell ‘ Paese Dell ‘Oro E Dei Diamanti<\/td>\nArnaldo Cipolla<\/td>\nG. B. Paravia & C.<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n367<\/td>\n<\/td>\n<\/tr>\n
Piccolo Mondo Antico<\/td>\nAntonio Fogazzaro<\/td>\nMondadori<\/td>\n11<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n368<\/td>\n<\/td>\n<\/tr>\n
Il Santo<\/td>\nAntonio Fogazzaro<\/td>\nMondadori<\/td>\n11<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n369<\/td>\n<\/td>\n<\/tr>\n
Sette Santi Senza Candele<\/td>\nCarlo Delcroix<\/td>\nVallecchi<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n371<\/td>\n<\/td>\n<\/tr>\n
L ‘ Unit\u00e0 e La Potenza Delle Nazioni<\/td>\nEnrico Corradini<\/td>\nVallecchi<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n372<\/td>\n<\/td>\n<\/tr>\n
L ‘Esperienza Politica Dell ‘Italia<\/td>\nBalbino Giuliano<\/td>\nVallecchi<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n373<\/td>\n<\/td>\n<\/tr>\n
Perdonate Eglantina<\/td>\nAnnie Vivanti<\/td>\nMondadori<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n374<\/td>\n<\/td>\n<\/tr>\n
Napoleone<\/td>\nAlexandre Dumas<\/td>\nAurora<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n375<\/td>\n<\/td>\n<\/tr>\n
Signorine<\/td>\nAlfredo Panzini<\/td>\nMondadori<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n376<\/td>\n<\/td>\n<\/tr>\n
La Regina Giovanna<\/td>\nFederico Mistral<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n186<\/td>\n<\/td>\n<\/tr>\n
Gitanjali<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n187<\/td>\n<\/td>\n<\/tr>\n
Giambi E Poemi<\/td>\nAugusto Barbier<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n188<\/td>\n<\/td>\n<\/tr>\n
Sadhana<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n189<\/td>\n<\/td>\n<\/tr>\n
Memorie Di Due Giovani Spose<\/td>\nHonore ‘ De Balzac<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n190<\/td>\n<\/td>\n<\/tr>\n
Le Stagioni<\/td>\nKalidasa<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n191<\/td>\n<\/td>\n<\/tr>\n
Pippa Passa<\/td>\nRobert Browning<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n192<\/td>\n<\/td>\n<\/tr>\n
Confessioni<\/td>\nNiccol\u00f2 Tommaseo<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n192<\/td>\n<\/td>\n<\/tr>\n
Scritti Politici – Del Principe E Delle Lettere<\/td>\nVittorio Alfieri<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n194<\/td>\n<\/td>\n<\/tr>\n
Scritti Politici – Della Tirannide<\/td>\nVittorio Alfieri<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n195<\/td>\n<\/td>\n<\/tr>\n
Il Duca Di Atene<\/td>\nNiccol\u00f2 Tommaseo<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n196<\/td>\n<\/td>\n<\/tr>\n
Costanza<\/td>\nEugenio De Castro<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n197<\/td>\n<\/td>\n<\/tr>\n
Il Figlio Perduto – La Fatalit\u00e0<\/td>\nNicola Iorga<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n198<\/td>\n<\/td>\n<\/tr>\n
L’ Eroe Del Nostro Tempo 1<\/td>\nMichail Lermontov<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n199<\/td>\n<\/td>\n<\/tr>\n
L ‘ Eroe Del Nostro Tempo 2<\/td>\nMichail Lermontov<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n200<\/td>\n<\/td>\n<\/tr>\n
Lozar Boris<\/td>\nTolstoj<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n201<\/td>\n<\/td>\n<\/tr>\n
L ‘ Androgine Di Stanislao<\/td>\nPrzybyszewski<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n202<\/td>\n<\/td>\n<\/tr>\n
Il Mercenario D ‘ Assisi<\/td>\nRenata Erdos<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n203<\/td>\n<\/td>\n<\/tr>\n
Le Poesie In Prosa<\/td>\nIvan Turgheniev<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n204<\/td>\n<\/td>\n<\/tr>\n
Poemetti Cristiani<\/td>\nGiovanni Pascoli<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n205<\/td>\n<\/td>\n<\/tr>\n
Pensieri<\/td>\nMazzini<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n206<\/td>\n<\/td>\n<\/tr>\n
Il Giornale<\/td>\nMaurizio De Guerin<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n207<\/td>\n<\/td>\n<\/tr>\n
Oaristi -salime – Il Re Galaor<\/td>\nEugenio De Castro<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n208<\/td>\n<\/td>\n<\/tr>\n
Pan Taddeo Soplitza<\/td>\nAdam Mckiewicz<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n209<\/td>\n<\/td>\n<\/tr>\n
Pensieri Morali<\/td>\nNiccol\u00f2 Tommaseo<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n210<\/td>\n<\/td>\n<\/tr>\n
Il Canzoniere<\/td>\nC. Valerio Catullo<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n211<\/td>\n<\/td>\n<\/tr>\n
Antichi Nel Villaggio Di Plodomasovo<\/td>\nNikolaj S. Ljeskov<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n212<\/td>\n<\/td>\n<\/tr>\n
Poemi E Canti<\/td>\nPercy Bysshe Shelley<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n213<\/td>\n<\/td>\n<\/tr>\n
Ricolta Votiva<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n214<\/td>\n<\/td>\n<\/tr>\n
Euthymia<\/td>\n<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n215<\/td>\n<\/td>\n<\/tr>\n
Falce Di Luna<\/td>\nNamiroku<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n216<\/td>\n<\/td>\n<\/tr>\n
Toldi<\/td>\nGiovanni Arany<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n217<\/td>\n<\/td>\n<\/tr>\n
L ‘ Ultima Delle Dee<\/td>\nNicola Iorga<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n218<\/td>\n<\/td>\n<\/tr>\n
La Duchessa Di Malfi<\/td>\nGiovanni Webster<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n220<\/td>\n<\/td>\n<\/tr>\n
Chatterton<\/td>\nAlfredo De Vigny<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n221<\/td>\n<\/td>\n<\/tr>\n
Le Carte Parlanti<\/td>\nPietro Aretino<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n222<\/td>\n<\/td>\n<\/tr>\n
la Zucca<\/td>\nFrancesco Doni<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n223<\/td>\n<\/td>\n<\/tr>\n
Novellieri Di Provenza<\/td>\n<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n224<\/td>\n<\/td>\n<\/tr>\n
Il Fratello Pagano<\/td>\nNicola Iorga<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n219<\/td>\n<\/td>\n<\/tr>\n
Baldasar<\/td>\nAnatole France<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n225<\/td>\n<\/td>\n<\/tr>\n
Giovanni E Annabella<\/td>\nGiovanni Ford<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n226<\/td>\n<\/td>\n<\/tr>\n
Che Disgrazia ‘ L ‘ Ingegno<\/td>\nAlessandro Griboiedov<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n227<\/td>\n<\/td>\n<\/tr>\n
Confessioni<\/td>\nEnrico Heine<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n228<\/td>\n<\/td>\n<\/tr>\n
No E Kioghenn<\/td>\n<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n229<\/td>\n<\/td>\n<\/tr>\n
Nazionalismo<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n230<\/td>\n<\/td>\n<\/tr>\n
La Figlia Del Re Renato<\/td>\nEnrico Hertz<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\nqq<\/td>\n231<\/td>\n<\/td>\n<\/tr>\n
Rudin<\/td>\nIvan Turgheniev<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n232<\/td>\n<\/td>\n<\/tr>\n
Vittoria<\/td>\nKnut Hamsun<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n233<\/td>\n<\/td>\n<\/tr>\n
La Congiura Di Catilina E La Guerra Di Giugurta<\/td>\nCaio Sallustio Crispo<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n234<\/td>\n<\/td>\n<\/tr>\n
Il Minorenne<\/td>\nDenis Von Visin<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n235<\/td>\n<\/td>\n<\/tr>\n
La Morte Di Danton<\/td>\nGiorgio Buchner<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n236<\/td>\n<\/td>\n<\/tr>\n
Wozzeck Lenz<\/td>\nGiorgio Buchner<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n237<\/td>\n<\/td>\n<\/tr>\n
Il Quarto Mago D ‘ Oriente<\/td>\nEnrico Van Dyke<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n238<\/td>\n<\/td>\n<\/tr>\n
Ciandra Shekhar<\/td>\nBankim Ciandra Ciatterji<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n239<\/td>\n<\/td>\n<\/tr>\n
Tre Canti<\/td>\nCostante Zarian<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n240<\/td>\n<\/td>\n<\/tr>\n
Unit\u00e0 Creativa<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n241<\/td>\n<\/td>\n<\/tr>\n
Perle Dell ‘ Oceano Invisibile<\/td>\nInayat Khan<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n242<\/td>\n<\/td>\n<\/tr>\n
Il Cappello A Tre Punte<\/td>\nPietro Antonio De Alarcon<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n243<\/td>\n<\/td>\n<\/tr>\n
I Bujorescu<\/td>\nCaton Theodorian<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n244<\/td>\n<\/td>\n<\/tr>\n
Lena E Leonce<\/td>\nGiorgio Buchner<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n245<\/td>\n<\/td>\n<\/tr>\n
Poesie<\/td>\nLi – Pu\u00f2<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n246<\/td>\n<\/td>\n<\/tr>\n
I Fiori Del Male<\/td>\nCarlo Baudelaire<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n247<\/td>\n<\/td>\n<\/tr>\n
Pier Noziere<\/td>\nAnatole France<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n248<\/td>\n<\/td>\n<\/tr>\n
Lo Stato Ebraico<\/td>\nTeodoro Herzl<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n249<\/td>\n<\/td>\n<\/tr>\n
Poemi Minori<\/td>\nPusckin Di Sergio<\/td>\nCarraba<\/td>\n12<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n250<\/td>\n<\/td>\n<\/tr>\n
L ‘ Educazione Nazionale<\/td>\nRuggero Bonghi<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n129<\/td>\n<\/td>\n<\/tr>\n
Il Corbaccio<\/td>\nGiovanni Boccaccio<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n120<\/td>\n<\/td>\n<\/tr>\n
La Bhagavagita<\/td>\n<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n121<\/td>\n<\/td>\n<\/tr>\n
Donne Citt\u00e0<\/td>\nAugusto De Castro<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n122<\/td>\n<\/td>\n<\/tr>\n
Solitudine\u00a0<\/span><\/td>\nVictor Catala<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n123<\/td>\n<\/td>\n<\/tr>\n
Nuvole Bianche<\/td>\n<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n124<\/td>\n<\/td>\n<\/tr>\n
L’ Adolescente<\/td>\nFedor Dostoevskij<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n125<\/td>\n<\/td>\n<\/tr>\n
Re , Legge E Libert\u00e0<\/td>\nLeonida Andreief<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n126<\/td>\n<\/td>\n<\/tr>\n
Note Di Samisen<\/td>\n<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n127<\/td>\n<\/td>\n<\/tr>\n
All ‘ Insegna Del Gatto Che Gioca A Palla<\/td>\nHonore ‘ De Balzac<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n128<\/td>\n<\/td>\n<\/tr>\n
L ‘ Educazione Nazionale<\/td>\nRuggero Bonghi<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n129<\/td>\n<\/td>\n<\/tr>\n
L ‘ Atlantide<\/td>\nM. Giacinto Verdaguer<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n130<\/td>\n<\/td>\n<\/tr>\n
Poemetti Liriche<\/td>\nEdgar Allan Poe<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n131<\/td>\n<\/td>\n<\/tr>\n
L ‘ Educazione Del Genere Umano<\/td>\nGottod Ephrahim Lessing<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n132<\/td>\n<\/td>\n<\/tr>\n
Prose Sacre<\/td>\nPietro Aretino<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n133<\/td>\n<\/td>\n<\/tr>\n
La Germania – Volume 2<\/td>\nEnrico Heine<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n134<\/td>\n<\/td>\n<\/tr>\n
La Germania – Volume 3<\/td>\nEnrico Heine<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n135<\/td>\n<\/td>\n<\/tr>\n
La Germania – Volume 4<\/td>\nEnrico Heine<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n136<\/td>\n<\/td>\n<\/tr>\n
Considerazioni Sui Romani<\/td>\nCarlo Luigi Di Montesquieu<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n137<\/td>\n<\/td>\n<\/tr>\n
Rime<\/td>\nNicol\u00f2 Franco<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n138<\/td>\n<\/td>\n<\/tr>\n
La Filosofia Civile<\/td>\nG D. Magnosi<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n139<\/td>\n<\/td>\n<\/tr>\n
Rubaiyat<\/td>\nOmar Khayyam<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n140<\/td>\n<\/td>\n<\/tr>\n
Scritti Politici<\/td>\nEmanuele Kant<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n141<\/td>\n<\/td>\n<\/tr>\n
Racconti Provenzali<\/td>\nGiuseppe Roumaniho<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n142<\/td>\n<\/td>\n<\/tr>\n
Il Relativismo<\/td>\nGiorgio Simmel<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n143<\/td>\n<\/td>\n<\/tr>\n
Wu – Wei<\/td>\nHenri Borel<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n144<\/td>\n<\/td>\n<\/tr>\n
Scintille<\/td>\nNiccol\u00f2 Tommaseo<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n145<\/td>\n<\/td>\n<\/tr>\n
Il Giardiniere<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n146<\/td>\n<\/td>\n<\/tr>\n
Sotto Le Ceneri Del Tedio<\/td>\nFidelino De Figueiredo<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n147<\/td>\n<\/td>\n<\/tr>\n
La Galleria<\/td>\nMarino\u00a0<\/span><\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n148<\/td>\n<\/td>\n<\/tr>\n
Oleandri Rossi<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n149<\/td>\n<\/td>\n<\/tr>\n
La Sfinge<\/td>\nAntonio Malatesti<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n150<\/td>\n<\/td>\n<\/tr>\n
La Priapea<\/td>\nNicol\u00f2 Franco<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n151<\/td>\n<\/td>\n<\/tr>\n
Scritti<\/td>\nMencio<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n152<\/td>\n<\/td>\n<\/tr>\n
Sull ‘ Educazione<\/td>\nGino Caponi<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n153<\/td>\n<\/td>\n<\/tr>\n
L ‘ Ispettore Generale<\/td>\nNikolai Gogol<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n154<\/td>\n<\/td>\n<\/tr>\n
Sopra La Pietra Bianca<\/td>\nAnatole France<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n155<\/td>\n<\/td>\n<\/tr>\n
L ‘ Educazione Secondo Gli Scrittori Latini<\/td>\nAverardo Micheli<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n156<\/td>\n<\/td>\n<\/tr>\n
Pensieri\u00a0<\/span><\/td>\nCavour<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n157<\/td>\n<\/td>\n<\/tr>\n
L ‘ Amor Coniugale<\/td>\nGiovanni Pontano<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n158<\/td>\n<\/td>\n<\/tr>\n
Cento Giade Del Tesoro<\/td>\nKung<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n159<\/td>\n<\/td>\n<\/tr>\n
Memorie<\/td>\nFederico Mistral<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n160<\/td>\n<\/td>\n<\/tr>\n
Memorie – Volume 2<\/td>\nFederico Mistral<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n161<\/td>\n<\/td>\n<\/tr>\n
Le Fiabe<\/td>\nCarlo Gozzi<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n162<\/td>\n<\/td>\n<\/tr>\n
Il Burrone – Volume 4<\/td>\nGiovanni Gongiarov<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n163<\/td>\n<\/td>\n<\/tr>\n
Delitto E Castigo<\/td>\nFedor Dostoevskij<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n164<\/td>\n<\/td>\n<\/tr>\n
Delitto E Castigo – Volume 2<\/td>\nFedor Dostoevskij<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n165<\/td>\n<\/td>\n<\/tr>\n
Delitto E Castigo – Volume 3<\/td>\nFedor Dostoevskij<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n166<\/td>\n<\/td>\n<\/tr>\n
Delitto E Castigo – Volume 4<\/td>\nFedor Dostoevskij<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n167<\/td>\n<\/td>\n<\/tr>\n
Vittime E Ribelli<\/td>\nAlfredo Baccelli<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n168<\/td>\n<\/td>\n<\/tr>\n
Valsecca<\/td>\nIvan Bunin<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n169<\/td>\n<\/td>\n<\/tr>\n
Tarass Bulba<\/td>\nNikolai Gogol<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n170<\/td>\n<\/td>\n<\/tr>\n
L ‘ Asino<\/td>\nIroldo Crotta<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n171<\/td>\n<\/td>\n<\/tr>\n
Uccelli Migranti<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n172<\/td>\n<\/td>\n<\/tr>\n
Saggi Critici<\/td>\nPasquale Villani<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n173<\/td>\n<\/td>\n<\/tr>\n
Saggi Critici – Volume 2<\/td>\nPasquale Villari<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n174<\/td>\n<\/td>\n<\/tr>\n
Mirgorod<\/td>\nNikolai Gogol<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n175<\/td>\n<\/td>\n<\/tr>\n
La Relativit\u00e0<\/td>\nPaolo Kirchberger<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n176<\/td>\n<\/td>\n<\/tr>\n
Le Veglie Alla Fattoria Di Didanca<\/td>\nNikolai Gogol<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n177<\/td>\n<\/td>\n<\/tr>\n
La Vita E I Suoi Morti<\/td>\nLuigi Araquistan<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n179<\/td>\n<\/td>\n<\/tr>\n
Il Leggio Corale<\/td>\nNicola Boileau – Despreaux<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n180<\/td>\n<\/td>\n<\/tr>\n
I Lupi E Le Pecore<\/td>\nAlessandro Ostrovskii<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n181<\/td>\n<\/td>\n<\/tr>\n
Il Libro Della Via E Della Virt\u00f9<\/td>\nLao – Tze<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n182<\/td>\n<\/td>\n<\/tr>\n
I Cento Canti<\/td>\nKabir<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n183<\/td>\n<\/td>\n<\/tr>\n
Giudizi Di Letteratura E Di Critica<\/td>\nPietro Giordani<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n184<\/td>\n<\/td>\n<\/tr>\n
Canti Popolari Serbi E Croati<\/td>\n<\/td>\nCarraba<\/td>\n12<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n185<\/td>\n<\/td>\n<\/tr>\n
Via Crucis Rossa<\/td>\nArturo Casanueva<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pensieri<\/td>\nCarlo Cattaneo<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Battaglia Delle Belle Donne Di Firenze Colle Vecchie<\/td>\nFranco Sacchetti<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mashi<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Una Figlia D ‘ Eva<\/td>\nHonore ‘ De Balzac<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Decimo Comandamento<\/td>\nCostantino Kirizescu<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sannyasi<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sacrifizio E Il Re E La Regina<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Croce Dei Razesci<\/td>\nMihail Sadoveanu<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lirici Giapponesi<\/td>\n<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n64<\/td>\n<\/td>\n<\/tr>\n
Lettere Di Viaggio<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n65<\/td>\n<\/td>\n<\/tr>\n
Il Mare – Le Grandi Foreste<\/td>\nAndreas Haukland<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n66<\/td>\n<\/td>\n<\/tr>\n
Il Nuovolo Messaggero<\/td>\nKalidasa<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n67<\/td>\n<\/td>\n<\/tr>\n
Memorie Della Casa Dei Morti – Volume 2<\/td>\nFedor Dostoevskij<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n68<\/td>\n<\/td>\n<\/tr>\n
Il Belgio Sanguinante<\/td>\nEmilio Verhaeren<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n69<\/td>\n<\/td>\n<\/tr>\n
Paracelso<\/td>\nRobert Browning<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n70<\/td>\n<\/td>\n<\/tr>\n
Le Rosse Ali Della Guerra<\/td>\nEmilio Verhaeren<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n71<\/td>\n<\/td>\n<\/tr>\n
Milosao<\/td>\nGirolamo De Rada<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n72<\/td>\n<\/td>\n<\/tr>\n
Giovanni Sbogar<\/td>\nCarlo Nodier<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n73<\/td>\n<\/td>\n<\/tr>\n
Il Roseto Di Saadi<\/td>\n<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n74<\/td>\n<\/td>\n<\/tr>\n
La Famiglia Golovlioff – Volume 2<\/td>\nMichele Salticoff<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n75<\/td>\n<\/td>\n<\/tr>\n
Novelle<\/td>\nOrtensio Lando<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n76<\/td>\n<\/td>\n<\/tr>\n
Tutta L ‘ America<\/td>\nRonald De Carvalho<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n77<\/td>\n<\/td>\n<\/tr>\n
Fede E Bellezza<\/td>\nNiccol\u00f2 Tommaseo<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n78<\/td>\n<\/td>\n<\/tr>\n
La Famiglia Golovlioff<\/td>\nMichele Salticoff<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n79<\/td>\n<\/td>\n<\/tr>\n
L ‘ Idiota<\/td>\nFedor Dostoevskij<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n80<\/td>\n<\/td>\n<\/tr>\n
Il Principe<\/td>\nNiccol\u00f2 Macchiavelli<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n81<\/td>\n<\/td>\n<\/tr>\n
Egle<\/td>\nGiovanni Battista Giraldi Cinzio<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n82<\/td>\n<\/td>\n<\/tr>\n
Rassegnazione<\/td>\nLuigi Capuana<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n83<\/td>\n<\/td>\n<\/tr>\n
Alessandro Lapusneano<\/td>\nCostantini Negruzzi<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n84<\/td>\n<\/td>\n<\/tr>\n
I Contadini<\/td>\nAnton Cehov<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n85<\/td>\n<\/td>\n<\/tr>\n
Il Monaco Nero<\/td>\nAnton Cehov<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n86<\/td>\n<\/td>\n<\/tr>\n
La Steppa<\/td>\nAnton Cehov<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n87<\/td>\n<\/td>\n<\/tr>\n
ShantiNiketan<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n88<\/td>\n<\/td>\n<\/tr>\n
I Mimi Di Eroda<\/td>\n<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n89<\/td>\n<\/td>\n<\/tr>\n
L ‘ Orazione Inaugurale<\/td>\nUgo Foscolo<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n90<\/td>\n<\/td>\n<\/tr>\n
Uomini E Donne<\/td>\nRobert Browning<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n91<\/td>\n<\/td>\n<\/tr>\n
Si – Siang Ki<\/td>\nWang Ci – Fu<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n92<\/td>\n<\/td>\n<\/tr>\n
Bellezza E Civilt\u00e0<\/td>\nNiccol\u00f2 Tommaseo<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n93<\/td>\n<\/td>\n<\/tr>\n
La Vasavadatta<\/td>\nBhasa<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n94<\/td>\n<\/td>\n<\/tr>\n
La Bellamano<\/td>\nGiusto De Conti<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n95<\/td>\n<\/td>\n<\/tr>\n
Pensieri<\/td>\nVincenzo Gioberti<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ragionamento Delle Corti<\/td>\nPietro Aretino<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n97<\/td>\n<\/td>\n<\/tr>\n
Capriccia Macaronica<\/td>\nMagistri Stopini<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n98<\/td>\n<\/td>\n<\/tr>\n
Pensieri<\/td>\nRuskin<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n99<\/td>\n<\/td>\n<\/tr>\n
Ettore Fieramosca<\/td>\nMassimo D ‘ Azeglio<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n100<\/td>\n<\/td>\n<\/tr>\n
La Germania<\/td>\nEnrico Heine<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n101<\/td>\n<\/td>\n<\/tr>\n
L ‘ Ufficio Postale<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n102<\/td>\n<\/td>\n<\/tr>\n
Mashi<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n103<\/td>\n<\/td>\n<\/tr>\n
Esercizi Spirituali<\/td>\nPietro Zanfrognini<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n104<\/td>\n<\/td>\n<\/tr>\n
Stana<\/td>\nIon Agarbiceanu<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n105<\/td>\n<\/td>\n<\/tr>\n
L ‘ Asceta Trasmutato In Etera<\/td>\nBodhayana<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n106<\/td>\n<\/td>\n<\/tr>\n
La Macchina<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n107<\/td>\n<\/td>\n<\/tr>\n
La Gloria Di Don Ramiro<\/td>\nEnrico Larreta<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n108<\/td>\n<\/td>\n<\/tr>\n
Le Poesie<\/td>\nFrancesco Villon<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n109<\/td>\n<\/td>\n<\/tr>\n
La Gloria Di Don Ramiro- Volume 2<\/td>\nEnrico Larreta<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n110<\/td>\n<\/td>\n<\/tr>\n
Il Sole Liquido<\/td>\nAlessandro Kuprin<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n111<\/td>\n<\/td>\n<\/tr>\n
Memorie Della Casa Dei Morti – Volume 3<\/td>\nFedor Dostoevskij<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n112<\/td>\n<\/td>\n<\/tr>\n
Le Lucciole Canzoniere<\/td>\nIppolito Nievo<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n113<\/td>\n<\/td>\n<\/tr>\n
Elementi Di Teologia<\/td>\nProclo<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n114<\/td>\n<\/td>\n<\/tr>\n
De Profundus E Vigilie<\/td>\nStanislao Przbyszewski<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n115<\/td>\n<\/td>\n<\/tr>\n
Novellette<\/td>\nS. Bernardino Da Siena<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n116<\/td>\n<\/td>\n<\/tr>\n
Il Burrone<\/td>\nGiovanni Gonciarov<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n117<\/td>\n<\/td>\n<\/tr>\n
Il Burrone – Volume 2<\/td>\nGiovanni Gonciarov<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n118<\/td>\n<\/td>\n<\/tr>\n
Il Burrone – Volume 3<\/td>\nGiovanni Gonciarov<\/td>\nCarraba<\/td>\n12<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n119<\/td>\n<\/td>\n<\/tr>\n
Il Buco Nel Muro<\/td>\nFrancesco Domenico Guerrazzi<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Dialoghi Piacevolissimi – Volume 2<\/td>\nNicol\u00f2 Franco<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/tr>\n
I Paradisi Artificiali<\/td>\nCarlo Baudelaire<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/tr>\n
Napoleone A Sant ‘ Elena<\/td>\nBeniamino Las Cases<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n4<\/td>\n<\/td>\n<\/tr>\n
I Bullettini Di Napoleone<\/td>\n<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n5<\/td>\n<\/td>\n<\/tr>\n
Facezie<\/td>\nPoggio Fiorentino<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n6<\/td>\n<\/td>\n<\/tr>\n
L ‘ Anima Dell ‘ Uomo Sotto Il Socialismo<\/td>\nOscar Wilde<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n7<\/td>\n<\/td>\n<\/tr>\n
Canti Popolari Russi<\/td>\nByline<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n8<\/td>\n<\/td>\n<\/tr>\n
Le Fiabe<\/td>\nCarlo Gozzi<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n9<\/td>\n<\/td>\n<\/tr>\n
Epigrammi<\/td>\nMeleagro<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n10<\/td>\n<\/td>\n<\/tr>\n
Il Messaggio<\/td>\nInayat Khan<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n11<\/td>\n<\/td>\n<\/tr>\n
Il Messaggio – Volume 2<\/td>\nInayat Khan<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n12<\/td>\n<\/td>\n<\/tr>\n
Ricerche Sul Corso Della Natura Nello Sviluppo Dell ‘ Umanit\u00e0<\/td>\nGiovanni Enrico Pestalozzi<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n13<\/td>\n<\/td>\n<\/tr>\n
La Gesta Del Cid<\/td>\n<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n14<\/td>\n<\/td>\n<\/tr>\n
Cakuntala\u00a0<\/span><\/td>\nKalidasa<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n15<\/td>\n<\/td>\n<\/tr>\n
Urvaci<\/td>\nKalidasa<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n16<\/td>\n<\/td>\n<\/tr>\n
Le Rivoluzioni D ‘ Italia<\/td>\nEdgardo Quinet<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n17<\/td>\n<\/td>\n<\/tr>\n
Lirici Portoghesi Moderni<\/td>\n<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n18<\/td>\n<\/td>\n<\/tr>\n
La Parada<\/td>\nJoaquim Ruyra<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n19<\/td>\n<\/td>\n<\/tr>\n
Anche I Pi\u00f9 Saggi Cadono Nel Laccio<\/td>\nAlessandro Ostrovskii<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n20<\/td>\n<\/td>\n<\/tr>\n
Il Jivandana<\/td>\nAnandara Yamakhin<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n21<\/td>\n<\/td>\n<\/tr>\n
Ricordi<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n22<\/td>\n<\/td>\n<\/tr>\n
Ricordi – Volume 2<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n23<\/td>\n<\/td>\n<\/tr>\n
La Dottrina<\/td>\nGotama Buddha<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n24<\/td>\n<\/td>\n<\/tr>\n
Le Favole<\/td>\nFlorian<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n25<\/td>\n<\/td>\n<\/tr>\n
La Pittura<\/td>\nLeonardo Da Vinci<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n26<\/td>\n<\/td>\n<\/tr>\n
La Pittura – Volume 2<\/td>\nLeonardo Da Vinci<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n27<\/td>\n<\/td>\n<\/tr>\n
Amicizie Perfide<\/td>\nChoderlos De Laclos<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n28<\/td>\n<\/td>\n<\/tr>\n
Amicizie Perfide – Volume 2<\/td>\nChoderlos De Laclos<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n29<\/td>\n<\/td>\n<\/tr>\n
Canti Popolari Bulgari<\/td>\n<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n30<\/td>\n<\/td>\n<\/tr>\n
Giacomo Il Fatalista<\/td>\nDionigi Diderot<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n31<\/td>\n<\/td>\n<\/tr>\n
Malasorte<\/td>\nJon Luca Caragiale<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n32<\/td>\n<\/td>\n<\/tr>\n
Il Gazzettino<\/td>\nGerolamo Gigli<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n33<\/td>\n<\/td>\n<\/tr>\n
Poemi E Canti<\/td>\nRobert Burns<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n34<\/td>\n<\/td>\n<\/tr>\n
Favole Russe<\/td>\nGiovanni Krylov<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n35<\/td>\n<\/td>\n<\/tr>\n
Pensieri<\/td>\nTolstoj<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n36<\/td>\n<\/td>\n<\/tr>\n
Dialogo Dei Colori<\/td>\nLodovico Dolce<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n37<\/td>\n<\/td>\n<\/tr>\n
Dialoghi Piacevolissimi<\/td>\nNicol\u00f2 Franco<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n38<\/td>\n<\/td>\n<\/tr>\n
Malavika E Agnimitra<\/td>\nKalidasa<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n39<\/td>\n<\/td>\n<\/tr>\n
La Sifilide<\/td>\nGirolamo Fracastoro<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n40<\/td>\n<\/td>\n<\/tr>\n
Dialogo Della Pittura<\/td>\nLodovico Dolce<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n41<\/td>\n<\/td>\n<\/tr>\n
Singoalla<\/td>\nVittorio Rydberg<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n42<\/td>\n<\/td>\n<\/tr>\n
Oracolo Manuale E Arte Di Prudenza<\/td>\nBaltasar Gracian<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n43<\/td>\n<\/td>\n<\/tr>\n
Le Macaronee<\/td>\nMerlino Cocaio<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n44<\/td>\n<\/td>\n<\/tr>\n
L ‘ Ermafrodito<\/td>\nAntonio Beccadelli<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n45<\/td>\n<\/td>\n<\/tr>\n
Eros E Psiche<\/td>\nJerzy Zulawski<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n46<\/td>\n<\/td>\n<\/tr>\n
La Moglie Del Mio Amico<\/td>\nFanny Popova Mutafova<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n48<\/td>\n<\/td>\n<\/tr>\n
I Misteri Dello Spirito<\/td>\nArthur Crane<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n48<\/td>\n<\/td>\n<\/tr>\n
Luria<\/td>\nRobert Browning<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n49<\/td>\n<\/td>\n<\/tr>\n
Storie Di Stolti<\/td>\nSomadrva<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n50<\/td>\n<\/td>\n<\/tr>\n
Pensieri<\/td>\nNietzsche<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n51<\/td>\n<\/td>\n<\/tr>\n
Memorie Della Casa Dei Morti – Volume 1<\/td>\nFedor Dostoevskij<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n52<\/td>\n<\/td>\n<\/tr>\n
Orazioni , Discorsi E Saggi<\/td>\nUgo Foscolo<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n53<\/td>\n<\/td>\n<\/tr>\n
Orazioni , Discorsi E Saggi – Volume 2<\/td>\nUgo Foscolo<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n54<\/td>\n<\/td>\n<\/tr>\n
L’ Anello Di Policrate<\/td>\nEugenio De Castro<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n55<\/td>\n<\/td>\n<\/tr>\n
Ballate Argotiche<\/td>\nFrancesco Villon<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n56<\/td>\n<\/td>\n<\/tr>\n
Poeti Stranieri<\/td>\nMassimo Spiritini<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n57<\/td>\n<\/td>\n<\/tr>\n
Le Tre Centurie<\/td>\nBhartrhari<\/td>\nCarraba<\/td>\n11<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n58<\/td>\n<\/td>\n<\/tr>\n
Lipika<\/td>\nRabindrath Tagore<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n59<\/td>\n<\/td>\n<\/tr>\n
Il Lampo Nero<\/td>\nAlessandro Kuprin<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n60<\/td>\n<\/td>\n<\/tr>\n
Canti Popolari Rumeni<\/td>\n<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n61<\/td>\n<\/td>\n<\/tr>\n
Gente Moldava<\/td>\nLucia Mantu<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n62<\/td>\n<\/td>\n<\/tr>\n
L ‘ Anello Di Annibale<\/td>\nGiulio Barbey D ‘ Aurevilly<\/td>\nCarraba<\/td>\n12<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n63<\/td>\n<\/td>\n<\/tr>\n
Vocabolario Latino Italiano<\/td>\nR. Bianchi – O . Lelli<\/td>\nLe Monnier<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vedere E Sapere – Volume 1<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vedere E Sapere – Volume 2<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vedere E Sapere – Volume 3<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vedere E Sapere – Volume 4<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vedere E Sapere – Volume 5<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vedere E Sapere – Volume 6<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vedere E Sapere – Volume 7<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 1<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 2<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 3<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 4<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 5<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 6<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 7<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 8<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 9<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 10<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 11<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 12<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 13<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 14<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 15<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oggi Per Domani – Volume 16<\/td>\nVari<\/td>\nPrincipato Unedi<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Grande Avventura 3<\/td>\nFrancesco Chicco – Barbara Martini<\/td>\nLattes<\/td>\n13<\/td>\n4<\/td>\n<\/td>\nHistory, School<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Grandi Della Chiesa<\/td>\nGeorg Popp<\/td>\nLa Scuola<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dello Studente – Volume 1<\/td>\n<\/td>\nUllmn<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dello Studente – Volume 2<\/td>\n<\/td>\nUllmn<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dello Studente – Volume 3<\/td>\n<\/td>\nUllmn<\/td>\n13<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dei Ragazzi – Volume 1<\/td>\n<\/td>\nRizzoli<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dei Ragazzi – Volume 2<\/td>\n<\/td>\nRizzoli<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dei Ragazzi – Volume 3<\/td>\n<\/td>\nRizzoli<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dei Ragazzi – Volume 4<\/td>\n<\/td>\nRizzoli<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dei Ragazzi – Volume 5<\/td>\n<\/td>\nRizzoli<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dei Ragazzi – Volume 6<\/td>\n<\/td>\nRizzoli<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dei Ragazzi – Volume 7<\/td>\n<\/td>\nRizzoli<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dei Ragazzi – Volume 8<\/td>\n<\/td>\nRizzoli<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dei Ragazzi – Volume 8<\/td>\n<\/td>\nRizzoli<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dei Ragazzi – Volume 11<\/td>\n<\/td>\nRizzoli<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dei Ragazzi – Volume 12<\/td>\n<\/td>\nRizzoli<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dei Ragazzi – Volume 13<\/td>\n<\/td>\nRizzoli<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dei Ragazzi – Volume 14<\/td>\n<\/td>\nRizzoli<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Dei Ragazzi – Volume 15<\/td>\n<\/td>\nRizzoli<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 2<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 5<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 6<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 7<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 7<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 9<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 9<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 10<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 10<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Mondi Dell ‘ Uomo – Volume 1<\/td>\n<\/td>\nMondadori<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Mondi Dell ‘ Uomo – Volume 2<\/td>\n<\/td>\nMondadori<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Mondi Dell ‘ Uomo – Volume 3<\/td>\n<\/td>\nMondadori<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Mondi Dell ‘ Uomo – Volume 4<\/td>\n<\/td>\nMondadori<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Mondi Dell ‘ Uomo – Volume 6<\/td>\n<\/td>\nMondadori<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Mondi Dell ‘ Uomo – Volume 7<\/td>\n<\/td>\nMondadori<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Mondi Dell ‘ Uomo – Volume 8<\/td>\n<\/td>\nMondadori<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Mondi Dell ‘ Uomo – Volume 9<\/td>\n<\/td>\nMondadori<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Mondi Dell ‘ Uomo – Volume 10<\/td>\n<\/td>\nMondadori<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Tesoro – Volume 1<\/td>\n<\/td>\nUTET<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Tesoro – Volume 2<\/td>\n<\/td>\nUTET<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Tesoro – Volume 3<\/td>\n<\/td>\nUTET<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Tesoro – Volume 4<\/td>\n<\/td>\nUTET<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Tesoro – Volume 5<\/td>\n<\/td>\nUTET<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Tesoro – Volume 6<\/td>\n<\/td>\nUTET<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Tesoro – Volume 7<\/td>\n<\/td>\nUTET<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Tesoro – Volume 8<\/td>\n<\/td>\nUTET<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Tesoro – Atlante – Indici<\/td>\n<\/td>\nUTET<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tuttilmondo – Egitto E Libia<\/td>\n<\/td>\nAristea<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tuttilmondo – Spagna E Portogallo<\/td>\n<\/td>\nAristea<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tuttilmondo – Grecia<\/td>\n<\/td>\nAristea<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tuttilmondo – Svizzera<\/td>\n<\/td>\nAristea<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tuttilmondo – Messico<\/td>\n<\/td>\nAristea<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tuttilmondo – Romania Bulgaria<\/td>\n<\/td>\nAristea<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tuttilmondo – India<\/td>\n<\/td>\nAristea<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tuttilmondo – Francia<\/td>\n<\/td>\nAristea<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tuttilmondo – Austria<\/td>\n<\/td>\nAristea<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tuttilmondo – Gran Bretagna E Irlanda<\/td>\n<\/td>\nAristea<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tuttilmondo – Polonia<\/td>\n<\/td>\nAristea<\/td>\n13<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 1<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 1<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 2<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 3<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 3<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 4<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 4<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 5<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Cento Citt\u00e0- Volume 6<\/td>\n<\/td>\nAtlas<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Libro Dei Tesori<\/td>\nFrancesco Pintus<\/td>\nAMZ<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n879<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Delle Attivit\u00e0 Del Ragazzo – Volume 1<\/td>\nDomenico Voloi – Corrado Biggi<\/td>\nLa Scuola<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n902<\/td>\n<\/td>\n<\/tr>\n
Enciclopedia Delle Attivit\u00e0 Del Ragazzo – Volume 2<\/td>\nDomenico Voloi – Corrado Biggi<\/td>\nLa Scuola<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n903<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 1<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 2<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 2<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 3<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 3<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 4<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 5<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 6<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 7<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 8<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 9<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 10<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 11<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 12<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 13<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 14<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 15<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Volume 16<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere – Appendice E Indige Generale<\/td>\n<\/td>\nFabbri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Volume 1<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Volume 2<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Volume 3<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Volume 4<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Volume 5<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Volume 6<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Volume 7<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Volume 8<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Volume 9<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Volume 10<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Volume 11<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Volume 12<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Volume 13<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Atlante<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Indice<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Meravigliosa – Indice<\/td>\n<\/td>\nM. Confalonieri<\/td>\n13<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 In Matematica – Febbraio 2005<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 In Matematica – Ottobre 2005<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 In Matematica – Febbraio 2006<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 In Matematica – Febbraio 2007<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 In Matematica – Ottobre 2007<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 In Matematica – Ottobre 2008<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 In Matematica – Febbraio 2009<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Disturbi Di Attenzione E Iperattivit\u00e0 – Dicembre 2005<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Disturbi Di Attenzione E Iperattivit\u00e0 – Aprile 2006<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Disturbi Di Attenzione E Iperattivit\u00e0 – Dicembre 2006<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Disturbi Di Attenzione E Iperattivit\u00e0 – Aprile 2007<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Disturbi Di Attenzione E Iperattivit\u00e0 – Aprile 2009<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Aprile 1997<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Dicembre 1998<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Febbraio 1999<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Aprile 1999<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Febbraio 2000<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Dicembre 2000<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Ottobre 2001<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Febbraio 2002<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Aprile 2002<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Ottobre 2002<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Dicembre 2002<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Febbraio 2003<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Aprile 2003<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Aprile 2004<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Dicembre 2004<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Ottobre 2005<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Febbraio 2005<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Dicembre 2005<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Febbraio 2006<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Aprile 2006<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Ottobre 2006<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Dicembre 2006<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Febbraio 2007<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Aprile 2007<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Ottobre 2007<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Dicembre 2007<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Febbraio 2008<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Febbraio 2009<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Difficolt\u00e0 Di Apprendimento – Aprile 2009<\/td>\n<\/td>\nErickson<\/td>\n14<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Da Quarto Al Volturno<\/td>\nGiuseppe Cesare Abba<\/td>\nLoffredo<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ai Quattro Venti D ‘ Africa<\/td>\nRene Guillot<\/td>\nLoffredo<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ai Quattro Venti D ‘ Africa<\/td>\nRene Guillot<\/td>\nLoffredo<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n948<\/td>\n<\/td>\n<\/tr>\n
Vie Di Paese<\/td>\nNicola Napolitano<\/td>\nLoffredo<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Garzonello<\/td>\nFilippo Valenza<\/td>\nLoffredo<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n951<\/td>\n<\/td>\n<\/tr>\n
I Pionieri Del Diluvio<\/td>\nG. Bayard<\/td>\nLoffredo<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Traguardo<\/td>\nConcetta Torrisi Cardellicchio<\/td>\nLoffredo<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ai Quattro Venti D ‘ Africa<\/td>\nRene Guillot<\/td>\nLoffredo<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pista Eschimese\u00a0<\/span><\/td>\nGeorges Nigremont<\/td>\nLoffredo<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere Il Tennis<\/td>\nVari<\/td>\nRizzoli<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere Il Ciclismo<\/td>\nVari<\/td>\nRizzoli<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere Il Nuoto 1<\/td>\nVari<\/td>\nRizzoli<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere Il Nuoto 2<\/td>\nVari<\/td>\nRizzoli<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conoscere Il Nuoto 3<\/td>\nVari<\/td>\nRizzoli<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Wilson Lo Zuccone<\/td>\nMark Twain<\/td>\nRadar<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Avventurosa Di Carlino E La Pisana<\/td>\nIppolito Nievo<\/td>\nRadar<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vita Avventurosa Di Carlino E La Pisana<\/td>\nIppolito Nievo<\/td>\nRadar<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Fioretti Di San Francesco<\/td>\n<\/td>\nRadar<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Novantatr\u00e9<\/td>\nVictor Hugo<\/td>\nRadar<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Martin Fierro<\/td>\nJose Hernandez<\/td>\nRadar<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Guerra E Pace<\/td>\nTolstoj<\/td>\nRadar<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Fiabe E Racconti Del Vesuvio<\/td>\nVari<\/td>\nParco Nazionale Del Vesuvio<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Club Delle Giovani Marmotte – L ‘ Ambiente Dell ‘ Uomo<\/td>\n<\/td>\nMondadori<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Club Delle Giovani Marmotte – Esperimenti Con I Grandi Scenziati<\/td>\n<\/td>\nMondadori<\/td>\n14<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Sardegna<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n927<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Calabria<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n929<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Puglia<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n930<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Basilicata<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n931<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Molise<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n933<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Lazio<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n934<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Marche<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n936<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Toscana<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n938<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Liguria<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n939<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Veneto<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n940<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Piemonte<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n941<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Lombardia<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n942<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Friuli Venezia Giulia<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n943<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Valle D ‘ Aosta<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n944<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Trentino Alto Adige<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n945<\/td>\n<\/td>\n<\/tr>\n
Meravigliosa Italia – Abruzzo<\/td>\n<\/td>\nAristea<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n94<\/td>\n<\/td>\n<\/tr>\n
W Gli Animali – Volume 1<\/td>\nFranco Campolo<\/td>\nIl Giramondo<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
W Gli Animali – Volume 2<\/td>\nFranco Campolo<\/td>\nIl Giramondo<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
W Gli Animali – Volume 3<\/td>\nFranco Campolo<\/td>\nIl Giramondo<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
W Gli Animali – Volume 4<\/td>\nFranco Campolo<\/td>\nIl Giramondo<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
W Gli Animali – Volume 5<\/td>\nFranco Campolo<\/td>\nIl Giramondo<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storie D’ Insetti<\/td>\nGiuseppe Zanini<\/td>\nLa Scuola<\/td>\n14<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Tricolore<\/td>\n<\/td>\n<\/td>\n14<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Parco Nazionale Del Vesuvio<\/td>\n<\/td>\n<\/td>\n14<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ville Vesuviane<\/td>\nVari<\/td>\n<\/td>\n14<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Italia Imperiale<\/td>\n<\/td>\n<\/td>\n14<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Quaderni Della Ricerca 02<\/td>\n<\/td>\n<\/td>\n15<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Quaderni Della Ricerca 04<\/td>\n<\/td>\n<\/td>\n15<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Quaderni Della Ricerca 05<\/td>\n<\/td>\n<\/td>\n15<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Quaderni Della Ricerca 09<\/td>\n<\/td>\n<\/td>\n15<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Terra Di Fuoco<\/td>\nMariolina Bencivenga<\/td>\nDuemmesZ<\/td>\n15<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Rapporto Sull ‘ Europa<\/td>\nMario Pedini<\/td>\nMursia<\/td>\n15<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Divina Commedia – Purgatorio<\/td>\nDante Alighieri<\/td>\nMarco Derva<\/td>\n15<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lettere<\/td>\nGiovanni Boccaccio<\/td>\nG. D ‘ Anna<\/td>\n15<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Leggiamo I Promessi Sposi<\/td>\nGino Ragozzino<\/td>\nFerraro<\/td>\n15<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Autismo E Lobi Frontali<\/td>\nMario Lambiase<\/td>\nVannini<\/td>\n15<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n868<\/td>\n<\/td>\n<\/tr>\n
Autismo E Lobi Frontali<\/td>\nMario Lambiase<\/td>\nVannini<\/td>\n15<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n868<\/td>\n<\/td>\n<\/tr>\n
Sintesi E Ologramma<\/td>\nVari<\/td>\nFerraro<\/td>\n15<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n567<\/td>\n<\/td>\n<\/tr>\n
Sintesi E Ologramma<\/td>\nVari<\/td>\nFerraro<\/td>\n15<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n867<\/td>\n<\/td>\n<\/tr>\n
Sintesi E Ologramma<\/td>\nVari<\/td>\nFerraro<\/td>\n15<\/td>\n3<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n867<\/td>\n<\/td>\n<\/tr>\n
Il Teatro A Fumetti – Eduardo – Volume<\/td>\n<\/td>\n<\/td>\n15<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Teatro A Fumetti – Eduardo – Volume 1<\/td>\n<\/td>\n<\/td>\n15<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Teatro A Fumetti – Eduardo – Volume 1<\/td>\n<\/td>\n<\/td>\n15<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Teatro A Fumetti – Eduardo – Volume 2<\/td>\n<\/td>\n<\/td>\n15<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Teatro A Fumetti – Eduardo – Volume 2<\/td>\n<\/td>\n<\/td>\n15<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dizionario Spagnolo\u00a0<\/span><\/td>\n<\/td>\nDe Agostini<\/td>\n15<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Promessi Sposi\u00a0<\/span><\/td>\nAlessandro Manzoni<\/td>\nRadar<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Casa Di Campagna<\/td>\nPiero Calamandrei<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Omino Del Pepe<\/td>\nAntonio Barolini<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n649<\/td>\n<\/td>\n<\/tr>\n
Il Buon Vecchio Soldato Sc’v\u00e8ik<\/td>\nJaroslav Hasek<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Dodici Sedie<\/td>\nIl”Ha Il’f E Evgenij Petrov<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ettore Fieramosca<\/td>\nMassimo D ‘ Azeglio<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tifone<\/td>\nJoseph Conrad<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n849<\/td>\n<\/td>\n<\/tr>\n
Guerriglia Nei Castelli Romani<\/td>\nLevi Cavaglione<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Masseria<\/td>\nGiuseppe Bufalari<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Guerra In Val D ‘ Orcia<\/td>\nIris Origo<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n431<\/td>\n<\/td>\n<\/tr>\n
Latinorum<\/td>\nVari<\/td>\n<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n418<\/td>\n<\/td>\n<\/tr>\n
L ‘ Italia Dei Miracoli<\/td>\nGregorio Magno<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Diario Di Guerra<\/td>\nCaio Giulio Cesare<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n3044<\/td>\n<\/td>\n<\/tr>\n
Sentenze Ed Esempi<\/td>\nPietro Alfonsi<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n429<\/td>\n<\/td>\n<\/tr>\n
Ritratto Di Maggio<\/td>\nDomenico Rea<\/td>\nMondadori<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction, History<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Racconti Siciliani<\/td>\nDanilo Dolci<\/td>\nEinaudi<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Barricata Della Doganella<\/td>\nRodolfo Ariaudo<\/td>\nNicola Milano<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Prince Des Steppes<\/td>\nN. Vidal<\/td>\nBibliotheque De L ‘ Amitie<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n558<\/td>\n<\/td>\n<\/tr>\n
Aloyse Et L ‘ Ecuyer Du Roi<\/td>\nM. Perroy<\/td>\nBibliotheque De L ‘ Amitie<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n559<\/td>\n<\/td>\n<\/tr>\n
L’ Or De Delphes<\/td>\nA. Noel<\/td>\nBibliotheque De L ‘ Amitie<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n560<\/td>\n<\/td>\n<\/tr>\n
La Porte De Jade<\/td>\nL. N. Lavolle<\/td>\nBibliotheque De L ‘ Amitie<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n561<\/td>\n<\/td>\n<\/tr>\n
Le Garcon Du Barrage<\/td>\nM. A. Baudoy<\/td>\nBibliotheque De L ‘ Amitie<\/td>\n15<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n562<\/td>\n<\/td>\n<\/tr>\n
La Valleee Des Elephants<\/td>\nR. Campbell<\/td>\nBibliotheque De L ‘ Amitie<\/td>\n15<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n563<\/td>\n<\/td>\n<\/tr>\n
Angelo Va Au Carnaval<\/td>\nD. Fletcher<\/td>\nBibliotheque De L ‘ Amitie<\/td>\n15<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n564<\/td>\n<\/td>\n<\/tr>\n
Le Contrebandieras Du Baloutchistan<\/td>\nF. Balsan<\/td>\nBibliotheque De L ‘ Amitie<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n565<\/td>\n<\/td>\n<\/tr>\n
La Tulipe Blanche<\/td>\nH. Girvan<\/td>\nBibliotheque De L ‘ Amitie<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n566<\/td>\n<\/td>\n<\/tr>\n
L ‘ Appel Du Tour<\/td>\nC. Huchet<\/td>\nBibliotheque De L ‘ Amitie<\/td>\n15<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n567<\/td>\n<\/td>\n<\/tr>\n
Le Talisman Du Soleil<\/td>\nM. Manceau<\/td>\nBibliotheque De L ‘ Amitie<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n568<\/td>\n<\/td>\n<\/tr>\n
L ‘ Ami Du Grand Mogol<\/td>\nL. N. Lavolle<\/td>\nBibliotheque De L ‘ Amitie<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n569<\/td>\n<\/td>\n<\/tr>\n
L ‘ Appel Du Renard Blanc<\/td>\n<\/td>\nBibliotheque De L ‘ Amitie<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n570<\/td>\n<\/td>\n<\/tr>\n
Penny Trouve Un Frere<\/td>\nC. Haywood<\/td>\nBibliotheque De L ‘ Amitie<\/td>\n15<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n571<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Galileo<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Leonardo<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Giulio Cesare<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Savonarola<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Tiziano<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Tiziano<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Messer Petrarca<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Benvenuto Cellini<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Napoleone<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Michelangelo<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Lodovico Ariosto<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Brunelleschi<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Garibaldi<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Raffaello<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Benvenuto Cellini<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Ugo Foscolo<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Goldoni<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Del Beato Angelico<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Virgilio<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Michelangelo<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Caravaggio<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Romanzo Di Frate Sole<\/td>\nLuigi Ugolini<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Giovanna D ‘ Arco<\/td>\nVittorio E . Bravetta<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Rossini – Il Romanzo Dell ‘ Opera<\/td>\nUmberto Gozzano<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alessandro Il Grande<\/td>\nLuisa Banal<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Brueghel<\/td>\n<\/td>\nMondadori<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Da Magonza A Torre Del Greco<\/td>\nLuigi Mari<\/td>\n<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Da Magonza A Torre Del Greco<\/td>\nLuigi Mari<\/td>\n<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Da Magonza A Torre Del Greco<\/td>\nLuigi Mari<\/td>\n<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Da Magonza A Torre Del Greco<\/td>\nLuigi Mari<\/td>\n<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Da Magonza A Torre Del Greco<\/td>\nLuigi Mari<\/td>\n<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Da Magonza A Torre Del Greco<\/td>\nLuigi Mari<\/td>\n<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Da Magonza A Torre Del Greco<\/td>\nLuigi Mari<\/td>\n<\/td>\n1<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\ndocenti<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Diamanti Dell ‘ Arte – Mir\u00f2<\/td>\nUmbro Apollonio<\/td>\nSadea \/ Sansoni<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Diamanti Dell ‘ Arte – Degas<\/td>\nSandra Orienti<\/td>\nSadea \/ Sansoni<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Diamanti Dell ‘ Arte – Giorgione<\/td>\nElena Lombardo Petrobelli<\/td>\nSadea \/ Sansoni<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Diamanti Dell ‘ Arte – Botticelli<\/td>\nAlberto Busignani<\/td>\nSadea \/ Sansoni<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dufy<\/td>\nRenato Giani<\/td>\nGarzanti<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Klee<\/td>\n<\/td>\nGarzanti<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Deruta E Il Duo Territorio<\/td>\nFrancesco Federico Mancini<\/td>\nPro Deruta<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Coralli<\/td>\nNicola Petronzi<\/td>\n<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Museo Campano Di Capua<\/td>\nSalvatore Garofano Venosta<\/td>\n<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lo Scultore<\/td>\nPaolo Casadei<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n672<\/td>\n<\/td>\n<\/tr>\n
Le Grandi Migrazioni Umane<\/td>\nAntonio Ivan Pini<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n671<\/td>\n<\/td>\n<\/tr>\n
L ‘ Officina Del Pittore<\/td>\nGavino Polo<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n675<\/td>\n<\/td>\n<\/tr>\n
Insiemi E Relazioni<\/td>\nLuigia Cordati Rosalia<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n673<\/td>\n<\/td>\n<\/tr>\n
Le Pieghe E Le Fratture Delle Rocce<\/td>\nGiuseppe Nangeroni – Vittorio Vialli<\/td>\nAPE<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n115<\/td>\n<\/td>\n<\/tr>\n
Le Rocce Delle Alpi<\/td>\nGiuseppe Nangeroni<\/td>\nMursia<\/td>\n15<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n116<\/td>\n<\/td>\n<\/tr>\n
Il Libro Degli Esperimenti 2<\/td>\nLeonardo De Vries<\/td>\nLa Scuola<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Fatti Di Storia Italiana<\/td>\nGino Regini<\/td>\nUTET<\/td>\n15<\/td>\n5<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n807<\/td>\n<\/td>\n<\/tr>\n
Viviamo Da Cinque Secondi<\/td>\nG. Popp \/ H. Pleticha<\/td>\nLa Scuola<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Italia Nella Tempesta<\/td>\nLuigi Preti<\/td>\n<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Meraviglie Delle Civilt\u00e0 Del Passato<\/td>\nVari<\/td>\nEditrice Italiana Di Cultura<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alle Crociate<\/td>\nMario Giusti<\/td>\nLa Scuola<\/td>\n15<\/td>\n5<\/td>\n<\/td>\nFiction, History<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lo Spettacolo Futurista In Italia<\/td>\nGiovanni Antonucci<\/td>\nNuova Universale Studium<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Energia Nucleare E Crisi Energetica In Europa<\/td>\nAchille Albonetti<\/td>\nNuova Universale Studium<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Formiche<\/td>\nAlbert Raigner<\/td>\nMursia<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n529<\/td>\n<\/td>\n<\/tr>\n
Scienze Illustrate 1<\/td>\n<\/td>\nLa Scuola<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Scienze Illustrate 2<\/td>\n<\/td>\nLa Scuola<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Invenzioni<\/td>\nErnst Samhaber<\/td>\nScu<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n522<\/td>\n<\/td>\n<\/tr>\n
La Stirpe Delle Piante<\/td>\nJosef F. Klein<\/td>\nLa Scuola<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Razze Umane<\/td>\nGeorg Glowatzki<\/td>\nLa Scuola<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Parassiti Dell ‘ Uomo<\/td>\n<\/td>\n<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Architettura Delle Molecole<\/td>\nJosef Schurz<\/td>\nLa Scuola<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Programmazione Del Gene<\/td>\nDieter Hess<\/td>\nLa Scuola<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Sangue Elisir Di Vita<\/td>\nHermann Haase<\/td>\nLa Scuola<\/td>\n15<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Guerino<\/td>\nAndrea Da Barberino<\/td>\nG. B. Paravia & C.<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Figure E Fatti Della Storia Antica<\/td>\n<\/td>\nUTET<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Figure E Fatti Della Storia Medievale<\/td>\nG. Brigante Colonna<\/td>\nUTET<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Figure E Fatti Della Storia Moderna<\/td>\nG. Brigante Colonna<\/td>\nUTET<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Segreto Etrusco<\/td>\nGiuliana Boldrini<\/td>\nMondadori<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storie Di Antichi Popoli<\/td>\nErodoto<\/td>\nEditrice Italiana Roma<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Barriera Della Doganella<\/td>\nRodolfo Ariaudo<\/td>\nNicola Milano<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Barriera Della Doganella<\/td>\nRodolfo Ariaudo<\/td>\nNicola Milano<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Treno Del Sole<\/td>\nRende Reggiani<\/td>\nGarzanti<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Musicisti Di Altri Tempi<\/td>\nMarina Spano<\/td>\nUTET<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Contributi Alla Storia Dell ‘ Autobiografia In Itaia<\/td>\nNicola D ‘ Antuono<\/td>\nPietro Laveglia\u00a0<\/span><\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Contributi Alla Storia Dell ‘ Autobiografia In Itaia<\/td>\nNicola D ‘ Antuono<\/td>\nPietro Laveglia\u00a0<\/span><\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
K ‘ Impresa Di Gerusalemme<\/td>\nDora Eusebietti<\/td>\nSaie<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Libro Delle Piramidi<\/td>\nC. W. Ceram<\/td>\nGiulio Einaudi<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Rivoluzione Russa<\/td>\nGerard Walter<\/td>\nDe Agostini<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Napolene<\/td>\nJacques Godechot<\/td>\nDe Agostini<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Rivoluzione Del 1948<\/td>\nJacques Godechot<\/td>\nDe Agostini<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storia Dell ‘ Et\u00e0 Moderna – Volume 1<\/td>\nGiorgio Spini<\/td>\nEL – Einaudi<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storia Dell ‘ Et\u00e0 Moderna – Volume 2<\/td>\nGiorgio Spini<\/td>\nEL – Einaudi<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storia Dell ‘ Et\u00e0 Moderna – Volume 3<\/td>\nGiorgio Spini<\/td>\nEL – Einaudi<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Resistenza italiana<\/td>\n<\/td>\nMondadori<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Seconda Guerra Mondiale<\/td>\nFrancesco Malgeri<\/td>\nFerraro<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Racconti Di Roma Antica<\/td>\nA. Vittoria Arance D ‘ Amaro<\/td>\nLoffredo<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Diga Dei Tise ‘<\/td>\nGianni Padoan<\/td>\nSalani<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Un Popolo Si Desta<\/td>\nRaffaello Ramat<\/td>\nLa Nuova Italia<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storie Di Dei E Di Eroi<\/td>\nElisabetta Chicco Vitzizzai<\/td>\nMursia<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Sergente Nella Neve<\/td>\nMaria Rigoni Stern<\/td>\nEinaudi<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Miei Sette Mari<\/td>\nAlcide Cervi – Renato Nicolai<\/td>\nEditori Riuniti<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sei Condanne Due Evasioni<\/td>\nSandro Pertini<\/td>\nMondadori<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Altra Faccia Del Mondo<\/td>\nLuca Goldoni<\/td>\nCappelli<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Generale Della Serenissima<\/td>\nMario Granata<\/td>\nSaie<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Croce , I Cavalieri E Il Bucintoro<\/td>\nGiulio Aromolo<\/td>\n<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Croce , I Cavalieri E Il Bucintoro<\/td>\nGiulio Aromolo<\/td>\n<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Caverne Degli Antichi Cacciatori<\/td>\nHans Baumann<\/td>\nSaie<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Miti E Realt\u00e0<\/td>\nUgo Piscopo – Giovanni D ‘ Elia<\/td>\nFerraro<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cristoforo Colombo<\/td>\nGuglielmo Valle<\/td>\nLa Scuola<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Rivoluzione Industriale<\/td>\nG. Solfanaroli Camillocci<\/td>\nSEI<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Vita Di Tutti I Giorni Nel 17\u00b0 Secolo<\/td>\nLawrence Taylor<\/td>\nPiccoli<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Vita Di Tutti I Giorni Nel 18\u00b0 Secolo<\/td>\nNeil Grant<\/td>\nPiccoli<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Vita Di Tutti I Giorni Nel 19\u00b0 Secolo<\/td>\nNeil Grant<\/td>\nPiccoli<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1882 – 1912 : Fare Gli Italiani<\/td>\nAldo Alessandro Mola<\/td>\nSEI<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Questione Sociale<\/td>\nDanilo Veneruso<\/td>\nSEI<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Racconti E Leggende Dell ‘ Antica Roma<\/td>\nV. Chirone E F. Iesi<\/td>\nSaie<\/td>\n15<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Crociate<\/td>\nFrancesco Valori<\/td>\nSEI<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Questione Meridionale<\/td>\nAlessandro Coletti<\/td>\nSEI<\/td>\n15<\/td>\n6<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Argentina<\/td>\nR. M. Alberes<\/td>\nGarzanti<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Con Cortes In Messico<\/td>\nBetty Ross<\/td>\nJanuus<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Russia<\/td>\nPina Ballario<\/td>\nSEI<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Guida Di Lecce<\/td>\nMario De Marco<\/td>\nCapone<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Omaggio A Deruta<\/td>\n<\/td>\n<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Meraviglie Dell ‘ Atmosfera<\/td>\nJerome S. Meyer<\/td>\nG. B. Paravia & C.<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Chimica<\/td>\nJerome S. Meyer<\/td>\nG. B. Paravia & C.<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Trent’anni Nella Terra Del Fuoco<\/td>\nA. M. De Agostini<\/td>\nSEI<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mare<\/td>\nJacques Y. Cousteau<\/td>\nFabbri<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
In Giro Per Il Mondo<\/td>\nPaolo Monelli<\/td>\nMondadori<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Picchi Colli E Ghiacci<\/td>\nAffetranger – Balliano<\/td>\nSEI<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Frontiera Terra<\/td>\nAugusto Biancotti<\/td>\nSEI<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Strane Creature Del Mare<\/td>\nA. H. Verril<\/td>\nMursia<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Evoluzione Delle Societ\u00e0 Primitive<\/td>\nV. Gordon Childe<\/td>\nEditori Riuniti<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Viaggio D ‘ Istruzione Firenze<\/td>\n<\/td>\n<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Viaggio D ‘ Istruzione – Garda<\/td>\n<\/td>\n<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Provincia Di Napoli<\/td>\n<\/td>\n<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Recanati E Il Poeta<\/td>\nRenzo Bislani<\/td>\n<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Corallo Nel Gioiello Etnico Indiano<\/td>\n<\/td>\n<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Orvieto<\/td>\nRoberto Donati<\/td>\nPlurigraf<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Muraglia Cinese<\/td>\nLeonardo Bonzi<\/td>\nDe Agostini<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Repubbliche Del Mare<\/td>\nVittorio Emanuele Bravetta<\/td>\nLa Scuola<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n559<\/td>\n<\/td>\n<\/tr>\n
L ‘ Avventurosa Storia Sul Mare<\/td>\nDino S. Beretta – Roberto Costa<\/td>\nSEI<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n736<\/td>\n<\/td>\n<\/tr>\n
Artide E Antardide<\/td>\nSilvio Zavatti<\/td>\nLa Nuova Italia<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n674<\/td>\n<\/td>\n<\/tr>\n
Tutto E Nuovo Sotto Il Sole<\/td>\nVari<\/td>\nLa Scuola<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ravenna<\/td>\nGiuseppe Bovini<\/td>\nLongo<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Europa E Il Nuovo Mondo<\/td>\nVasco Bianchi<\/td>\nSEI<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Michelangelo<\/td>\nLaura Lattes<\/td>\nLa Scuola<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Storia Della Festa Dei Quattro Altari<\/td>\n<\/td>\n<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Coralli<\/td>\nNicola Petronzi<\/td>\n<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dall ‘ Artico All ‘ Antartico<\/td>\nP . Ghiglione<\/td>\nSEI<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Letture Del<\/td>\nVari<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Letture Del Lazio<\/td>\nVari<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Letture Del Lazio<\/td>\nVari<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Letture Del Lazio<\/td>\nVari<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Letture Delle Marche<\/td>\nVari<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Letture Delle Marche<\/td>\nVari<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Letture Delle Marche<\/td>\nVari<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Letture Del Friuli Venezia Giulia<\/td>\nVari<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Letture Del Friuli Venezia Giulia<\/td>\nVari<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Letture Del Friuli Venezia Giulia<\/td>\nVari<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Letture Della Liguria<\/td>\nVari<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Letture Della Liguria<\/td>\nVari<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Letture Della Liguria<\/td>\nVari<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lorenzo Benoni<\/td>\nGiovanni Ruffini<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lorenzo Benoni<\/td>\nGiovanni Ruffini<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Confessioni Di Un Italiano<\/td>\nIppolito Nievo<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Confessioni Di Un Italiano<\/td>\nIppolito Nievo<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L’ Idiota<\/td>\nFedor Dostoevskij<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Avventure Di Tom Sawyer<\/td>\nMark Twain<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\navventura<\/td>\n576<\/td>\n<\/td>\n<\/tr>\n
Alla Conquista Dello Spazio<\/td>\nJules Verne<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Viaggio In Italia<\/td>\nJohann Wolfgang Goethe<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Viaggio In Italia<\/td>\nJohann Wolfgang Goethe<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Promessi Sposi\u00a0<\/span><\/td>\nAlessandro Manzoni<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Dottor Antonio<\/td>\nGiovanni Ruffini<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ettore Fieramosca<\/td>\nMassimo D ‘ Azeglio<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Inchieste Di Dupin<\/td>\nEdgar Allan Poe<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Una Citt\u00e0 Senza Misteri<\/td>\nCarlo Collodi<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\nFiction<\/td>\nclassici<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Spagna<\/td>\nEdmondo De Amicis<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Spagna<\/td>\nEdmondo De Amicis<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Da Quarto Al Volturno<\/td>\nGiuseppe Cesare Abba<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Mie Prigioni<\/td>\nSilvio Pellico<\/td>\nRadar<\/td>\n16<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Vita<\/td>\nVittorio Alfieri<\/td>\nEditrice Italiana Roma<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Uomo Di Assisi<\/td>\nFrancesco Garlato<\/td>\nEditrice Italiana Roma<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Beethoven E Il Suo Tempo<\/td>\nFulvio Angius<\/td>\nEditrice Italiana Roma<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Viaggio Intorno Al Mondo<\/td>\nCorrado Pizzinelli<\/td>\nEditrice Italiana Roma<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Soort , Gioia Di Vivere<\/td>\nGiuseppe Ambrosini<\/td>\nEditrice Italiana Roma<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Moda Attraverso I Secoli<\/td>\nGioia Cesarini<\/td>\nEditrice Italiana Roma<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Avventure Su Due Ruote<\/td>\nVittorio Varale<\/td>\nEditrice Italiana Roma<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Signora Ava<\/td>\nFrancesco Jovine<\/td>\nEinaudi<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n1160<\/td>\n<\/td>\n<\/tr>\n
Diario Partigiano<\/td>\nAda Gobetti<\/td>\nEinaudi<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘Agnese Va A Morire<\/td>\nRenata Vigan\u00f2<\/td>\nEinaudi<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lettere Della Resistenza Europea<\/td>\nVari<\/td>\nEinaudi<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Racconti Siciliani<\/td>\nDanilo Dolci<\/td>\nEinaudi<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L ‘ Abici ‘ Della Guerra<\/td>\nBertolt Brecht<\/td>\nEinaudi<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Memorie<\/td>\nGiuseppe Garibaldi<\/td>\nEinaudi<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nHistory<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Conversazione In Sicilia<\/td>\nElio Vittorini<\/td>\nEinaudi<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n618<\/td>\n<\/td>\n<\/tr>\n
La Guerra Dei Poveri<\/td>\nNuto Revelli<\/td>\nEinaudi<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n626<\/td>\n<\/td>\n<\/tr>\n
Le Parole Sono Pietre<\/td>\nCarlo Levi<\/td>\nEinaudi<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ettore Fieramosca<\/td>\nMassimo D ‘ Azeglio<\/td>\nLa Scuola<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Canzoniere<\/td>\nFrancesco Petrarca<\/td>\nGarzanti<\/td>\n13<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Novelle Di Lia<\/td>\nLia Valle<\/td>\nFederico & Ardia<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nFiction<\/td>\nnarrativa ragazzi<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Le Meraviglie Delke Civilt\u00e0 Del Passato<\/td>\nVari<\/td>\nEditrice Italiana Di Cultura<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Antologia Di Spoon River<\/td>\nEdgar Lee Masters<\/td>\nEinaudi<\/td>\n16<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Capitali D ‘ Europa<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Sindacati<\/td>\nCarlo Cartiglia<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Delle Ferrovie<\/td>\nClementina Golzio Migliori<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Piccola Storia Dell ‘ Abbigliamento<\/td>\nGiovanna Dompe ‘<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n924<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Poteri Locali In Italia<\/td>\nGiuseppe Martinez<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Poteri Locali In Italia<\/td>\nGiuseppe Martinez<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Poteri Locali In Italia<\/td>\nGiuseppe Martinez<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Poteri Locali In Italia<\/td>\nGiuseppe Martinez<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Poteri Locali In Italia<\/td>\nGiuseppe Martinez<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Poteri Locali In Italia<\/td>\nGiuseppe Martinez<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Poteri Locali In Italia<\/td>\nGiuseppe Martinez<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Eresie Nei Primi Secoli Del Cristianesimo<\/td>\nFrancesco Saverio Pericoli Ridolfini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Eresie Nei Primi Secoli Del Cristianesimo<\/td>\nFrancesco Saverio Pericoli Ridolfini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Eresie Nei Primi Secoli Del Cristianesimo<\/td>\nFrancesco Saverio Pericoli Ridolfini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Eresie Nei Primi Secoli Del Cristianesimo<\/td>\nFrancesco Saverio Pericoli Ridolfini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Eresie Nei Primi Secoli Del Cristianesimo<\/td>\nFrancesco Saverio Pericoli Ridolfini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Eresie Nei Primi Secoli Del Cristianesimo<\/td>\nFrancesco Saverio Pericoli Ridolfini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Acqua<\/td>\nOvidio Pasquali<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Acqua<\/td>\nOvidio Pasquali<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Acqua<\/td>\nOvidio Pasquali<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Acqua<\/td>\nOvidio Pasquali<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Acqua<\/td>\nOvidio Pasquali<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Acqua<\/td>\nOvidio Pasquali<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Acqua<\/td>\nOvidio Pasquali<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Questione Meridionale<\/td>\nG. Fissore – G. Meinardi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Questione Meridionale<\/td>\nG. Fissore – G. Meinardi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Questione Meridionale<\/td>\nG. Fissore – G. Meinardi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Questione Meridionale<\/td>\nG. Fissore – G. Meinardi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Questione Meridionale<\/td>\nG. Fissore – G. Meinardi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Questione Meridionale<\/td>\nG. Fissore – G. Meinardi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Questione Meridionale<\/td>\nG. Fissore – G. Meinardi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Teatro E Pubblico<\/td>\nRosanna Ghiaroni<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Teatro E Pubblico<\/td>\nRosanna Ghiaroni<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Teatro E Pubblico<\/td>\nRosanna Ghiaroni<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Teatro E Pubblico<\/td>\nRosanna Ghiaroni<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Teatro E Pubblico<\/td>\nRosanna Ghiaroni<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Teatro E Pubblico<\/td>\nRosanna Ghiaroni<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Teatro E Pubblico<\/td>\nRosanna Ghiaroni<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Teatro E Pubblico<\/td>\nRosanna Ghiaroni<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Teatro E Pubblico<\/td>\nRosanna Ghiaroni<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Teatro E Pubblico<\/td>\nRosanna Ghiaroni<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Teatro E Pubblico<\/td>\nRosanna Ghiaroni<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Esplorando Lo Spazio<\/td>\nE. Valabrega – L. Manassi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Angola<\/td>\nAnna Milanini Kemeny<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Angola<\/td>\nAnna Milanini Kemeny<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Angola<\/td>\nAnna Milanini Kemeny<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Angola<\/td>\nAnna Milanini Kemeny<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Angola<\/td>\nAnna Milanini Kemeny<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Africa<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Africa<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Africa<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Africa<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Africa<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Africa<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Africa<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Asia<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Asia<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Asia<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Asia<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Paesi Arabi Dell ‘ Asia<\/td>\nPier Giovanni Donini<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Comportamento Animale<\/td>\nE. Alleva – E. Visalberghi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Comportamento Animale<\/td>\nE. Alleva – E. Visalberghi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Comportamento Animale<\/td>\nE. Alleva – E. Visalberghi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Comportamento Animale<\/td>\nE. Alleva – E. Visalberghi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Comportamento Animale<\/td>\nE. Alleva – E. Visalberghi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Comportamento Animale<\/td>\nE. Alleva – E. Visalberghi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Comportamento Animale<\/td>\nE. Alleva – E. Visalberghi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Evoluzione Biologica<\/td>\nNicoletta Morello<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Evoluzione Biologica<\/td>\nNicoletta Morello<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Evoluzione Biologica<\/td>\nNicoletta Morello<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Evoluzione Biologica<\/td>\nNicoletta Morello<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Evoluzione Biologica<\/td>\nNicoletta Morello<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Evoluzione Biologica<\/td>\nNicoletta Morello<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – L ‘ Evoluzione Biologica<\/td>\nNicoletta Morello<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Introduzione Allo Studio Delle Onde<\/td>\nMarta Lara Nascimento<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Introduzione Allo Studio Delle Onde<\/td>\nMarta Lara Nascimento<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Introduzione Allo Studio Delle Onde<\/td>\nMarta Lara Nascimento<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Grafici<\/td>\nAldo Vespi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Grafici<\/td>\nAldo Vespi<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – URSS E USA Strutture Agricole E Classi Sociali<\/td>\nLuigi Marelli<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – URSS E USA Strutture Agricole E Classi Sociali<\/td>\nLuigi Marelli<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – URSS E USA Strutture Agricole E Classi Sociali<\/td>\nLuigi Marelli<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – URSS E USA Strutture Agricole E Classi Sociali<\/td>\nLuigi Marelli<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – URSS E USA Strutture Agricole E Classi Sociali<\/td>\nLuigi Marelli<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – URSS E USA Strutture Agricole E Classi Sociali<\/td>\nLuigi Marelli<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – URSS E USA Strutture Agricole E Classi Sociali<\/td>\nLuigi Marelli<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – URSS E USA Strutture Agricole E Classi Sociali<\/td>\nLuigi Marelli<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Sindacati<\/td>\nCarlo Cartiglia<\/td>\nLoescher<\/td>\n16<\/td>\n4<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Campo Elettromagnetico<\/td>\nGiovanna De Sabbata<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Campo Elettromagnetico<\/td>\nGiovanna De Sabbata<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Campo Elettromagnetico<\/td>\nGiovanna De Sabbata<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Campo Elettromagnetico<\/td>\nGiovanna De Sabbata<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Campo Elettromagnetico<\/td>\nGiovanna De Sabbata<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Campo Elettromagnetico<\/td>\nGiovanna De Sabbata<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Campo Elettromagnetico<\/td>\nGiovanna De Sabbata<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Campo Elettromagnetico<\/td>\nGiovanna De Sabbata<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Campo Elettromagnetico<\/td>\nGiovanna De Sabbata<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Campo Elettromagnetico<\/td>\nGiovanna De Sabbata<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Uomini Si Muovono<\/td>\nUmberto Cassinis<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Uomini Si Muovono<\/td>\nUmberto Cassinis<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Uomini Si Muovono<\/td>\nUmberto Cassinis<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Uomini Si Muovono<\/td>\nUmberto Cassinis<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Uomini Si Muovono<\/td>\nUmberto Cassinis<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Paesi Del Sottosviluppo<\/td>\nAntonio Donini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Paesi Del Sottosviluppo<\/td>\nAntonio Donini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Paesi Del Sottosviluppo<\/td>\nAntonio Donini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Paesi Del Sottosviluppo<\/td>\nAntonio Donini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Paesi Del Sottosviluppo<\/td>\nAntonio Donini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Paesi Del Sottosviluppo<\/td>\nAntonio Donini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Paesi Del Sottosviluppo<\/td>\nAntonio Donini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Paesi Del Sottosviluppo<\/td>\nAntonio Donini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Paesi Del Sottosviluppo<\/td>\nAntonio Donini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Paesi Del Sottosviluppo<\/td>\nAntonio Donini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Paesi Del Sottosviluppo<\/td>\nAntonio Donini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Paesi Del Sottosviluppo<\/td>\nAntonio Donini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Immagini In Movimento<\/td>\nGianfranco Staccioli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Immagini In Movimento<\/td>\nGianfranco Staccioli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Immagini In Movimento<\/td>\nGianfranco Staccioli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Immagini In Movimento<\/td>\nGianfranco Staccioli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Immagini In Movimento<\/td>\nGianfranco Staccioli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Immagini In Movimento<\/td>\nGianfranco Staccioli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Immagini In Movimento<\/td>\nGianfranco Staccioli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Immagini In Movimento<\/td>\nGianfranco Staccioli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Disegnare Con La Luce<\/td>\nGianfranco Staccioli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Disegnare Con La Luce<\/td>\nGianfranco Staccioli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Disegnare Con La Luce<\/td>\nGianfranco Staccioli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Suolo<\/td>\nIvo Neviani<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Della Scrittura<\/td>\nGian Battista Roggia<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Della Scrittura<\/td>\nGian Battista Roggia<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n924<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Della Scrittura<\/td>\nGian Battista Roggia<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Della Scrittura<\/td>\nGian Battista Roggia<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Della Scrittura<\/td>\nGian Battista Roggia<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Della Scrittura<\/td>\nGian Battista Roggia<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Cervello E Calcolatori<\/td>\nAlexander M. Andrew<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Cervello E Calcolatori<\/td>\nAlexander M. Andrew<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Degli Arabi<\/td>\nFrancesco Castro<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Degli Arabi<\/td>\nFrancesco Castro<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Degli Arabi<\/td>\nFrancesco Castro<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Degli Arabi<\/td>\nFrancesco Castro<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Degli Arabi<\/td>\nFrancesco Castro<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Degli Arabi<\/td>\nFrancesco Castro<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Degli Arabi<\/td>\nFrancesco Castro<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Degli Arabi<\/td>\nFrancesco Castro<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Degli Arabi<\/td>\nFrancesco Castro<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Degli Arabi<\/td>\nFrancesco Castro<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Degli Arabi<\/td>\nFrancesco Castro<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Degli Arabi<\/td>\nFrancesco Castro<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Guerra Di Secessione Americana<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Guerra Di Secessione Americana<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Guerra Di Secessione Americana<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Guerra Di Secessione Americana<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Che Cos’\u00e8 La Statistica<\/td>\nU. Pampallona . L. Ragusa Gilli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Che Cos’\u00e8 La Statistica<\/td>\nU. Pampallona . L. Ragusa Gilli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Che Cos’\u00e8 La Statistica<\/td>\nU. Pampallona . L. Ragusa Gilli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Che Cos’\u00e8 La Statistica<\/td>\nU. Pampallona . L. Ragusa Gilli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il piano in movimento\u00a0<\/span><\/td>\nLuisa Ceccarelli Fabbrichese<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il piano in movimento\u00a0<\/span><\/td>\nLuisa Ceccarelli Fabbrichese<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il piano in movimento\u00a0<\/span><\/td>\nLuisa Ceccarelli Fabbrichese<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il piano in movimento\u00a0<\/span><\/td>\nLuisa Ceccarelli Fabbrichese<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il piano in movimento\u00a0<\/span><\/td>\nLuisa Ceccarelli Fabbrichese<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il piano in movimento\u00a0<\/span><\/td>\nLuisa Ceccarelli Fabbrichese<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n924<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il piano in movimento\u00a0<\/span><\/td>\nLuisa Ceccarelli Fabbrichese<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il piano in movimento\u00a0<\/span><\/td>\nLuisa Ceccarelli Fabbrichese<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n926<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Dei Partiti Politici Dall ‘ Unit\u00e0 Alla Costituente<\/td>\nVittorio Vidotto<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Dei Partiti Politici Dall ‘ Unit\u00e0 Alla Costituente<\/td>\nVittorio Vidotto<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Dallo Statuto Albertino Alla Costituzione Repubblicana<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Dallo Statuto Albertino Alla Costituzione Repubblicana<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Dallo Statuto Albertino Alla Costituzione Repubblicana<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Dallo Statuto Albertino Alla Costituzione Repubblicana<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Dallo Statuto Albertino Alla Costituzione Repubblicana<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Dallo Statuto Albertino Alla Costituzione Repubblicana<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Dallo Statuto Albertino Alla Costituzione Repubblicana<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Nascita Della Grande Industria In Europa<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Nascita Della Grande Industria In Europa<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Nascita Della Grande Industria In Europa<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Nascita Della Grande Industria In Europa<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Nascita Della Grande Industria In Europa<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Campagne Coloniali Italiane<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Campagne Coloniali Italiane<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Campagne Coloniali Italiane<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Campagne Coloniali Italiane<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Campagne Coloniali Italiane<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Campagne Coloniali Italiane<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n924<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Campagne Coloniali Italiane<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Campagne Coloniali Italiane<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n926<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Seconda Guerra Mondiale<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Seconda Guerra Mondiale<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Seconda Guerra Mondiale<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Seconda Guerra Mondiale<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n926<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – campagne garibaldine<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – campagne garibaldine<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – campagne garibaldine<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – campagne garibaldine<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – campagne garibaldine<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – campagne garibaldine<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Cina e Giappone<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Cina e Giappone<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Cina e Giappone<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Cina e Giappone<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Cina e Giappone<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Cina e Giappone<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Cina e Giappone<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Grandi Fiumi<\/td>\nMaria Nanni Germano<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Grandi Fiumi<\/td>\nMaria Nanni Germano<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Delle Ferrovie<\/td>\nClementina Golzio Migliori<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n924<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Delle Ferrovie<\/td>\nClementina Golzio Migliori<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Delle Ferrovie<\/td>\nClementina Golzio Migliori<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Delle Ferrovie<\/td>\nClementina Golzio Migliori<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Prima Guerra Mondiale<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Prima Guerra Mondiale<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n924<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Prima Guerra Mondiale<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Prima Guerra Mondiale<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Prima Guerra Mondiale<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Prima Guerra Mondiale<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Prima Guerra Mondiale<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Prima Guerra Mondiale<\/td>\nFranco Di Tondo<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Piccola Storia Dell ‘ Abbigliamento<\/td>\nGiovanna Dompe ‘<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Piccola Storia Dell ‘ Abbigliamento<\/td>\nGiovanna Dompe ‘<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Piccola Storia Dell ‘ Abbigliamento<\/td>\nGiovanna Dompe ‘<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Piccola Storia Dell ‘ Abbigliamento<\/td>\nGiovanna Dompe ‘<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Piccola Storia Dell ‘ Abbigliamento<\/td>\nGiovanna Dompe ‘<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Piccola Storia Dell ‘ Abbigliamento<\/td>\nGiovanna Dompe ‘<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Ordinamenti Politici Dei Romani<\/td>\nGiulio Buttici<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Ordinamenti Politici Dei Romani<\/td>\nGiulio Buttici<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Ordinamenti Politici Dei Romani<\/td>\nGiulio Buttici<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Ordinamenti Politici Dei Romani<\/td>\nGiulio Buttici<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Ordinamenti Politici Dei Romani<\/td>\nGiulio Buttici<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Ordinamenti Politici Dei Romani<\/td>\nGiulio Buttici<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Ordinamenti Politici Dei Romani<\/td>\nGiulio Buttici<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Ordinamenti Politici Dei Romani<\/td>\nGiulio Buttici<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Dominazione Spagnola Nell Italia Meridionale<\/td>\nC. Ascari – O. Cardarelli<\/td>\nLoescher<\/td>\n16<\/td>\n655<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Alle Origini Degli Stati Uniti D ‘ America<\/td>\nLydia Tornatore<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n926<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Alle Origini Degli Stati Uniti D ‘ America<\/td>\nLydia Tornatore<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Alle Origini Degli Stati Uniti D ‘ America<\/td>\nLydia Tornatore<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n924<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Della Guerra<\/td>\nArsenio Frugoni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Della Guerra<\/td>\nArsenio Frugoni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Della Guerra<\/td>\nArsenio Frugoni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Della Guerra<\/td>\nArsenio Frugoni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Della Guerra<\/td>\nArsenio Frugoni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Della Guerra<\/td>\nArsenio Frugoni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Storia Della Guerra<\/td>\nArsenio Frugoni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Piccola Storia Dell ‘ Abitazione In Europa<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Piccola Storia Dell ‘ Abitazione In Europa<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Piccola Storia Dell ‘ Abitazione In Europa<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Capitali D ‘ Europa<\/td>\nAdriana Foschini<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Pesca In Europa<\/td>\nLucia Landi Barittoni<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n926<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Pesca In Europa<\/td>\nLucia Landi Barittoni<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Carta E La Stampa<\/td>\nRosa Rinaldi Carini<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n926<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Carta E La Stampa<\/td>\nRosa Rinaldi Carini<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Carta E La Stampa<\/td>\nRosa Rinaldi Carini<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n924<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Carta E La Stampa<\/td>\nRosa Rinaldi Carini<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Carta E La Stampa<\/td>\nRosa Rinaldi Carini<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Carta E La Stampa<\/td>\nRosa Rinaldi Carini<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Misurare \u00c8 Facile ?<\/td>\nAldo Vespi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n926<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Misurare \u00c8 Facile ?<\/td>\nAldo Vespi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Misurare \u00c8 Facile ?<\/td>\nAldo Vespi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n924<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Misurare \u00c8 Facile ?<\/td>\nAldo Vespi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Misurare \u00c8 Facile ?<\/td>\nAldo Vespi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Misurare \u00c8 Facile ?<\/td>\nAldo Vespi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Misurare \u00c8 Facile ?<\/td>\nAldo Vespi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Misurare \u00c8 Facile ?<\/td>\nAldo Vespi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Precolombiane<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Precolombiane<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Precolombiane<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Precolombiane<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Precolombiane<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Precolombiane<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Precolombiane<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Precolombiane<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Precolombiane<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Precolombiane<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Precolombiane<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Civilt\u00e0 Precolombiane<\/td>\nGiuliana Bandinelli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Alimenti E La Vita<\/td>\nAnna Tongiorgi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Alimenti E La Vita<\/td>\nAnna Tongiorgi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Alimenti E La Vita<\/td>\nAnna Tongiorgi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Alimenti E La Vita<\/td>\nAnna Tongiorgi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Alimenti E La Vita<\/td>\nAnna Tongiorgi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Alimenti E La Vita<\/td>\nAnna Tongiorgi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Alimenti E La Vita<\/td>\nAnna Tongiorgi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Alimenti E La Vita<\/td>\nAnna Tongiorgi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Gli Alimenti E La Vita<\/td>\nAnna Tongiorgi<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Romani Urbanisti E Architetti<\/td>\nAnita Bujoni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n924<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita Quotidiana A Roma<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Greci Nell ‘ Et\u00e0 Di Pericle<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n926<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Greci Nell ‘ Et\u00e0 Di Pericle<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Greci Nell ‘ Et\u00e0 Di Pericle<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Greci Nell ‘ Et\u00e0 Di Pericle<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Greci Nell ‘ Et\u00e0 Di Pericle<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Greci Nell ‘ Et\u00e0 Di Pericle<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Greci Nell ‘ Et\u00e0 Di Pericle<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Greci Nell ‘ Et\u00e0 Di Pericle<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – I Greci Nell ‘ Et\u00e0 Di Pericle<\/td>\nGiovanna Barbieri<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n904<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Carte Geografiche<\/td>\nGiuseppe Nangeroni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Carte Geografiche<\/td>\nGiuseppe Nangeroni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Clima<\/td>\nGiuseppe Nangeroni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Clima<\/td>\nGiuseppe Nangeroni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Clima<\/td>\nGiuseppe Nangeroni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Clima<\/td>\nGiuseppe Nangeroni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Clima<\/td>\nGiuseppe Nangeroni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Clima<\/td>\nGiuseppe Nangeroni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Clima<\/td>\nGiuseppe Nangeroni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Il Clima<\/td>\nGiuseppe Nangeroni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita In Una Citt\u00e0 Comunale Italiana<\/td>\nAnita Bujoni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita In Una Citt\u00e0 Comunale Italiana<\/td>\nAnita Bujoni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita In Una Citt\u00e0 Comunale Italiana<\/td>\nAnita Bujoni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita In Una Citt\u00e0 Comunale Italiana<\/td>\nAnita Bujoni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita In Una Citt\u00e0 Comunale Italiana<\/td>\nAnita Bujoni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita In Una Citt\u00e0 Comunale Italiana<\/td>\nAnita Bujoni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Guida Allo Studio Della Regione<\/td>\nMaria Caprioli<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Vita In Una Citt\u00e0 Comunale Italiana<\/td>\nAnita Bujoni<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Ai Tempi Dei Castelli Feudali<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Ai Tempi Dei Castelli Feudali<\/td>\nGianna Bonus Cuaz<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Interroghiamo L ‘ Atmosfera<\/td>\nUgo Pampallona<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Interroghiamo L ‘ Atmosfera<\/td>\nUgo Pampallona<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Interroghiamo L ‘ Atmosfera<\/td>\nUgo Pampallona<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n918<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Interroghiamo L ‘ Atmosfera<\/td>\nUgo Pampallona<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n917<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Interroghiamo L ‘ Atmosfera<\/td>\nUgo Pampallona<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Interroghiamo L ‘ Atmosfera<\/td>\nUgo Pampallona<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n914<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Produzione Mineraria In Italia<\/td>\nPietro Doneddu<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n922<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Produzione Mineraria In Italia<\/td>\nPietro Doneddu<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Produzione Mineraria In Italia<\/td>\nPietro Doneddu<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Formazione Dei Centri Urbani In Italia<\/td>\nMaria Caprioli<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n921<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Formazione Dei Centri Urbani In Italia<\/td>\nMaria Caprioli<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n920<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Formazione Dei Centri Urbani In Italia<\/td>\nMaria Caprioli<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Formazione Dei Centri Urbani In Italia<\/td>\nMaria Caprioli<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n916<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Formazione Dei Centri Urbani In Italia<\/td>\nMaria Caprioli<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n911<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – La Formazione Dei Centri Urbani In Italia<\/td>\nMaria Caprioli<\/td>\nLoescher<\/td>\n16<\/td>\n5<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n911<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Piante\u00a0<\/span><\/td>\nM. Antonietta Belasio<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n926<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Piante\u00a0<\/span><\/td>\nM. Antonietta Belasio<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n925<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Piante\u00a0<\/span><\/td>\nM. Antonietta Belasio<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n924<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Piante\u00a0<\/span><\/td>\nM. Antonietta Belasio<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n923<\/td>\n<\/td>\n<\/tr>\n
La Ricerca – Le Piante\u00a0<\/span><\/td>\nM. Antonietta Belasio<\/td>\nLoescher<\/td>\n16<\/td>\n6<\/td>\n<\/td>\nSchool<\/td>\n<\/td>\n919<\/td>\n<\/td>\n<\/tr>\n
Delitto imperfetto<\/td>\nNando Dalla Chiesa<\/td>\nMondadori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Un Fuoriclasse<\/td>\nDomenico Savio<\/td>\nElle Di Ci<\/td>\n1<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Vangelo Secondo La Scienza<\/td>\nPiergiorgio Odifreddi<\/td>\nEinaudi<\/td>\n1<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Romanzo Americano<\/td>\nGuido Piovene<\/td>\nClub Degli Editori\u00a0<\/span><\/td>\n1<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tre Amici<\/td>\nMario Tobino<\/td>\nMondadori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nati Due Volte<\/td>\nGiuseppe Pontiggia<\/td>\nMondadori<\/td>\n1<\/td>\n5<\/td>\n<\/td>\nSocial Science<\/td>\ntemi sociali<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Due Di Noi<\/td>\nG. Righini Ricci<\/td>\nIl Capitello<\/td>\n1<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Classe<\/td>\nErich Segal<\/td>\nDe Agostini<\/td>\n1<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Da Fiaba A Fiaba<\/td>\nVari<\/td>\n<\/td>\n1<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vento Divino<\/td>\nInoguci Nakajima Pineau<\/td>\nLonganesi<\/td>\n1<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Villaggio Racconta<\/td>\nB. Boriko Lopeo<\/td>\nE.M.I<\/td>\n1<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
L’ombra cinese<\/td>\nGeorges Simenon<\/td>\nAdelphi<\/td>\n1<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Maigret a New York<\/td>\nGeorges Simenon<\/td>\nAdelphi\u00a0<\/span><\/td>\n1<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Il Mestiere Dell ‘ Archeologo<\/td>\nLeonard Woolley<\/td>\nEinaudi<\/td>\n1<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Quando la guerra fin\u00ec davvero<\/td>\nMarco Maresca<\/td>\nIoscrittore<\/td>\n1<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Eterni Secondi<\/td>\nRosario Esposito La Rossa<\/td>\nEinaudi<\/td>\n1<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Elogio Della Mitezza<\/td>\nNorberto Bobbio<\/td>\nEdizioni Dell ‘ Asino<\/td>\n1<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Coraline<\/td>\nNeil Gaiman<\/td>\nMondadori<\/td>\n3<\/td>\n1<\/td>\n<\/td>\nFantasy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Diario Di Una Schiappa – La Dura Verit\u00e0<\/td>\nJeff Kinney<\/td>\nIl Castoro<\/td>\n3<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ci Chiamavano Banditi<\/td>\nGuido Petter<\/td>\nGiunti<\/td>\n1<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
In Fuga Con La Mummia<\/td>\nGigliola Alvisi – Maurizio Furini<\/td>\nPiemme<\/td>\n3<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cosi ‘ Parlano Le Stelle<\/td>\nMargherita Back – Eda Gjergo<\/td>\nPickwick<\/td>\n1<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Nostra Casa E In Fiamme<\/td>\nGreta Thunberg<\/td>\nSalani<\/td>\n1<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Olga Di Carta<\/td>\nElisabetta Gnone<\/td>\nSalani<\/td>\n3<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ho Sognato La Cioccolata Per Anni<\/td>\nTrudi Birger<\/td>\nIl Battello A Vapore<\/td>\n1<\/td>\n3<\/td>\n<\/td>\nFiction, History<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alice ‘S Adventures In Wonderland<\/td>\nLewis Carroll<\/td>\nBlack Cat<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\nCD<\/td>\n<\/tr>\n
Little Women<\/td>\nLouise May Alcott<\/td>\nBlack Cat<\/td>\n3<\/td>\n6<\/td>\n<\/td>\nFiction<\/td>\n<\/td>\n<\/td>\nCD<\/td>\n<\/tr>\n
Virtual Worlds – Il Medaglione Dorato<\/td>\nFrancesco Lombardo<\/td>\nAlbatros<\/td>\n6<\/td>\n3<\/td>\n<\/td>\nFantasy, Sci – Fi<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Virtual Worlds – Il Medaglione Dorato<\/td>\nFrancesco Lombardo<\/td>\nAlbatros<\/td>\n5<\/td>\n6<\/td>\n<\/td>\nFantasy, Sci – Fi<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Virtual Worlds – Il Medaglione Dorato<\/td>\nFrancesco Lombardo<\/td>\nAlbatros<\/td>\n5<\/td>\n6<\/td>\n<\/td>\nFantasy, Sci – Fi<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annuario Scolastico 2018 – 19<\/td>\n<\/td>\n<\/td>\n5<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annuario Scolastico 2018 – 19<\/td>\n<\/td>\n<\/td>\n5<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n","protected":false},"excerpt":{"rendered":"

IC Giacomo Leopardi di Torre del Greco Catalogo della biblioteca per cercare un volume usa la combinazione di tasti Ctrl + F vai al catalogo con Appsheet prenota qui la tua richiesta di prestito Titolo Autore […]<\/p>\n","protected":false},"author":1,"featured_media":10645,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.icleopardi.edu.it\/wp-json\/wp\/v2\/pages\/12726"}],"collection":[{"href":"http:\/\/www.icleopardi.edu.it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.icleopardi.edu.it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.icleopardi.edu.it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.icleopardi.edu.it\/wp-json\/wp\/v2\/comments?post=12726"}],"version-history":[{"count":6,"href":"http:\/\/www.icleopardi.edu.it\/wp-json\/wp\/v2\/pages\/12726\/revisions"}],"predecessor-version":[{"id":12744,"href":"http:\/\/www.icleopardi.edu.it\/wp-json\/wp\/v2\/pages\/12726\/revisions\/12744"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.icleopardi.edu.it\/wp-json\/wp\/v2\/media\/10645"}],"wp:attachment":[{"href":"http:\/\/www.icleopardi.edu.it\/wp-json\/wp\/v2\/media?parent=12726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}